The themes of these essays include the hardened and extreme nature of inequality in India, and what can be done about it. One of the many rewards of good schooling—denied to most Indians—includes the understanding that India is an integral part of a world civilization. Always sensitive to global communication and interaction, India's own contributions vary from the development of a multiplicity of astronomically reasoned calendars and the invention of games like chess to the establishment of the foundations of several branches of modern mathematics. In this collection, Sen examines justice, identity, deprivation, inequalities, gender politics, education, the media, and the importance of getting your priorities right. These are accessible yet pioneering essays that hold the kernel of many of his seminal works.

    In the pre-PC era Midwest, where the devoutly Christian blond-haired, blue-eyed Jennifers and Tiffanys reign supreme, Nguyen's barely conscious desire to belong transmutes into a passion for American food. More exotic seeming than her Buddhist grandmother's traditional specialties?spring rolls, delicate pancakes stuffed with meats, fried shrimp cakes?the campy, preservative-filled ?delicacies? of mainstream America capture her imagination. And in this remarkable book, the glossy branded allure of such American foods as Pringles, Kit Kats, and Toll House cookies become an ingenious metaphor for her struggle to fit in, to become a ?real? American. Beginning with Nguyen's family's harrowing migration from Saigon in 1975, "Stealing Buddha's Dinner" is nostalgic and candid, deeply satisfying and minutely observed, and stands as a unique vision of the immigrant experience and a lyrical ode to how identity is often shaped by the things we long for.

    She was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken, untold stories of the barrio--even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance. She'd have to find her language.Weaving together Hudes's love of books with the stories of her family, the lessons of North Philly with those of Yale, this is an inspired exploration of home, memory, and belonging--narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

    Then his life falls apart. Along the way, he wonders: where does he, a brown man, belong in America? Raj Bhatt is often unsure of where he belongs. Having moved to America from Bombay as a child, he knew few Indian kids. Now middle-aged, he lives mostly happily in California, with a job at a university.  Still, his white wife seems to fit in better than he does at times, especially at their tennis club, a place he’s cautiously come to love.    But it’s there that, in one week, his life unravels. It begins at a meeting for potential new members: Raj thrills to find an African American couple on the list; he dreams of a more diverse club. But in an effort to connect, he makes a racist joke. The committee turns on him, no matter the years of prejudice he’s put up with.  And worse still, he soon finds his job is in jeopardy after a group of students report him as a reverse racist, thanks to his alleged “anti-Western bias.”   Heartfelt, humorous, and hard-hitting, Members Only explores what membership and belonging mean, as Raj navigates the complicated space between black and white America.

    Naïve New Yorker, Dennehy refuses to be part of the feverish nationalism of post 9/11 America. His search for hope takes him to Ecuador, where he falls in love with firebrand Lucia, who perfects his broken Spanish while they find solidarity in the brewing social upheaval. Amid the unrest, Dennehy is arrested and deported to the United States but he has found something worth fighting for.

    These 15 original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth.Wild Tongues Can’t Be Tamed features bestselling and award-winning authors as well as new, up-and-coming voices, including:Elizabeth AcevedoCristina ArreolaIngrid Rojas ContrerasNaima CosterNatasha DiazKahlil HaywoodZakiya JamalJanel MartinezJasminne MendezMeg MedinaMark OshiroJulian RandallLilliam RiveraIbi ZoboiFull of both sorrow and joy, Wild Tongues Can’t Be Tamed is an essential celebration of this rich and diverse community.

    "I turned down a job in finance to pursue a career in stand-up comedy. My dad thought I was crazy. But I figured it was better to disappoint my parents for a few years than to disappoint myself for the rest of my life. I had to disappoint them in order to pursue what I loved. That was the only way to have my Chinese turnip cake and eat an American apple pie too." Jimmy O. Yang is a standup comedian, film and TV actor and fan favorite as the character Jian Yang from the popular HBO series Silicon Valley. In How to American, he shares his story of growing up as a Chinese immigrant who pursued a Hollywood career against the wishes of his parents: Yang arrived in Los Angeles from Hong Kong at age 13, learned English by watching BET RapCity for three hours a day, and worked as a strip club DJ while pursuing his comedy career. He chronicles a near deportation episode during a college trip Tijuana to finally becoming a proud US citizen ten years later. Featuring those and many other hilarious stories, while sharing some hard-earned lessons, How to American mocks stereotypes while offering tongue in cheek advice on pursuing the American dreams of fame, fortune, and strippers.

