Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    Responsible older brother Will has fled Primrose Bay, unable to forgive and forget after the ultimate betrayal. And Jasmine, no longer the wayward baby sister, is determined to prove to her brother and sister that she’s just as capable as they are. Together in the bay after years apart and a separation spanning three continents, it doesn’t take long for the siblings to clash when Mia calls everyone together in a family crisis. And with jealousy and resentment simmering between them, as well as faces from the past and new loves, the family ties could end up being severed forever. Sometimes we need to lose ourselves in order to find each other again…

    But now she simply collects them. Aquamarine bottles, bright yellow crockery, deep Tuscan red pots (and the odd slow-cooker) take up every available inch of space in her house. Having suffered a terrible tragedy—one she staunchly refuses to let herself think about, thank you very much—she’s decided that it’s easier to love things than people. Things are safe. Things will never leave you. But when a new family moves in next door with two young boys, one of whom has a collection of his own, Amy’s carefully managed life starts to unravel, prompting her to question why she began to close herself off in the first place. As Amy embarks on a journey back into her past, she has to contend with nosy neighbors, a meddlesome government worker, the inept police, and a little boy whose love of bulldozers might just let Amy open up her heart—and her home—again. Quirky and charming, big-hearted and moving, The Missing Treasures of Amy Ashton proves that it’s never too late to let go of the things that don’t matter...and welcome the people who do.

    Gaelle, a 30-year-old beauty editor for a fashion magazine, she is ambivalent about motherhood, and she sleeps around—not because she does not love her heart-surgeon husband Jason, but because the very fact of love is a terrifying thing. She finds it easier to keep moving, in the heart and the mind, than to stay still and own who she is. A multi-layered story of marriage, this novel employs delicate yet powerful prose that builds to a moving revelation.

    Lucy is the wrong side of thirty and tormented daily by the idyllic family pictures cluttering up her Facebook newsfeed. All of her friends seem to be getting married and having babies, and yet here she is, resolutely single, and no prospect of creating the perfect family she's always dreamt of. How she longs for it to be her turn. But finding love is complicated, and as time passes she wonders if there might just be another way to make her dreams come true. Is she brave enough to go it alone, or is the fantasy of 'baby makes three' just too precious to give up on?

    For Evan, who grew up in a small town in Canada, Yale is a whole new world, and Julia--blond, beautiful and rich--is part of his vision for a successful future. After they graduate in 2008, they move together to New York city, where Evan takes a job at a hedge fund--another step forward in the life he imagines for himself.Julia, who has only known a life of privilege, graduates with an art history degree and no plan for her own future. She lands a low paying assistant job at a nonprofit, unsure about what she really wants, and wondering when everyone else figured that out for themselves. With the market crashing and banks failing around him, Evan becomes involved in an increasingly high-stakes deal at work, and begins to realize that the price of privilege may come with dangerous strings attached. Meanwhile, Julia reconnects with someone from her past--someone who offers her a vision of a different kind of life.Told in alternating perspectives, The Futures is a vivid story about love--falling in and out of it--betrayal, and the burning desire to be valued.

    And she doesn’t seem to care until he surprises her with a Mother’s Day visit that becomes the biggest mistake he’s ever made. Williemaye, Phil’s mom, is not a Norman Rockwell mom. For many people the Sunday set aside to celebrate motherhood is often regarded as a celebration of the deepest ties, the warmest memories, and the best emotions. Phil’s Mother’s Day is like being invited to a birthday party where the guests decide to hang you. Sometimes in life, it is often a much better idea to stay at home.

    She has a hardworking husband, two adorable children, and a beautiful Tokyo apartment. It’s everything a woman could want, yet sometimes she wonders whether she would rather throw herself off the high-rise balcony than spend another evening not talking to her husband and hanging up laundry.Then, one rainy night, she meets Kiyoshi, a successful restaurateur. In him, she rediscovers freedom, friendship, and the neon, electric pulse of the city she has always loved. But the further she falls into their relationship, the clearer it becomes that she is living two lives—and in the end, we can choose only one.Funny, provocative, and startlingly honest, Fault Lines is for anyone who has ever looked in the mirror and asked, who am I and how did I get here? A bittersweet love story and a piercing portrait of female identity, it introduces Emily Itami as a debut novelist with astounding resonance and wit.

