A sympathetic biography of the 10-time Academy Award nominated Hollywood legend, written by Stine with "running commentary" by Davis inserted throughout the text in red ink. "Mother Goddam" is apparently a nickname that Davis called herself.

    According to Arnold's recollections, the now-legendary film actress was captivating and the photographs were a success. Their relationship, which started as one of mutual advantage, developed into a friendship and, over the course of ten years, Arnold and Marilyn met for six other photography sessions. The shortest session was two hours long and the longest spanned over a period of two months, while Monroe was shooting The Misfits. This book chronicles those photography sessions and includes a text by Arnold, which gives insight to Monroe's career and personality.

    Here is a truly joyful and inspiring story of a woman achieving success on her own terms, in her own way. And now she is sharing her life, for the very first time, with us. Now I Can Dance is an uplifting story of love, family, laughter, determination and - of course - song.

    It includes tales of living on her own at 14 (and how laundry may have saved her life), getting stuck in a gas station overhang on a cross country road trip, saying goodbye to her father in a way only he could have understood, and many more adventures and lessons that have led her to the successful, happy, and healthy place she is today.

    A determined perfectionist with an incredible ego, her beauty, her style, her sense of the outrageous, made her a star. In this candid, illuminating, and detailed biography full of photographs, her only daughter Maria Riva, tells the incredible, fascinating, story of the star's life and career, loves and hates, hits and misses, as only a daughter can. From the Trade Paperback edition.

    The first man to coach the Springboks for four successive seasons, his rise to the top job in SA rugby is a journey of intense determination to succeed against all odds.

    During his time on The West Wing, he witnessed the surreal nexus of show business and politics both on the set and in the actual White House. And in between are deft and humorous stories of the wild excesses that marked the eighties, leading to his quest for family and sobriety.Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last twenty-five years. These stories are as entertaining as they are unforgettable.

    If you liked Are We There Yet?, then you'll love Rumble Road.

    I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps. Fanny Brice was indeed show business personified, and in this luminous volume, Herbert G. Goldman, acclaimed biographer of Al Jolson, illuminates the life of the woman who inspired the spectacularly successful Broadway show and movie Funny Girl, the vehicle that catapulted Barbra Streisand to super stardom. In a work that is both glorious biography and captivating theatre history, Goldman illuminates both Fanny's remarkable career on stage and radio--ranging from her first triumph as Sadie Salome to her long run as radio's Baby Snooks--and her less-than-triumphant personal life. He reveals a woman who was a curious mix of elegance and earthiness, of high and low class, a lady who lived like a duchess but cursed like a sailor. She was probably the greatest comedienne the American stage has ever known as well as our first truly great torch singer, the star of some of the most memorable Ziegfeld Follies in the 1910s and 1920s, and Goldman covers her theatrical career and theatre world in vivid detail. But her personal life, as Goldman shows, was less successful. The great love of her life, the gangster Nick Arnstein, was dashing, handsome, sophisticated, but at bottom, a loser who failed at everything from running a shirt hospital to manufacturing fire extinguishers, and who spent a good part of their marriage either hiding out, awaiting trial, or in prison. Her first marriage was over almost as soon as it was consummated, and her third and last marriage, to Billy Rose, the Bantam Barnum, ended acrimoniously when Rose left her for swimmer Eleanor Holm. As she herself remarked, I never liked the men I loved, and I never loved the men I liked. Through it all, she remained unaffected, intelligent, independent, and, above all, honest. Goldman's biography of Al Jolson has been hailed by critics, fellow biographers, and entertainers alike. Steve Allen called it an amazing job of research and added Goldman's book brings Jolson back to life indeed. The Philadelphia Inquirer said it was the most comprehensive biography to date, and Ronald J. Fields wrote that Goldman has captured not only the wonderful feel of Al Jolson but the heartbeat of his time. Now, with Fanny Brice, Goldman provides an equally accomplished portrait of the greatest woman entertainer of that illustrious era, a volume that will delight every lover of the stage.

    Moving from her earliest memories of the walled gardens and rocky shores of Western Ireland and her Hollywood childhood to her career as an actress, she writes of these experiences and her struggle to protect her children in a painful custody battle with Woody Allen. It was the crisis that led her to reflect upon the incidents that had brought her to a place so incomprehensible. She was born the third of seven children to the beautiful actress Maureen O'Sullivan and successful writer/director John Farrow, but the isolation of a polio ward brought her childhood to an abrupt end at the age of nine. Several years later, two deaths shattered the security of the family forever, and Mia Farrow embarked upon a journey that would lead her away from the convent education that was to sustain her spiritual courage, to starring roles in Peyton Place and Rosemary's Baby, a marriage to Frank Sinatra, divorce, a defining trip to India, work on the London stage and in film, and marriage to Andre Previn. Their life together in England brought them three sons and three daughters before that marriage, too, dissolved and she returned to the United States. The year 1979 saw the beginning of a new career with brilliant performances in thirteen of Woody Allen's most distinguished films.

    But just two years later Hakeem Olajuwon powered his American college team, the University of Houston, to the NCAA Final Four. And that was only the beginning. In Living the Dream, the center of the back-to-back NBA champion Houston Rockets shares one of the most remarkable basketball stories of our time. Hakeem tells exactly how it felt coming to America, leaving his family and friends. He puts you on campus, inside the locker room, and at the Final Four with the University of Houston's famous basketball fraternity, "Phi Slama Jama." Drafted into the NBA, he tells how, with one phone call, he, Michael Jordan, and Clyde Drexler might have all been Houston Rockets teammates. Hakeem gives vivid on-the-court profiles of his teammates, coaches, and competitors over the course of his long career with the Rockets, including Shaquille O'Neal, Kareem Abdul-Jabbar, Moses Malone, Larry Bird, Ralph Sampson, Pat Riley, and Patrick Ewing. He gives remarkable insights into the teamwork, cooperation, and attitude it takes to win a championship or succeed in any business. Hakeem also reveals how a championship team can fall apart and then be put together, and he is very forthright about the NBA's descent into "trash talking." Hakeem is the rare athlete who takes his status as a role model seriously. He became an American citizen, and Living the Dream explains how his reintroduction to his Muslim faith and his pilgrimage to Mecca changed his life.

    The Many Lives of Marilyn Monroe reviews the unreliable and unverifiable--but highly significant--stories that have framed this Hollywood legend, all the while revealing the meanings behind the American myths that have made Marilyn what she is today.In incisive and passionate prose, cultural critic Sarah Churchwell uncovers the shame, belittlement, and anxiety that we bring to the story of a woman we supposedly adore and, in the process, rescues a Marilyn Monroe who is far more complicated and credible than the one we think we know.

    Offers an intimate look at the work of Hollywood director John Ford through the observant eyes of actor Harry Carey, Jr.

    Winner of eight Oscars for costume design, the author describes some of the hundreds of productions she worked on and gives her personal impressions of the actors and actresses for whom she created costumes.

    An honest, revealing self-portrait by the critically acclaimed, fiercely independent actor, discusses his early life, career, world travels, social activism, and profiles of friends, lovers, and professional colleagues.