Features watercolor and gold leaf illustrations by the Caldecott Medal-winning illustrators of Ashanti to Zulu.

    In fact, five of them could fit into the period at the end of this sentence.On a clear, warm Sunday, April 14, 1935, a wild wind whipped up millions upon millions of these specks of dust to form a duster—a savage storm—on America's high southern plains.The sky turned black, sand-filled winds scoured the paint off houses and cars, trains derailed, and electricity coursed through the air. Sand and dirt fell like snow—people got lost in the gloom and suffocated . . . and that was just the beginning.Don Brown brings the Dirty Thirties to life with kinetic, highly saturated, and lively artwork in this graphic novel of one of America's most catastrophic natural events: the Dust Bowl.

    He swung through a windstorm at the top of a tall tree, climbed too many mountains to count, and rode an avalanche to its end. Most importantly, though, John Muir told the world about the wonders of nature. His words made a difference and inspired people in many countries to start protecting planet Earth--and they still do.

    Grandpa’s ship was torpedoed during the Second World War, leaving him with terrible burns. Every time he came to stay, Michael was warned by his mother that he must not stare, he must not make too much noise, he must not ask Grandpa any questions about his past. As he grows older, Michael stays with his grandfather during the summer holidays, and as he finally learns the story behind Grandpa’s injuries, he gets to know the real man behind the solemn figure from his childhood. Michael can see beyond the burns, and this gives him the power to begin healing some of the scars that have divided his family for so long.

    Minimal text conveys the magic of a world where even inanimate objects are constantly undergoing a process of growth, transformation and change.An introduction describing the frustration we feel when we lose something is followed by a catalogue of misplaced objects. Each item is shown first in its original form and then, through a gatefold spread, is shown in the process of transforming into a marvelous and mysterious sea creature. At the very end of the book, we see these transformed objects in their new, watery habitat, a conclusion which will leave readers astonished by the distance they — like the lost objects themselves — have travelled.Some Things I’ve Lost invites readers to consider the inevitability of change and the power of the imagination. On finishing the book, children and adults alike will look more closely at everything they have previously taken for granted.

    

    From her extraordinary birth – sprung from the head of her father, in the midst of a thunderous headache – to her refusal to take no for an answer. Find out how she inspired powerful gods, goddesses and humans and the terrifying fate of those who dared to cross her path. Follow Athena as she competes against her bad-tempered uncle; watch as she turns her enemy into a spider and join her as she keeps Odysseus safe on his remarkable journey home. Prepare to be amazed as you uncover the story of one of the most fearless ancient goddesses, and the tales of a world where humans, gods and goddesses could meet. Illustrated and written by the brilliantly talented sister duo, Isabel and Imogen Greenberg, this is a story of daring for goddesses-in-the-making.

    There her life truly begins, for she finds a community of heroic outlaws that includes a woman with seemingly magical healing powers and a young man who is bravely leading the fight against tyranny. This man is Robin Hood, and Mary will soon be known as Maid Marian, the green lady of the woods.

    The text is faithful to Lewis Carroll's original story, and special effects like a Victorian peep show, multifaceted foil, and tactile elements make this a pop-up to read and admire again and again.

    Boyds Mills Press publishes a wide range of high-quality fiction and nonfiction picture books, chapter books, novels, and nonfiction

    Terry Deary's take on Celtic history, nude fighting, human head collection, laughing at funerals, suffering Saints and Dreadful Druids.

    Homer's epic poem, The Iliad is brought to life by Rosemary Sutcliff with the skill of a good storyteller, and with the dramatic and haunting illustrations of Alan Lee (Art Direction, The Lord of the Rings).The book was the winner of the Kate Greenaway Medal in 1993.

    Mary is one such dreamer, a little girl who learns to read by tracing the letters on her mother's tombstone and whose only escape from her strict father and overbearing stepmother is through the stories she reads and imagines. Unhappy at home, she seeks independence, and at the age of seventeen runs away with poet Percy Bysshe Shelley, another dreamer. She travels to Europe and surrounds herself with more poets and writers, including Lord Byron and John Polidori. On a stormy summer evening, Byron suggests a contest to see who can create the best ghost story. After nine months of daydreaming, 21-year-old Mary Shelley's terrifying tale is published, a novel that goes on to become a very well-known monster story.

    Five years ago, Arjun Kadam used to be a cop, a rising star in the ranks of the Mumbai Encounter Squad-an elite unit tasked by the powers-that-be to carry out extrajudicial executions of notorious gangsters. But the death of his pregnant wife at childbirth derailed his life and set him off on a spiral of depression and drug addiction, a pale shadow of his former self. When Kadam is the victim of a hit-and-run that also claims the life of a street urchin, he goes into coma for a month. Upon awakening, he finds a new sense of purpose and pursues the investigation, taking him on a journey through the deep, dark heart of Mumbai - from the glitzy tinsel of Bollywood, to the dank depths of the Mumbai Underworld, where the line between the police and the criminals has been blurred beyond recognition by his ex-colleagues on the Encounter Squad, who are now de-facto gangsters in uniform, running the very same extortion rackets they were tasked to eradicate. Obsessed with his mission, Kadam sets off a desperate gambit of deadly intrigue and deception that pits him against the very machine of violence and corruption he once helped create. “Gorgeously noir.” - Ron Marz (WITCHBLADE, ARTIFACTS, SHINKU, GREEN LANTERN) “Perfect example of noir storytelling in comics.” - GEEKADELPHIA.COM “Mohapatra's dialogue is sharp and his script is innovative, putting a clever twist on the genre. Shinde's lush and gorgeous cinematic art impresses the most, from strongly individual faces and photorealistic body language to a deep and rich range of shadows and light, water and blood. This is stylish, sophisticated, and metropolitan: a fresh entry in the noir genre with an Asian twist.” - PUBLISHERS WEEKLY “It reads like a sub-continental version of SIN CITY and has all the best elements of clas

    They move into a historic New England house, which is secretly inhabited by a brood of small creatures. These creatures seem at first to be playful figments of his daughter's imagination, but quickly turn into a deadly threat. The book, co-written by Guillermo Del Toro and Christopher Golden, takes place a hundred years before the movie begins. It chronicles the travels and adventures of a young nature scientist who begins to understand there's more to the world than science understands.