     Indy Stone is a well regarded professional therapist with her life all planned out. She's spent her life trying to escape her dysfunctional upbringing in Peach Valley. But when fate intervenes and causes her to return to her hometown with a huge responsibility on her shoulders, she never expects it to change her entire life. Through all of the hard times, there was always one bright spot in Peach Valley, but he disappeared years ago. Or did he? BACK TO US is a stand alone contemporary romance with no cliffhanger. If you like a true love story with flawed, yet lovable, characters, you'll enjoy this feel good romance! If you love small town romance, happy endings and an emotional love story, BACK TO US is for you! Click to buy BACK TO US right now and start reading in minutes.

    A moving depiction of the transformative power of first love, Hamann’s first novel follows Eveline Auerbach from her high school years in East Hampton, New York, in the 1970s through her early adulthood in the moneyed, high-pressured Manhattan of the 1980s. Centering on Evie’s fragile relationship with her family and her thwarted love affair with Harrison Rourke, a professional boxer, the novel is both a love story and an exploration of the difficulty of finding one’s place in the world. As Evie surrenders to the dazzling emotional highs of love and the crippling loneliness of heartbreak, she strives to reconcile her identity with the constraints that all relationships—whether those familial or romantic, uplifting to the spirit or quietly detrimental—inherently place on us. Though she stumbles and strains against social conventions, Evie remains a strong yet sensitive observer of the world around her, often finding beauty and meaning in unexpected places. Newly edited and revised since its original publication, Anthropology of an American Girl is an extraordinary piece of writing, original in its vision and thrilling in its execution.

     Mavis is juggling caring for her elderly, confused mother alongside her long-standing affair with a hypochondriac father-of-two. And Gabs is a high-class escort who’s fallen in love with someone completely unattainable. All three women are behaving in ways very much frowned upon by the Catholic Church. But their priest, Father Cuthbert is determined to reform them. As the three women strike up an unlikely friendship, each re-evaluates what is most important them. And it seems the not-so-holy trinity of Alice, Mavis, and Gabs can’t be ‘cured’ that easily… WOMEN BEHAVING BADLY is an uplifting romantic comedy about women finding their identities and learning the value of female friendships. It is a holiday read about sex & relationships that is full of humour, wit and tear-jerking reality, from a strong voice in women’s fiction. ‘a deftly painted and witty story’ – Eliza Graham ‘an interesting story well told, with just the right amount of humour’ – librarianwithsecrets.blogspot.co.uk ‘Funny, clever, wry and poignant’ - randomthingsthroughmyletterbox.blogspot.co.uk ‘Frances Garrood is a magnificent writer’ - thebookbag.co.uk

    One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya’s life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother’s life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are. Librarian's note: See alternate cover edition of ISBN13 9780312663155 here.

    That belief nearly destroyed her. Seventeen years later, when cleaning out her mother’s house, Jess unpacks a box of cards and letters hidden in the attic and makes a discovery that changes everything about life as she knows it.Shaken but empowered, Jess—and her two stalwart best friends—set out on a remarkable journey to follow a set of faded postmarks around the world. Is Joe still alive? Does he know that Jess never forgot him? Maybe their love story isn’t over.Maybe one day they’ll find each other again…

    wants what Jackie O had ...Unhappy with her looks, her life, and her empty marriage, Louise Canova needs help -- and she finds it in a secondhand bookstore. A forty-year-old encyclopedia of style titled Elegance, this slim volume by formidable French fashion expert Madame Dariaux promises to transform even the plainest of women into creatures of poise and grace. It is a fairy godmother in print, an A-to-Z manual with essential advice that Louise vows to take to heart. But within its pages lie not only clues from her past, but also powerful lessons for the future. And as the old Louise gives way to the stunning new, she's about to find out that there's more to every life than what appears on the surface ... and that everything, even elegance, has its price.

    Constance Maynard, fierce, independent and proud, reflects on her long life promoting women’s rights through her career as a professor of history. Eunice Fitch, the perfect caregiver, is often unlucky in love, yet even in middle age refuses to give up searching for the perfect man. Sam Clark is a young aide with a passion for poetry, and small beautiful things, but at war with her own large, ungainly physique. All together they weave a tapestry as rich and complex as the female experience itself.