He attempts to maintain a balancing act between his seizure triggers and his day-to-day schedule, but he finds that nothing—not even his medication—seems to work. The doctors won’t listen, the schoolwork keeps piling up, his family is in denial about his condition, and his social life falls apart as he feels more and more isolated by his illness. Even with an unexpected new friend by his side, so much is up against him that Isaac is starting to think his epilepsy might be unbeatable. Based on the author’s own experiences as an epileptic, Mis(h)adra is a boldly visual depiction of the daily struggles of living with a misunderstood condition in today’s hectic and uninformed world.

    It's ADVENTURE TIME! Join Finn the Human, Jake the Dog, and Princess Bubblegum for all-new adventures through The Land of Ooo.The totally algebraic adventures of Finn and Jake have come to the comic book page! The Lich, a super-lame, SUPER-SCARY skeleton dude, has returned to the the Land of Ooo, and he’s bent on total destruction! Luckily, Finn and Jake are on the case...but can they succeed against their most destructive foe yet? Featuring fan-favorite characters Marceline the Vampire Queen, Princess Bubblegum, Lumpy Space Princess and the Ice King!

    The class learns about a different style of music each day, from hip-hop to metal to disco, but it’s hard for Charlie to concentrate when she can’t stop noticing her classmate Emile, or wondering about Luka, who hasn’t been to school in weeks. On top of everything, she has been talked into participating in an end-of-year performance with her best friends.Then, the class learns about opera, and Charlie discovers the music of Maria Callas. The more she learns about Maria’s life, the more Charlie admires her passion for singing and her ability to express herself fully through her music. Can Charlie follow the example of the ultimate diva, Maria Callas, when it comes to her own life?This evocatively illustrated graphic novel brilliantly captures the high drama of middle school by focusing on the desire of its finely drawn characters to sing and be heard.

    Her single father raised her as a piano prodigy, with a rigid schedule and the goal of playing sold-out shows across the globe. Now, as a teenager, Glory has disappeared. As we flash back to the events leading up to her disappearance, we see a girl on the precipice of disaster. Brilliant and lonely, Glory is drawn to an artistic new boy, Frank, who moves in next door. The farther she falls, the deeper she spirals into madness. Before long, Glory is unable to play anything but the song "Chopsticks." But nothing is what it seems, and Glory's reality is not reality at all. In this stunningly moving novel told in photographs, pictures, and words, it's up to the reader to decide what is real, what is imagined, and what has been madness all along....

    It's a place where she can be a leader, a fighter, a hero. It's a place where she can meet people from all over the world, and make friends. But things become a lot more complicated when Anda befriends a gold farmer--a poor Chinese kid whose avatar in the game illegally collects valuable objects and then sells them to players from developed countries with money to burn. This behavior is strictly against the rules in Coarsegold, but Anda soon comes to realize that questions of right and wrong are a lot less straightforward when a real person's real livelihood is at stake. From acclaimed teen author (Little Brother, For the Win) and Boing Boing editor Cory Doctorow and Koko Be Good creator Jen Wang, In Real Life is a perceptive and high-stakes look at adolescence, gaming, poverty, and culture clash.

    There's a war going on, and girls are expected to help the struggling economy by selling cookies. But Blue loves living and working at the Bugle, the only paper in town that tells the truth. And what's printed in the newspapers now matters more than ever.But Blue struggles with her secret, and worries that if her friends and adopted family at the Bugle find out that she's a girl, she'll lose everything and everyone she cares about. And when she meets and befriends Crow, a boy who is also not what he seems, together they seek the freedom to be their true selves... and to save each other.

    Melanie Gillman's webcomic about a queer, black teenager who finds herself stranded in a dangerous and unfamiliar place: an all-white Christian youth backpacking camp.

    Gay boys like other boys. I hate boys. They’re mean, and scary, and they’re always destroying something or saying something dumb or both.I hate that word. Gay. It makes me feel . . . unsafe.It's the summer between middle school and high school, and Aiden Navarro is away at camp. Everyone's going through changes—but for Aiden, the stakes feel higher. As he navigates friendships, deals with bullies, and spends time with Elias (a boy he can't stop thinking about), he finds himself on a path of self-discovery and acceptance.

