For two months he evades authorities, driving to Canada, securing a fake passport, and flying to London, all while relishing the media’s confusion about his location and his image on the FBI’s Most Wanted list. Eventually he lands at the Hotel Portugal in Lisbon, where he anxiously awaits a visa to Angola. But the visa never comes, and for his last ten days of freedom, Ray walks around Lisbon, paying for his pleasures and rehearsing his fake identities.Using recently declassified FBI files, Antonio Muñoz Molina reconstructs Ray’s final steps through the Portuguese capital, taking us inside his feverish mind, troubled past, and infamous crime. But Lisbon is also the city that inspired Muñoz Molina’s first novel, A Winter in Lisbon, and as he returns now, thirty years later, it becomes the stage for and witness to three alternating stories: Ray in 1968 at the center of an international manhunt; a thirty-year-old Muñoz Molina in 1987 struggling to find his literary voice; and the author in the present, reflecting on his life and the form of the novel as an instrument for imagining the world through another person’s eyes.Part historical fiction, part fictional memoir, Like a Fading Shadow masterfully explores the borders between the imagined, the reported, and the experienced past in the construction of identity.

    Vogelstein is a loner who has always lived among books. Suddenly, fate grabs hold of his insignificant life and carries him off to Buenos Aires, to a conference on Edgar Allan Poe, the inventor of the modern detective story. There Vogelstein meets his idol, Jorge Luis Borges, and for reasons that a mere passion for literature cannot explain, he finds himself at the center of a murder investigation that involves arcane demons, the mysteries of the Kaballah, the possible destruction of the world, and the Elizabethan magus John Dee's theory of the "Eternal Orangutan," which, given all the time in the world, would end up writing all the known books in the cosmos. Verissimo's small masterpiece is at once a literary tour de force and a brilliant mystery novel.

    Sommer. Moving through the landscape in silent haste, like a man possessed, with his empty rucksack and his long, odd-looking walking stick, Mr Sommer runs like a black thread through the boy's days.

    Through the diverse voices of those close to Bevilacqua and their divergent portraits of the man at the center of this literary examination of truth, the reader holds the power of final judgment. In All Men Are Liars, Alberto Manguel pay homage to literature's shapeshifting inventions, in which our own ideas or the world and the people around us are given agency and projected onto these brilliant, virtuoso pages.

    Parable, paradox, anecdote, dream, and autobiography blend into an exuberant world view and affirmation of human possibility.

    When Bjorn is in his room, what his co-workers see is him standing by the wall and staring off into space looking dazed, relaxed, and decidedly creepy. Bjorn's bizarre behavior eventually leads his co-workers to try to have him fired, but Bjorn will turn the tables on them with help from his secret room. Debut author Jonas Karlsson doesn't leave a word out of place in this brilliant, bizarre, delightful take on how far we will go--in a world ruled by conformity - to live an individual and examined life.

    Now our hero is resident in a retirement home, where fending off boredom is far more gruelling than making tacos. Plagued by the literary salon that bumps about his building’s lobby and haunted by the self-pitying ghost of a neglected artist, Villalobos’s old man can’t help but misbehave. He antagonises his neighbours, tortures American missionaries with passages from Adorno, flirts with the revolutionary greengrocer, and in short does everything that can be done to fend off the boredom of retirement and old age . . . while still holding a beer. A delicious take-down of pretensions to cultural posterity, I’ll Sell You a Dog is a comic novel whose absurd inventions, scurrilous antics and oddball characters are vintage Villalobos.

    They each focus intently on their specific jobs: one studies moss, one shreds paper, and the other proofreads incomprehensible documents. Life in the factory has its own logic and momentum, and, eventually, the factory slowly expands and begins to take over everything, enveloping these poor workers. The very margins of reality seem to be dissolving: all forms of life capriciously evolve, strange creatures begin to appear… After a while—it could be weeks or years—the workers don’t even have the ability to ask themselves: where does the factory end and the rest of the world begin?Told in three alternating first-person narratives, The Factory casts a vivid—if sometimes surreal—portrait of the absurdity and meaninglessness of modern life. With hints of Kafka and unexpected moments of creeping humor, Hiroko Oyamada is one of the boldest writers of her generation.

