Girl loves boy. They get married. In India, there are a few more steps: Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's Family has to love Boy's Family. Boy's family has to love girl's family. Girl and Boy still love each other. They get married.Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India, deeply in love and want to get married. Of course, their parents don't agrees. To convert their love story into a love marriage, the couple have a tough battle in front of them. For it is easy to fight and rebel, but it is much harder to convince. Will they make it?From the author of blockbusters Five Point Someone, One Night @ the Call Center and The 3 Mistakes of My Life, comes another witty tale about inter-community marriages in modern india.

    A lifetime ago. Before the murder of her father. Before she became Kota Rani, the wise regent who rules over Kashmir with a firm hand.As invaders and immigrants disturb the tranquillity of her land, Kota must find a way to protect her people. But at what personal cost? Can she weather the political intrigues and power-play of the court? Will she succeed in preserving the splendour and diversity of her society? Will social hypocrisy and notions of what a woman should be keep Kota from being the sovereign she knows she is?Set in fourteenth-century Kashmir, The Last Queen of Kashmir is the sweeping saga of a civilization in peril. It is also the tale of one of the greatest queens of the land - one that will speak to the men and women of today.

    But that’s before she sees the perfect child. There he sits in his stroller, angelic and beautiful, magnetic and serene– and he makes Jane question everything she has and everything she thought she wanted. Suddenly all she can see are babies and pregnant woman everywhere. Were there always so many of them? And while there was once a man in her life–her one true love, Sam, gone from this world too soon–there is no man now. Jane must make a choice: possibly become a bitter and childless old lady, letting her biological clock tick on ’till menopause, or tend the ache in her heart now, by becoming a single mother. As Jane struggles to make the most important decision of her life, friends and family offer no shortage of opinions. There’s Ray, her “hubstitute” and gay best friend who would be jealous of any kid who got Jane as a mom; Sheila, her sister, who went from zero to sixty when she eloped with Raoul–who had two young twin sons– and has mixed feelings about being a new mommy; her strict, Catholic father who can’ t imagine what level of hell Jane would banish herself to if she becomes a single mother; and the women of Families with Children from China who are preparing to adopt orphan daughters–without a man in sight. Just as she thinks she’s made up her mind, Jane discovers one small wrench in her plans: handsome, charming, funny Peter, who just happens to be (unhappily) married. . . . And Baby Makes Two is a heartbreakingly honest, wonderfully addictive, and funny novel about love and loss, family and friendship. Judy Sheehan, co-creator of the smash hit Tony n’ Tina’s Wedding, has perfectly captured the delights and dilemmas of the scariest job in the world: motherhood.From the Hardcover edition.

    So, when the mysterious Sheetal enters his life, applying for the job of looking after Ayush, he is thrilled. All Sheetal has ever wanted, even as a child, is to be a mother. Circumstances mean that she might never be one. The almost instant bond between her and the young boy is balm to her soul and like a godsend to Abhay. Still, something about Sheetal nags at him. She seems perfect, but why is she so reluctant to show him her identity card? What is she hiding? What happens when Abhay finally discovers her secret? Does he stand by her side, or abandon her, as everyone before him has done? And what is the gift that she gives him, a gift that will change his life? In An Unexpected Gift, bestselling writer Ajay K Pandey brings to us an emotionally resonant story that questions everything we believe about friendship, love and motherhood.

    The work delightfully bridges the gap between the mundane and arcane writings of today and provides an interesting, yet intellectually stimulating, treat for the discerning reader. New Life is a long story written from the perspective of a successful adult whose mother had deserted the family for another man. The teenage angst and the scars it has left behind on the psyche of the protagonist are subtly reflected in the character. The different elements and characters of the story are beautifully interwoven to produce an intense and compelling story of an adult haunted by the trauma of being deserted by his mother. The work is interspersed with thought-provoking views on issues like love and socio-economic conditions in India. The traditional rhyme and metre dominated poems are on love, loss and longing. Unshackled by the bonds of rhyme and metre, Sabarna s free verses evoke the stark reality of urban life, hitting you straight in the guts. The use of everyday urban imagery adds to the appeal of the compositions. The concrete prison of urban life and the unfulfilled desire to escape to a simple life is aptly brought out in The Tower. The other poems of the collection are more biographical in nature with the protagonist being the member of the fairer sex. The free verses sketch out their life story with its attendant pathos, poignancy and logic. The best part of all the compositions is that the reader will definitely identify with the poet and will, in one form or other, have similar stories to narrate.

