Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life.He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists. P. J. Vernon's Bath Haus is a scintillating thriller with an emotional punch, perfect for readers curious for their next must-read novel.

    In an example of art echoing life, Tony landed a job as production assistant for the syndicated TV show Darkest Night, a series about a vampire detective. And except for his unrequited crush on the show's handsome costar, Lee Nicholas, Tony was pretty content.Until everything started to fall apart on the set.It began with shadows­­--shadows where they didn't belong, that almost had an existence of their own. Tony tried to ignore it--until he found Nikki Waugh's body, and felt the shadow's touch, and a stunt crash went wrong for no discernible reason--and Tony knew that he had to find out what was threatening everyone on the set.

    But one thing he never expected was his cellmate. Spy, rogue, thief, and noble, Seregil of Rhiminee is many things–none of them predictable. And when he offers to take on Alec as his apprentice, things may never be the same for either of them. Soon Alec is traveling roads he never knew existed, toward a war he never suspected was brewing. Before long he and Seregil are embroiled in a sinister plot that runs deeper than either can imagine, and that may cost them far more than their lives if they fail. But fortune is as unpredictable as Alec’s new mentor, and this time there just might be… Luck in the Shadows.

    gay rodeo. Gay and teen heartthrob not exactly being career-making words at the time, Jarrod's star crashed harder than a Kathie Lee Gifford CD.Flash forward: Now happily living with his cop boyfriend, Charlie, and their dog, Snickers, in the Hollywood Hills, Jarrod's ready to hit the comeback trail—but he never imagines how fame will strike this time. At a reading with his psychic, Jarrod is disturbed to hear that someone close to him will be murdered and even more shocked when it turns out to be his best friend, Willard Ray Hornsby, also a former child star. When Willard is found face down in his own lap pool, the cops call it an accident, but Jarrod's far from convinced—and he's ready to play the Sherlock Holmes of West Hollywood to prove his conspiracy theory right.But what starts in curiosity soon becomes deadly serious. Willard was keeping some very weighty secrets and even more dangerous company. From a tattooed body-work specialist to Willard's formidable mother and her nefarious lover, everyone seems to have had a reason to want him out of the picture permanently. And when another body turns up, it's clear that in a town full of actors, somebody's playing the very convincing part of a killer. Now, among the hustlers and the wannabes, the boy toys, sadistic acting coaches, and the tabloid press, Jarrod's high-profile sleuthing is making him once more into a household name. Except this kind of publicity is a very bad thing—because Jarrod's newest fan is someone who doesn't want an autograph...he wants him dead.Fast, furious, and outrageously funny, Rick Copp's debut mystery introduces a gay sleuth with the panache of William Powell, the timing of Paul Rudnick, and an acid wit that turns Hollywood deliciously inside out.

    Nor does he seek a warrior's path, wishing instead to become a Bard. Yet such talent as his if left untrained may prove a menace not only to Vanyel but to others as well. So he is sent to be fostered with his aunt, Savil, one of the famed Herald-Mages of Valdemar.But, strong-willed and self-centered, Vanyel is a challenge which even Savil can not master alone. For soon he will become the focus of frightening forces, lending his raw magic to a spell that unleashes terrifying wyr-hunters on the land. And by the time Savil seeks the assistance of a Shin'a'in Adept, Vanyel's wild talent may have already grown beyond anyone's ability to contain, placing Vanyel, Savil, and Valdemar itself in desperate peril...

    Born in Norway into the failed marriage between a Scandinavian diplomat and an American businessman, she now makes Atlanta her home, luxuriating in the lush heat and brashness of the New South. She glides easily between the world of silken elegance and that of sleaze and sudden savagery, equally at home in both; functional, deadly, and temporarily quiescent, like a folded razor.On a humid April evening between storms, out walking just to stay sharp, she turns a corner and collides with a running woman, Catching the scent of clean, rain-soaked hair, Aud nods and silently tells the stranger Today, you are lucky, and moves on—when behind her house explodes, incinerating its sole occupant, a renowned art historian. When Aud turns back, the woman is gone.