    A young woman sits in her apartment in an unnamed English city, absorbed in watching the small dramas of her assorted neighbors through their windows across the way. Traumatized into muteness after a long, devastating trip from war-torn Syria to the UK, she believes that she wants to sink deeper into isolation, moving between memories of her absent boyfriend and family and her homeland, dreams, and reality. At the same time, she begins writing for a magazine under the pseudonym "the Voiceless," trying to explain the refugee experience without sensationalizing it—or revealing anything about herself. Gradually, as the boundaries of her world expand—as she ventures to the neighborhood corner store, to a gathering at a nearby mosque, and to the bookstore and laundromat, and as an anti-Muslim hate crime shatters the members of a nearby mosque—she has to make a choice: Will she remain a voiceless observer, or become an active participant in her own life and in a community that, despite her best efforts, is quickly becoming her own?   With brilliant, poetic prose that captures all the fragments of this character's life, and making use of fragments of text from Tweets and emails to the narrator's own articles, journals, and fiction, Silence Is a Sense explores what it means to be a refugee and to need asylum, and how fundamental human connection is to survival.

    Benjamin Franklin Pinkerton, and stepmother, Kate, on their farm in Illinois, the family conceals Benji’s true identity as a child born from a liaison between an officer and a geisha, and instead tells everyone that he is an orphan.Frank struggles to keep the farm going while coping with his guilt and longing for the deceased Butterfly. Deeply devout Kate is torn between her Christian principles and her resentment of raising another woman’s child. And Benji’s life as an outcast—neither fully American nor fully Japanese—forces him to forge an identity far from the life he has known.When the truth about Benji surfaces, it will splinter this family’s fragile dynamic, sending repercussions spiraling through their close-knit rural community and sending Benji on the journey of a lifetime from Illinois to the Japanese settlements in Denver and San Francisco, then across the ocean to Nagasaki, where he will uncover the truth about his mother’s tragic death.A sweeping portrait of a changing American landscape at the end of the nineteenth century, and of a Japanese culture irrevocably altered by foreign influence, Butterfly’s Child explores people in transition—from old worlds to new customs, heart’s desires to vivid realities—in an epic tale that plays out as both a conclusion to and an inspiration for one of the most famous love stories ever told.

    Life gets more interesting, however, when his father becomes the Buddha of Suburbia, beguiling a circle of would-be mystics. And when the Buddha falls in love with one of his disciples, the beautiful and brazen Eva, Karim is introduced to a world of renegade theater directors, punk rock stars, fancy parties, and all the sex a young man could desire. A love story for at least two generations, a high-spirited comedy of sexual manners and social turmoil, The Buddha of Suburbia is one of the most enchanting, provocative, and original books to appear in years.

    A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent.  Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered—until, in Ghana, a new way forward, a new family, begins to emerge.Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide.

    Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.   Framing their book club around collective secrets, the group bears witness to how Morrison’s works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together?   This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.

    From the financial crisis to rising student debt to collapsing public infrastructure, she found a common root problem: racism. But not just in the most obvious indignities for people of color. Racism has costs for white people, too. It is the common denominator of our most vexing public problems, the core dysfunction of our democracy and constitutive of the spiritual and moral crises that grip us all. But how did this happen? And is there a way out?McGhee embarks on a deeply personal journey across the country from Maine to Mississippi to California, tallying what we lose when we buy into the zero-sum paradigm--the idea that progress for some of us must come at the expense of others. Along the way, she meets white people who confide in her about losing their homes, their dreams, and their shot at better jobs to the toxic mix of American racism and greed. This is the story of how public goods in this country--from parks and pools to functioning schools--have become private luxuries; of how unions collapsed, wages stagnated, and inequality increased; and of how this country, unique among the world's advanced economies, has thwarted universal healthcare.But in unlikely places of worship and work, McGhee finds proof of what she calls the Solidarity Dividend: gains that come when people come together across race, to accomplish what we simply can't do on our own.McGhee marshals economic and sociological research to paint a story of racism's costs, but at the heart of the book are the humble stories of people yearning to be part of a better America, including white supremacy's collateral victims: white people themselves. With startling empathy, this heartfelt message from a Black woman to a multiracial America leaves us with a new vision for a future in which we finally realize that life can be more than a zero-sum game.

    A history of the tribes of the Pacific Northwest from the coming of the white man to the present day.

    Many of the characters here have a relationship of sorts with the US, be it the refugee children who dream of being adopted by US parents or the mother who writes to her son who has emigrated to the US asking why his Western Union payments to her have dried up.He casts a pitiless eye on Nigeria: brutally artless on the commodification of women and young girls in much of Nigerian society, the wastrel dreams of many of its young men, and the savagery of the police force.