I Love You, Kristin Harmel weaves a heart-wrenching tale that asks: what does it take to move forward in life without forgetting the past?After her husband's sudden death over ten years ago, Kate Waithman never expected to be lucky enough to find another love of her life. But now she's planning her second walk down the aisle to a perfectly nice man. So why isn't she more excited?At first, Kate blames her lack of sleep on stress. But when she starts seeing Patrick, her late husband, in her dreams, she begins to wonder if she's really ready to move on. Is Patrick trying to tell her something? Attempting to navigate between dreams and reality, Kate must uncover her husband's hidden message. Her quest leads her to a sign language class and into the New York City foster system, where she finds rewards greater than she could have imagined.

    Napoleon III has installed a foreign monarch in Mexico to squash the current regime. Maximilian von Habsburg of Austria accepts the emperor’s crown. But it is his wife, the brilliant and ambitious Princess Charlotte, who throws herself passionately into the role. Known to the people as Empress Carlota, she rules deftly from behind the scenes while her husband contents himself with philandering and decorating the palace.But Carlota bears a guilty secret. Trapped in a loveless marriage, she’s thrown herself into a reckless affair. Desire has blinded Carlota to its consequences, for it has left her vulnerable to her sole trusted confidante. Carlota’s devious lady-in-waiting has political beliefs of her own—and they are strong enough to cause her to betray the empress and join a plot to depose her from the throne. As Carlota grows increasingly, maddeningly defenseless, both her own fate and that of the empire are at stake.A sweeping historical novel of forbidden love, dangerous secrets, courtly intrigue, and treachery, The Empress passionately reimagines the tragic romance and ill-fated reign of the most unforgettable royal couple of nineteenth-century Europe during the last throes of the Second Empire.

    Violeta comes into the world on a stormy day in 1920, the first girl in a family of five boisterous sons. From the start, her life will be marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses all and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. . . .She tells her story in the form of a letter to someone she loves above all others, recounting devastating heartbreak and passionate affairs, times of both poverty and wealth, terrible loss and immense joy. Her life will be shaped by some of the most important events of history: the fight for women's rights, the rise and fall of tyrants, and, ultimately, not one but two pandemics.Told through the eyes of a woman whose unforgettable passion, determination, and sense of humor will carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

    Oliver has spent years trying to convince himself that he's suited to a life of money making in the city, and that he doesn't miss a childhood spent in pursuit of mystery, when he cycled around the cobbled lanes of Oxford, exploring its most intriguing corners.When his girlfriend Kate inherits a derelict house - and a fierce family feud - she's determined to strip it, sell it and move on. For Oliver though, the house has an allure, and amongst the shelves of discarded, leather bound and gilded volumes, he discovers one that conceals a hidden diary from the 1920s.So begins a quest: to discover the identity of the author, Sophia Louis. It is a portrait of war and marriage, isolation and longing and a story that will shape the future of the abandoned house - and of Oliver - forever.

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    With enormous compassion, Dr. James Delaney tends to his hurt, sick, and poor neighbors, who include gangsters, day laborers, prostitutes, and housewives. If they can't pay, he treats them anyway. But in his own life, Delaney is emotionally numb, haunted by the slaughters of the Great War. His only daughter has left for Mexico, and his wife Molly vanished months before, leaving him to wonder if she is alive or dead. Then, on a snowy New Year's Day, the doctor returns home to find his three-year-old grandson on his doorstep, left by his mother in Delaney's care. Coping with this unexpected arrival, Delaney hires Rose, a tough, decent Sicilian woman with a secret in her past. Slowly, as Rose and the boy begin to care for the good doctor, the numbness in Delaney begins to melt. Recreating 1930s New York with the vibrancy and rich detail that are his trademarks, Pete Hamill weaves a story of honor, family, and one man's simple courage that no reader will soon forget.

    Hasan struggles to keep his family business afloat following the sudden death of his wife. As he begins to put his shattered life back together piece by piece, a new regime seizes power, and a wave of rising prejudice threatens to sweep away everything he has built.Present-day LONDON. Sameer, a young high-flying lawyer, senses an emptiness in what he thought was the life of his dreams. Called back to his family home by an unexpected tragedy, Sameer begins to find the missing pieces of himself not in his future plans, but in a heritage he never knew.Moving between two continents over a troubled century, We Are All Birds of Uganda is an immensely resonant novel that explores racial tensions, generational divides and what it means to belong.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.

    Ephram Jennings has never forgotten the beautiful girl with the long braids running through the piney woods of Liberty, their small East Texas town. Young Ruby, "the kind of pretty it hurt to look at," has suffered beyond imagining, so as soon as she can, she flees suffocating Liberty for the bright pull of 1950s New York. Ruby quickly winds her way into the ripe center of the city--the darkened piano bars and hidden alleyways of the Village--all the while hoping for a glimpse of the red hair and green eyes of her mother. When a telegram from her cousin forces her to return home, thirty-year-old Ruby Bell finds herself reliving the devastating violence of her girlhood. With the terrifying realization that she might not be strong enough to fight her way back out again, Ruby struggles to survive her memories of the town's dark past. Meanwhile, Ephram must choose between loyalty to the sister who raised him and the chance for a life with the woman he has loved since he was a boy.Full of life, exquisitely written, and suffused with the pastoral beauty of the rural South, Ruby is a transcendent novel of passion and courage. This wondrous page-turner rushes through the red dust and gossip of Main Street, to the pit fire where men swill bootleg outside Bloom's Juke, to Celia Jennings's kitchen where a cake is being made, yolk by yolk, that Ephram will use to try to begin again with Ruby. Utterly transfixing, with unforgettable characters, riveting suspense, and breathtaking, luminous prose, Ruby offers an unflinching portrait of man's dark acts and the promise of the redemptive power of love.

    An award-winning author makes her fiction debut with this coming-of-age story of three young black children set against the backdrop of the Atlanta child murders of 1979.

    But the trophy home in Shadow Ridge Estates, a new development in sleepy Round Hill, North Carolina, will always hold tragic memories. But when she is confronted by an odd, older woman telling her not to move in, she almost agrees. It's clear this woman has some kind of connection to the area...and a connection to Kayla herself. Kayla's elderly new neighbor, Ellie Hockley, is more welcoming, but it's clear she, too, has secrets that stretch back almost fifty years. Is Ellie on a quest to right the wrongs of the past? And does the house at the end of the street hold the key? Told in dual time periods, The Last House on the Street is a novel of shocking prejudice and violence, forbidden love, the search for justice, and the tangled vines of two families.

    She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women, mothers, daughters, caregivers, friends, view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. (jacket flap)Librarian's note: An alternate cover edition can be found here

    The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

    But as she does so through four seasons of one extraordinary year, she discovers that nothing comes for free. Told by a narrator whose urgent, unforgettable voice will break your heart, The Colour of Milk is an astonishing novel.

    Easter finds her life in the Pentecostal Holiness church and its music, while Anneth dances and drinks in less-than-holy honky-tonks. Will the differences in their young lives and in their very natures tear them apart or will the bond of the sisters prevail? In lucid prose with an ear for the voice of the sisters’ time and place, Silas House brings readers a rich and moving story of coal country.This novel was named The Appalachian Book of the Year, and was a finalist for the Southern Book Critics Circle Prize.Blair brings this novel into a beautiful new paperback edition, along with two other Silas House novels, Clay’s Quilt and A Parchment of Leaves. The three novels, which share a common setting and some characters, are companion novels. They may be read individually, in any order, but collectively, they form a rich tableau of life in rural mountain Kentucky in the last century.