    Collapsing from exhaustion on the moors of Yorkshire, he's rescued by the handsome Lord Elmsby and taken to Gorsewall Manor. As he recovers, Lord Elmsby offers him a position cataloging the library. It would be an ideal situation, isolated, with a handsome, solitary lord and servants who don't ask many questions, except for the strange sounds in the corners of the library and the feeling he's being watched. And then a body is found on the moors, a body that could be the long missing fiancee of Lord Elmsby, and Thomas must find out the truth of what happened at Gorsewall Manor. A gay - m/m Regency romance, 82,000 words, print version 315 pages

    He finds himself torn between desire and duty, his lover Adam awaits but so too does Margot, the pregnant fiancée of his dead brother. Set in a time when homosexuality was still illegal, Paul has to decide where his loyalty and his heart lie.

    A lie so profound that when the shadows are lifted, Ben realises he's in love with a very dangerous stranger. Ben has to choose between Nikolas and safety, but sometimes danger comes in a very seductive package.

    Eelmoor Hall is an old house on a lonely heath and the only other living soul on site is Sergeant Jay McBride, the surly caretaker. But Luke can’t escape the feeling he’s being watched, and as the halls echo with invisible footsteps and his sleep is haunted by nightmares, he realises that he and Jay aren’t alone in this house. The Mistletoe Bride has been trapped here a very long time. She’s cold, angry, and desperate. And she has no intention of letting Luke leave until he’s found her—or joined her in death. As the snow begins to fall, Luke and Jay must risk all to save each other from this vengeful ghost.

    After getting another “lateral promotion” by a supervisor who barely remembers his name, it’s suggested that Arthur try to ‘make friends’ and ‘get noticed’ in order to move up the ladder. It’s like high school all over again: his attempts to be friendly come across as awkward and creepy, and no one wants to sit at the same table with him at lunch. In a last-ditch attempt to be seen as friendly and outgoing, he decides to make friends with The Alien, aka Agent Martin Grove, known for his strange eating habits, unusual reading choices, and the fact that no one has spoken to him in three years. Starting with a short, surprisingly interesting conversation on sociology books, Arthur slowly begins to chip away at The Alien’s walls using home-cooked meals to lure the secretive agent out of his abrasive shell. Except Martin just might be something closer to an actual secret agent than paper-pusher Arthur is, and it might be more than hearts at risk when something more than friendship begins to develop. Please note this book has a Heat Rating of zero.

    Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

    His life is threatened…twice. Allegations of racism and medical neglect threaten his career and his ability to sleep at night. Not that he’ll be sleeping any time soon after the incident throws him into the path – and arms – of Detective Andrew Carmichael.One hot night after another with Andrew may help Nick relieve some stress, but sex won’t solve every problem in his life. With the media hounding him and the city watching his every move, he starts to wonder if the world is out to get him.The world may not be out to get him, but someone is.And that someone wants Nick dead.

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

     But then, into his repressed and orderly life, bursts Lord Murdo Balfour. Cynical, hedonistic and utterly unapologetic, Murdo could not be less like David. And as appalled as David is by Murdo’s unrepentant self-interest, he cannot resist the man’s sway. Murdo tempts and provokes David in equal measure, forcing him to acknowledge his physical desires. But Murdo is not the only man distracting David from his work. Euan MacLennan, the brother of a convicted radical David once represented, approaches David to beg him for help. Euan is searching for the government agent who sent his brother to Australia on a convict ship, and other radicals to the gallows. Despite knowing it may damage his career, David cannot turn Euan away.  As their search progresses, it begins to look as though the trail may lead to none other than Lord Murdo Balfour, and David has to wonder whether it’s possible Murdo could be more than he seems. Is he really just a bored aristocrat, amusing himself at David’s expense, or could he be the agent provocateur responsible for the fate of Peter MacLennan and the other radicals?