    When the 23-year-olds are transferred to a remote army unit, several hilarious situations follow, thanks to the stark novelty of a feminine presence in the traditionally male army. However, with each passing day, the differences in their personalities begin to emerge. Deepa is more ‘officer’: she insists on being called ‘Sahab’ and even takes to swearing like the troops. Anju is more ‘lady’: she can’t give up her make-up and Mills & Boon romances. Or resist the charms of a certain dashing young officer, despite her friend’s warnings to stay away. The girls frequently fall out and get back together, but face the same dilemma: is any man worth more than their uniform?

    Each of the tales implores us to continue our human legacy, reminding us of the virtuous nature that is inherently ours but is often hidden by life’s daily struggles.This book set in medieval times contains spiritual stories that can change lives, involving Indian kings, mystics, princes, and farmers. Stripping away the distractions of the present day, author Santhosh K. Komaraju provides a poignant look at what truly matters and encourages us to seek the essence of who we really are.

    The powerful district committee of Mityala routinely dismisses the suicide and refuses compensation to his widow. Gangiri, his brother, makes it his life’s mission to bring justice to the dead by influencing the committee to validate similar farmer suicides.Keyur Kashinath of the Democratic Party - first-time member of Parliament from Mityala, and son of Vaishnav Kashinath, the party’s general secretary - is the heir to his father’s power in Delhi politics. He faces his first crisis every suicide in his constituency certified by the committee as debt-related is a blot on the party’s image, and his competence.The brilliant farmer battles his inheritance of despair, the arrogant politician fights for the power he has received as legacy. Their two worlds collide in a conflict that pushes both to the limits of morality from where there is no turning back. At stake is the truth about ‘inherited’ democratic power. And at the end, there can only be one winner. Passionate and startlingly insightful, Shoes of the Dead is a chilling parable of modern-day India.A book that will make you stroll through India’s corridors of power and politics with a perfect portrayal of how its consequences creep into the lives of the farmers forcing them to commit suicide. Get ready to read a gripping tale by Kota Neelima.

    Mounting it, he puts one foot on the pedal, the other on the threshold, and waits for Teresa. This was how he used to wait for her at the station two years ago. He used to be in love with her then… Sahitya Akademi-awardee Damodar Mauzo is one of the most prominent, prolific and feted figures in contemporary Konkani literature. His writing spans an enormous range, straddling both urban and rural geographies, and runs the gamut of human emotion—the paralyzing helplessness of the small farmer in the face of implacable nature; the eternal ebbs and flows of the man-woman relationship; and the many humiliations, small and large, of raising a differently abled child. In the title story, an ineffectual husband finally reaches his boiling point; ‘Coinsanv’s Cattle’ is a heart-breaking depiction of how a farmer couple must make the impossible choice—send their beloved animals to slaughter or face starvation; and, in the quietly humorous ‘A Writer’s Tale’, a senior author becomes the unwitting subject of a woman’s fiction. Compiled with care, and smoothly, felicitously translated by Xavier Cota, Teresa’s Man and Other Stories from Goa brings to readers tales which are as compellingly local in their flavour as they are universal in the ideas and emotions they evoke. This volume is a must-read.