    Set at the time of the Spanish Inquisition in the fifteenth century, Rose of Fire tells the story of the origins of the mysterious labyrinthine library, the Cemetery of Forgotten Books, which lies at the heart of Carlos Ruiz Zafón’s novels The Shadow of the Wind, The Angel’s Game, and now The Prisoner of Heaven.

    Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

    Drawn to what lies beyond the range of reason, they all reach for the beautiful and fleeting, whether through humor, music, poetry, or unspoken words. Across his encounters with each of them, the narrator—a Guatemalan literature professor and writer named Eduardo Halfon—pursues his most enigmatic subject: himself.Mapping the geography of identity in a world scarred by a legacy of violence and exile, The Polish Boxer marks the debut of a major new Latin American voice in English.Eduardo Halfon has been cited as among the best young Latin American writers by the Hay Festival of Bogotá and is the recipient of Spain’s prestigious José María de Pereda Prize for the Short Novel. In 2011 he received a Guggenheim Fellowship to continue the story of The Polish Boxer, which is his first novel to be published in English. He travels frequently to his native Guatemala and lives in Nebraska.

    Most difficult of all are his struggles to express what has happened to him, for a man more accustomed to numbers than words. He calls it "the clearcut unhoped-for," and it's a vision that will drive him to madness and, eventually, death. Written in a fragmented style that echoes the character's increasingly fragile hold on reality, With My Dog-Eyes is intensely vivid, summoning up Amos's childhood and young adulthood—when, like Richard Feynman, he used to bring his math books to brothels to study—and his life at the university, with its "meetings, asskissers, pointless rivalries, gratuitous resentments, jealous talk, meglomanias." Hilst, whose father was diagnosed with paranoid schizophrenia, has created a lacerating, and yet oddly hopeful, portrayal of a descent into hell--Amos never makes sense of the new way he sees things, but he does find an avenue of escape, retreating to his mother's house and, farther, towards the animal world. A deeply metaphysical, formally radical one-of-a-kind book from a great Brazilian writer.

    Intimate with the region, she crafts an emotionally pitch-perfect tale of a young woman who makes a horrifying--but ultimately liberating--discovery about her origins.Perla Correa grew up a privileged only child in Buenos Aires with a polished, aloof mother and a straitlaced naval officer father, whose profession she learned early on not to disclose in a country still reeling from the abuses perpetrated by the deposed military dictatorship. Although Perla understands that her parents were on the wrong side of the conflict, her love for her papa is unconditional. But when she is startled by an uninvited visitor, she begins a journey that will force her to confront the unease she has long suppressed and make a wrenching decision about who she is and who she will become.This rich human drama is based on the truth of thirty thousand disappeared Argentinian citizens and five hundred babies who were born in clandestine detention centers, torn from their mothers, and secretly given up for adoption. In the years that followed this dark time, some of these children have discovered the identities of their true families, and they continue to do so today. Perla brings history to life as only fiction can, in an intimate, unforgettable portrait of one young woman's explosive search for truth. De Robertis unfolds a gripping and historically resonant tale with keen-eyed compassion, luminous prose, and a startling vision of the incomparable power of love.

    Her partner, El, is a forensic scientist who analyzes the bones of victims of state violence and is recovering from an explosion at a work site that almost killed him. Consumed by writer’s block, Ella finds herself wishing that she would become ill, which would provide time for writing and perhaps an excuse for her lack of progress. Then she begins to experience mysterious symptoms that doctors find undiagnosable.As Ella’s anxiety grows, the past begins to exert a strong gravitational pull, and other members of her family come into focus: the widowed Father, the Stepmother, the Twins, and the Firstborn. Each of them has their own experience of illness and violence, and eventually the systems that both hold them together and atomize them are exposed.Lina Meruane’s Nervous System is an extraordinary clinical biography of a family, full of affection and resentment, dark humor and buried secrets, in which illness describes the traumas that can be visited not just upon the body, but on families and on the history of the countries—present and past—that we live in.

    The House on the Lagoon is the story of Isabel Monfort and her husband Quintin Mendizabal--the history of a family whose secrets, conflicts and private mythologies add up to the larger story of a nation: Puerto Rico.