Bess and James played together as equals when they were children, but now James is engaged to the more socially acceptable Annabel Hadleigh.Bess takes up a teaching post in London but when war breaks out and London schoolchildren are evacuated she returns to Foxden to organise a troop of Land Girls. Traditional barriers come crashing down when Flying Officer James Foxden falls in love with Bess. But by this time Bess has come to know and respect Annabel. Can she be with James if it means breaking her best friend’s heart?And besides, Bess has a shameful secret that she has vowed to keep from James at any cost…

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...

    Theatre script, playbook

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    At eleven years-old, she has survived sickness, near starvation and harsh beatings.Master Simpkins and his cruel daughter rule the workhouse with a rod of iron, but when Romany boy, Joe, arrives at the workhouse, his spirit and courage give Eliza hope that another life is waiting for her outside.When she is sold into service, Eliza is relieved to be out of the workhouse and hopes her fortunes are changing for the better, but cruelty and unkindness are everywhere and her salvation could become her ruin…

    Based by Noel Coward upon his 1936 short play 'Still Life', the screenplay conjures up the drab, emotionally restrained world of post-war Britain better than almost any other literary text. It was nominated for an Oscar at the 1947 Academy Awards. Brief Encounter is perhaps the most moving and fully realized of all David Lean's films. This volume contains a specially commissioned introduction by Coward's biographer, Sheridan Morley.

    These are mixed fortunes ahead for Evie, and while Lucy grows up in the beautiful Irish countryside, Linnet is all too often forced to throw herself on the mercy of the enormous, impoverished Sullivan family. Life in a slum court during the thirties is far from easy -but when tragedy strikes it becomes the only existence possible for Linnet. Destitute, she disappears into the Liverpool slums like an teardrop in an ocean. Lucy, meanwhile, urgently needs her sister by her side. But she has little idea, when she leaves the farm and sets off to look for Linnet, how their meeting will change their lives for ever. . .

    Catherine's lack of worldliness prevents her from realizing that the young man proposing to her is not entirely drawn to her by her charm. Catherine's father, a successful doctor, sees through the fortune hunter and forbids the marriage, but his daughter proposes an elopement that fails to materialize because the young man knows most of her expected fortune will go elsewhere if he marries her. Catherine retires into a little world of her own. But the fortune hunter turns up once more and again proposes to her. For a moment, Catherine leads him to believe that she will accept him, but when he calls by appointment, she locks the door, blows out all the lights and allows him to realize that she will not be fooled for the second time.

    Missing from the roster of invitees is Christian's twin sister, Linda, who recently committed suicide. The reason for her action and the repercussions from it, form the basis of the shocking and painful events that transpire during a twenty-four hour period. In the midst of dinner, Christian makes a startling accusation and, even as the disbelieving guests are choosing sides, the play slowly unwraps the truth.David Eldridge powerful new play is adapted from Thomas Vinterborg's screenplay of the very successful film, Dogme.Published to tie in with Almeida Theatre production in March 2004 directed by Rufus Norris

    But when her husband, David, survives a plane crash and is left with severe brain damage, she faces a choice: will she dedicate her life to caring for a man she no longer loves, or walk away?Their marriage had been rocky at the time of the accident, and though she wants to do the right thing, Rachel doesn’t know how she is supposed to care for two kids in addition to a now irrational, incontinent, and seizure-prone grown man. And how will she manage to see her lover? But then again, what kind of selfish monster would refuse to care for her disabled husband, no matter how unhappy her marriage had been? Rachel wants to believe that she can dedicate her life to David’s needs, but knows in her heart it is impossible.Crash tackles a pervasive dilemma in our culture: the moral conflicts individuals face when caregiving for a disabled or cognitively impaired family member.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    Viciously raped, then thrown out of the family home, the girl goes on the run, fleeing her cruel rapist.

    This is a companion series and can be read independently of the Chronicles. The year is 1731 and in a small village in Cheshire, England, the Reverend Browne has determined the future of his young daughter Sarah. Her life will be dedicated to caring for him and his household affairs while he, acting as one of God’s chosen few, saves souls from the devil. Sarah dreams of a different future, one in which she will be happy and independent. As she grows older she starts to see glimpses of a tantalising world beyond her reach and longs one day to escape the drudgery of her life, to become part of it all and maybe even have her own business. However, a chance meeting leads first to joy and blossoming and then to the destruction of her whole world. It changes her life forever, forcing her down a path which is the very opposite of the glittering one she had hoped for, one for which she has to pay a terrible price to survive.

    After losing his wife to leukaemia, he wants to make a fresh start. His new life is going well until Matt returns to his cottage to discover a grim warning on his doorstop. The message is clear – Leave now and go back to London.Not wanting to give up his new life, Matt eventually discovers that there has been a 200-year-old feud between his family, the Trevelyars, and another local family, the Penhallows.When Matt learns that one of his ancestors burned down a barn belonging to the Penhallows, and that there were tragic consequences, he understands why his family name is mud. But why is Matt paying for the sins of his ancestors now? And is there more to the feud than meets the eye? Amanda James is the bestselling author of the psychological thrillers Another Mother, The Cornish Retribution and Rip Current, as well as the heart-warming women's fiction novel, The Calico Cat. The Feud is a suspenseful drama which will appeal to fans of authors like K.L. Slater, Shalini Boland and Lucy Dawson.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.