    Damayanthi, along with the bunch of unsuitable prospective husbands her Amma throws at her, a dead-end job as an accountant in a decrepit firm, the oppressiveness of Chennai. When she finally jettisons her job and some of her inhibitions to join a bank in Mumbai, Amma's parting words are: 'Be good. Don't do anything silly.' Translation: 'Stay away from sex and alcohol! ' Soon Damayanthi is negotiating competitive corporate corridors and big-city life. Aided by dubious words of wisdom from the cherub-faced Jimmy, she must impress the intellectual C.G., who has a low opinion of her; battle Sonya Sood, flatmate and size-zero sophisticate, for the TV remote; choose between resisting or giving in to temptation in the form of the seductive Rahul; deal with the moral dilemma of 'stealing' a million-dollar idea for her project. Can a good girl have a really good time? Can the conservative, curd-rice-eating Damayanthi become a cool, corporate babe? Keep the Change is a rollicking, wickedly witty story of every girl's journey to fulfill her dreams and find her own place in the world.

    Two survivors in Delhi - a boy named Amartya and a girl named Erika - are left to fend for themselves. When they first meet, it seems like this love was meant to be. However, there's more to their chance encounter than meets the eye. They are both hiding secrets, and one of these secrets might be too much for this relationship to bear. Their survival may hold the key to the future of humanity, but what does their own future hold?

    But the rain can’t stop me. No one can…I’ll go out and play tonight. I will kill only four. No more, no less. Just four.' In the midst of one of the worst monsoons in Mumbai, a man is found brutally murdered, his body posed like a kite on the tallest cell tower in the city. As one corpse after another turns up in the unlikeliest of places, each gruesomely killed and carefully arranged in a grotesque manner, the Mumbai Police realize they have more on their hands than they can deal with. Enter Chandrakant Rathod, a maverick investigator the police turn to in times of need, who plays by his own rules and lives for the thrill of the chase. Pitting his sharp instincts against the machinations of the sadistic, ruthless killer, the detective succeeds in nabbing the psychopath and putting him behind bars. Then, three months later, the killings begin again. A deadly game is afoot – a game that will challenge Rathod to the utmost, for it is a game that he cannot hope to win...

    There would be no funeral. He had donated his body to the local medical college. It was part of his script, his fantasy about death. He would show his hospital donation certificate to anyone who came to our house. No rituals for me, he would announce. To his mind there was some justice in being cut up by medical students. He had wanted to be a doctor. There is his corpse, lying on the floor, people constantly milling around, talking about his untimely, unfortunate death, while I stare at everyone in dry-eyed annoyance. He had always been a popular man, much loved, generous to a fault to his neighbours, even if angry towards his own family. I just want him gone from the house. When the van from the morgue comes to pick him up, everyone urges us to touch his feet, to ask for his blessings. It is expected from children of dead parents. Everyone watches us. You first, an old man points to me, my father s first-born. I bend down, my fingers touch his feet. In my mind the words form, loud and distinct I forgive you.

    Original. Spine-Chilling and a perfect start to the TRILOGY." OVER A SPAN OF TEN YEARS, HE KILLED FORTY PREGNANT WOMEN AND THEN VANISHED WITHOUT A TRACE. AFTER FIVE YEARS OF SILENCE, HE IS BACK AGAIN, SEEKING HIS NEXT VICTIM. ONLY ONE MAN CAN STOP HIM - PROFESSOR BLACK. Maher was found unconscious in the middle of the highway and later, in the hospital, she revealed that she had escaped from a killer's house. All the details and patterns matched the serial killer 'Kansa,' who had disappeared five years ago after murdering forty pregnant women. ACP Saargi Desai was assigned to the case. She appealed to her department to bring back Professor Black to help her catch the killer. The Professor, who had a haunting past that had kept him away from the world of crime and investigation for several years, was not willing to take on this case. But the ACP managed to convince him to get on board just for this one last time. Soon after agreeing to help, the Professor realized that for the first time in his life, he had met his match. As he dug deeper into the case, everything got dirtier, the stakes went higher, and nothing was what it seemed.

    This is a place where teenage love and friendships are tested by the violence that threatens to erupt at the slightest provocation. A town that always pulls you back into its ways, no matter how cosmopolitan the city has made you.In 'Diwali in Muzaffarnagar' - Tanuj Solanki's new book of short stories after 'Neon Noon' - young men and women straddle the past and the present, the metropolis and the small town, and also the parallel needs of life: solitude and family.