Taking his inspiration from Dylan Thomas' Under Milk Wood, Louis de Bernières chose to celebrate his ten years of life in the south London suburb, living above a small shop that had been by turns an outlet for oversized naughty clothes for transvestites, a West Indian hairdressers and a junk shop, by writing of the people that he had known and come to love in his time there.Brilliantly capturing the myriad voices of modern Britain, with their different rhythms of speech and accents, their humour and their tragedy, jokes and gossip, de Bernières' tour de force takes us to the heart of a community and its spirit - the lives and loves, the tears and the laughter of its people.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    When Lucy married Len on a golden July day, Martha tried hard to make the best of things. Len was a good man who would make Lucy happy. They wouldn't be living far away. And the arrival of grandchildren was something she anticipated eagerly. Unexpectedly, Len's job took the newly married couple overseas, where their first child was born. But sorrow, not joy, came with Dominic's birth. On their return, Lucy's best friend, Jennifer, as flighty as Lucy was conventional, was anxious to provide her own kind of consolation... Martha, who was experiencing unlooked-for and at first unwelcome changes in her own life, clung fast to the maternal bond that meant so much to herself and Lucy. Everything she had come to depend on was overturned, however, before Martha was able to find her own kind of happiness in a very different existence. One of Susan Sallis's most poignant and involving novels, The Keys to the Garden explores the mother-daughter relationship with a rare insight.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    There's Alex, miserable in his cold and calmly professional marriage, unable to leave because of his two children. Next comes Andrew, recently home from ten years in America, leaving an ex-wife and a beloved daughter on the other side of the world. And finally there's Barbara, the enchanting and lustrous object of their affections, formally self-possessed but strangely aimless and unfulfilled.With elegance and acuity, Madeleine St John chronicles their progress through numerous false starts, reversals, and misapprehensions. The result is a deeper understanding of longing and its significant companion -- loss.

    Reemy takes a new job and ends up running to stop a sex traffic organization - - but every step they take - someone seems to knowIs there a mole in their organization? Is there someone high up involved? Will they find the answer before more people are killed?

    No more romantic cul-de-sacs. No more saying "Yes" when you mean "No." Don't even pretend you don't know what I'm talkingabout.Your Inner Bitch, that integral, powerful part of you, is essential when you're falling in love, and even more essential when you're falling out of love. Looking for romance? Looking for a date? Looking for a relationship? Let your Inner Bitch be your guide."Remember, lust makes you stupid." --Nicole Hollander

    The story covers Maggie Clarke's upbringing in the tenements close to the docks, the River Mersey and the Leeds and Liverpool Canal: an area notorious for having the worst slums in Britain, yet the closest community as well.At the tender age of 11, Maggie Clarke finds herself the matriarch of the family when her Irish mother runs off with another man. Leaving school at 14 to work at a local factory putting sticks into lollies, she is determined to make a better life for herself and her family - before starting her own family with her childhood sweetheart, who she marries at 19 after 'falling in the family way'. She has one night of married life with her husband before he is sent to India with the Navy and is devastated when she never hears from him again, presuming him a casualty of the war that is raging at home and abroad. Another tragedy strikes when Maggie's brother Tommy is also claimed by the war, leaving her father inconsolable, but Maggie knows life has to go on and falls in love with Joseph, an Irish settler who she has 8 children with. But her happiness is short-lived as her first husband suddenly appears out of the blue demanding a divorce, and her new husband drinks away what little money they have, returning in fits of rage that leave Maggie and her children hungry and afraid. Many times she is only able to feed her brood by the kindness of neighbours putting a 'pan of scouse' on the range for her, or feeding her kids jam butties to help out. Maggie's story sweeps across the changing face of Liverpool, from its squalid dock streets, the tenement blocks and cobbled roads to the decline of the docklands, new council housing, the rise of the Mersey beat, the Beatles and the energy and passion of a city that is home to a cast of colourful characters with the resilience to withstand the heartbreak and hardships that only the poorest can know.

    She finds London a very lonely place, until a charming young artist literally drops in on her rooftop garden... Across two quietly powerful novels, Bel's story unfolds as she moves from London to a fishing hotel in the rugged Scottish highlands and then finally to a picturesque cottage in the Cotswolds in need of repair, all while attempting to navigate unexpected friendships and romances. Filled with all the warmth and charm which D. E. Stevenson readers have come to anticipate, The Bel Lamington Novels are beautifully written gentle romances, sure to satisfy steadfast Stevenson fans and newcomers alike.

    The first, an expensive lawyer. The second, suicide. Robert Derby used the first one. I’m using the second."Mara was celebrating her 21st birthday when her family was killed by a drunk driver. Two years later, Mara wants justice. She wants the drunk driver to understand how it feels to lose everything. She has a plan and a gun and she knows how to use it. But is she capable of murder?Garrett can’t help the family he was born into. His name puts a target on his back. Maybe that’s why he always dates women who need help. But can helping the wrong person lead to disaster?She Had to Kill Him is a gripping story about the things people do for their loved ones. Perfect for fans of Lisa Jewell, Colleen Hoover, and Paula Hawkins.

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    Rosie is very happy with her handsome husband and a fulfilling career as job counselor for the developmentally challenged. It might not be glamorous work, but Rosie is proud of the fact that she cares more about people than Prada. What more could a woman want in life? Except maybe being able to wear a sexy thong that doesn't make her behind look like a rump roast in butcher string…  But when Rosie's incredible husband turns out to be an incredible putz--sleeping with her best friend Inga--her life goes from Seventh Heaven to Jerry Springer in the blink of an eye and the tip of a wine glass.  Alone and deceived, but with her sense of humor still intact, Rosie turns to her wonderfully wacky mother to help her bounce back. Of course, Ma's recipe for mental recovery leaves much to be desired.  And after Rosie discovers a painful family secret, hidden behind years of lies, she must set out to find herself and what really matters in life.  Along the way, Rosie is surprised to find help from Mickey Hamilton, a.k.a. Ham, who is kind, generous, and has a great butt to match.  If only Rosie can overlook the fact that he's nicknamed after the meat section at the local supermarket he manages.  Milton, one of Rosie's endearing mentally challenged clients--and Ham's employee--also becomes a source of comfort along the way, always ready to defend "Miss Plow's" honor and warm her heart, even as it's breaking. And can a twenty-five-year-old punk office assistant with hair like candy corn really become Rosie's new best friend?  As she moves along the twisted road to self-discovery, Rosie finds happiness, acceptance, and even love - though none of it in the places she'd expected.   With laugh-out-loud scenes seamlessly interspersed among gut-wrenching moments of heartache, Starting Out Sideways is a unique and utterly delightful novel that will make you laugh, cry, and remember what's truly important in life.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    

    The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.