    As a baby she showcased Amazonian-like strength by pushing over a tree to rescue her neighbor’s cat. But, despite having similar abilities, the world has no problem telling her that she’s no Wonder Woman. And even if she was, they wouldn’t want her. Every time she comes to the rescue, she’s reminded of how people see her; as a threat. Her Moms do their best to keep her safe, but Nubia can’t deny the fire within her, even if she’s a little awkward about it sometimes. Even if it means people assume the worst.When Nubia’s best friend, Quisha, is threatened by a boy who thinks he owns the town, Nubia will risk it all—her safety, her home, and her crush on that cute kid in English class—to become the hero society tells her she isn’t.From the witty and powerful voice behind A Blade So Black, L.L. McKinney, and with endearing and expressive art by Robyn Smith, comes a vital story for today about equality, identity and kicking it with your squad.

    His mastery of his characters’ faces and gestures is also wonderful, his line quick and sure and expressive." —The New YorkerThe existential dread of making (or not making) art takes center stage in this trenchant satire of MFA cultureWendy is an aspiring contemporary artist whose adventures have taken her to galleries, art openings, and parties in Los Angeles, Tokyo, and Toronto. In Wendy, Master of Art, Walter Scott’s sly wit and social commentary zero in on MFA culture as our hero hunkers down to complete a master of fine arts at the University of Hell in small-town Ontario.Finally Wendy has space to refine her artistic practice, but in this calm, all of her unresolved insecurities and fears explode at full volume—usually while hungover. What is the post-Jungian object as symbol? Will she ever understand her course reading—or herself? What if she’s just not smart enough? As she develops as an artist and a person, Wendy also finds herself in a teaching position, mentoring a perpetually sobbing grade-grubbing undergrad.Scott’s incisively funny take on art school pretensions isn’t the only focus. Wendy, Master of Art explores the politics of open relationships and polyamory, performative activism, the precariousness of a life in the arts, as well as the complexities of gender identity, sex work, drug use, and more. At its heart, this is a book about the give and take of community—about learning to navigate empathy and boundaries, and to respect herself. It is deeply funny and endlessly relatable as it shows Wendy growing from millennial art party girl to successful artist, friend, teacher—and Master of Art.

    Thrilled to discover she comes from a line of werewolves, Artie asks her mom to share everything--including the story of Artie's late father. Her mom reluctantly agrees. And to help Artie figure out her own wolflike abilities, her mom recruits some old family friends.Artie thrives in her new community and even develops a crush on her new friend Maya. But as she learns the history of werewolves and her own parents' past, she'll find that wolves aren't the scariest thing in the woods--vampires are.

    (Not many people know that the best pumpkin patch in the whole wide world is in Omaha, Nebraska, but it definitely is.) They say good-bye every Halloween, and they’re reunited every September 1.But this Halloween is different—Josiah and Deja are finally seniors, and this is their last season at the pumpkin patch. Their last shift together. Their last good-bye.Josiah’s ready to spend the whole night feeling melancholy about it. Deja isn’t ready to let him. She’s got a plan: What if—instead of moping and the usual slinging lima beans down at the Succotash Hut—they went out with a bang? They could see all the sights! Taste all the snacks! And Josiah could finally talk to that cute girl he’s been mooning over for three years . . .What if their last shift was an adventure?

    In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl. Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is.

    When her parents decide it’s time to pack up and leave her hometown of Portland, Oregon, behind for boring Seattle, Washington, Vega is more than upset—she’s downright miserable. Forced to leave her one and only best friend, Halley, behind, Vega is convinced she’ll never make another friend again. To help her settle into her new life in Seattle, her parents send Vega off to summer camp to make new friends. Except Vega is determined to get her old life back. But when her cellphone unexpectedly calls it quits and things at camp start getting stranger and stranger, Vega has no choice but to team up with her bunkmates to figure out what’s going on!

    In Teenage Wasteland, the Runaways find a kindred spirit in a daring young stranger and welcome him into their fold. But will this dashing young man help the teenagers defeat their villainous parents... or tear them apart? Plus: who do you send to catch a group of missing, runaway teenage super-heroes? Marvel's original teen runaway crimefighters, Cloak and Dagger, make their first major appearance in years In The Good Die Young, the world as we know it is about to end, and the Runaways are the only hope to prevent it Our fledgling teenage heroes have learned how their parents' criminal organization began, and now they must decide how it should end. As the Runaways' epic battle against their evil parents reaches its shocking conclusion, the team's mole stands revealed, and blood must be shed. Which kids will still be standing when the smoke finally clears? Collects Runaways (Vol.1) #1-18.