Poison and visits the School for Spies.

    Despite every World's Fair prediction, every futuristic ride at Disneyland, and the advertisements on the last page of every comic book, we are not living the future we were promised. By now, life was supposed to be a fully automated, atomic-powered, germ-free Utopia, a place where a grown man could wear a velvet spandex unitard and not be laughed at. Where are the ray guns, the flying cars, and the hoverboards that we expected? What happened to our promised moon colonies? Our servant robots? In Where's My Jetpack?, roboticist Daniel H. Wilson takes a hilarious look at the future we always imagined for ourselves. He exposes technology, spotlights existing prototypes, and reveals drawing-board plans. You will learn which technologies are already available, who made them, and where to find them. If the technology is not public, you will learn how to build, buy, or steal it. And if doesn't yet exist, you will learn what stands in the way of making it real. With thirty entries spanning everything from teleportation to self-contained skyscraper cities, and superbly illustrated by Richard Horne (101 Things to Do Before You Die), Where's My Jetpack? is an endlessly entertaining, one-of-a-kind look at the world that we always wanted. Daniel H. Wilson, Ph.D, has a degree in Robotics from Carnegie-Mellon. He is the author of How to Survive a Robot Uprising. He lives in Portland, Oregon.

    . .The Winchester House—famous for its original owner’s bizarre compulsion to incorporate a multitude of architectural curiosities. But as the bereaved Sarah Winchester’s workers toil on stairways to nothing and doors to nowhere, a mysterious stranger arrives . . . and he could make Sarah’s demons all too real.

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    Aliens, by Liquid Comics. The story focuses on a secret world war battle that was never recorded in our history books. When an alien invasion attacks Earth in the Age of the Dinosaurs, our planet's only saviors are the savage prehistoric beasts which are much more intelligent than humanity has ever imagined

    For the next fifteen years, Beija would be the one constant in her life. Through depression, relationships gone awry, and an unmoored young adulthood played out against the backdrop of the Portland punk scene, Beija was there, wearing her “Don’t Pet Me” bandana.   Georges’s gorgeous graphic novel Fetch chronicles their symbiotic, codependent relationship and probes what it means to care for and be responsible to another living thing—a living thing that occasionally lunges at toddlers. Nicole turns to vets, dog whisperers, and even a pet psychic for help, but it is the moments of accommodation, adaption, and compassion that sustain them. Nicole never successfully taught Beija “sit,” but in the end, Beija taught Nicole how to stay.

    In the almost thirty years since that momentous occasion, King introduced millions of readers to the densely textured realm of Mid-World through his magnum opus, the Dark Tower series of novels. King joined with Marvel in 2007 to bring his masterwork of fantasy to a new generation of readers. Adding stunning new textures to the mythos of Roland and Mid-World for four years, the initial arc of King and Marvel's union is now complete, and the entire run is collected here. Collecting DARK TOWER: THE GUNSLINGER BORN #1-7, THE LONG ROAD HOME #1-5, TREACHERY #1-6, SORCERER #1, THE FALL OF GILEAD #1-6 and THE BATTLE OF JERICHO HILL #1-5. 296 PGS Dark Tower Omnibus Companion Chock full of essential short stories, bonus material and apocrypha, this volume is a must-read for Stephen King enthusiasts. Three guidebooks overseen by Dark Tower: A Concordance author Robin Furth unlock the many secrets of Roland Deschain, the Gunslingers, Gilead and the dark forces of Farson - bringing readers greater insight into the people, places and things of Mid-World. And supplemental material from the first thirty issues of Marvel's Dark Tower series shed even more light on King's epic - with short stories by Furth, and a tour through artists Jae Lee and Richard Isanove's sketchbooks, and more! Collecting DARK TOWER: GUNSLINGER'S GUIDEBOOK, END-WORLD ALMANAC and GUIDE TO GILEAD; MARVEL SPOTLIGHT: DARK TOWER; and material from DARK TOWER: THE GUNSLINGER BORN #1-7, THE LONG ROAD HOME #1-5, TREACHERY #1-6, SORCERER #1, THE FALL OF GILEAD #1-6 and THE BATTLE OF JERICHO HILL #1-5. 600 PGS. ©2011 Stephen King. All rights reserved.

    Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America's past.A narrative that is at once narrative and factual, historical and personal, Radtke's stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind?(With black-and-white illustrations throughout; part of the Pantheon Graphic Novel series)

    Contibutors include Daniel Clowes, Gary Panter, Charles Burns, Art Spiegelman, Ben Katchor, Kim Deitch, Adrian Tomine, Joe Sacco, Seth, Joe Matt, Chester Brown, Kaz, and many others.

    The phrase "super hero" had yet to be coined when ACTION COMICS #1 hit newsstands in 1938, but once Superman entered the scene, effortlessly lifting a car above his head on that first iconic cover, the character paved the way for each of the hundreds (if not thousands) of super-powered heroes written since. SUPERMAN: A CELEBRATION OF 75 YEARS gathers a range of stories featuring the first and greatest super hero, highlighting the many roles the Man of Steel has played over the decades. In these celebrated stories, Superman is in turns the Herculean champion, the lonely alien survivor, the super-powered Boy Scout and the soul-searching leader. Over the course of seventy-five years, watch as the character grows from a simple strongman to the beloved international symbol he is today!This Volume Collects:("Superman, Champion of the Oppressed") / ("War in San Monte") -- ACTION COMICS #1-2 (1938) Writer: Jerry Siegel, Artist: Joe Shuster"How Superman Would End the War" -- Look Magazine (1940) Writer: Jerry Siegel, Artist: Joe Shuster"Man or Superman?" -- SUPERMAN #17 (1942) Writer: Jerry Siegel, Penciller: Joe Shuster, Inker: Joe Sikela"The Origin of Superman" -- SUPERMAN #53 (1948) Writer: Bill Finger, Penciller: Wayne Boring, Inker: Stan Kaye"The Mightiest Team in the World" -- SUPERMAN #76 (1952) Writer: Edmond Hamilton, Penciller: Curt Swan, Inker: John Fishchetti"The Super-Duel in Space" -- ACTION COMICS #242 (1958) Writer: Otto Binder, Artist: Al Plastino "The Girl From Superman's Past" -- SUPERMAN #129 (1959) Writer: Bill Finger, Penciller: Wayne Boring, Inker: Stan Kaye"Superman's Return to Krypton" -- SUPERMAN #141 (1960) Writer: Jerry Siegel, Penciller: Wayne Boring, Inker: Stan Kaye"The Death of Superman" -- SUPERMAN #149 (1961) Writer: Jerry Siegel, Penciller: Curt Swan, Inker: George Klein"Must There Be a Superman?" -- SUPERMAN #247 (1972) Writer: Eliot S. Maggin, Penciller: Curt Swan, Inker: Murphy Anderson "Rebirth" -- ACTION COMICS #544 (1983) Writer: Marv Wolfman, Artist: Gil Kane"The Living Legends of Superman" (excerpt) -- SUPERMAN #400 (1985) Writer: Elliot S. Maggin, Artist: Frank Miller"For the Man Who Has Everything" -- SUPERMAN ANNUAL #11 (1985)Writer: Alan Moore, Artist: Dave Gibbons"The Name Game" -- SUPERMAN #11 (1987)  Writer/Penciller: John Byrne, Inker: Karl Kesel"Doomsday" -- SUPERMAN #75 (1993)  Writer/Penciller: Dan Jurgens, Inker: Brett Breeding"What's So Funny About Truth Justice and the American Way?" -- ACTION COMICS #775 (2001)  Writer: Joe Kelly, Pencillers: Doug Mahnke, Lee BermejoInkers: Tom Nguyen, Dexter Vines, Jim Royal, Jose Marzan, Jr., Wade Von Grawbadger, Wayne Faucher"Question of Confidence" -- Mythology: The DC Comics Art of Alex Ross (2003)  Writer: Chip Kidd, Artist: Alex Ross"The Incident" -- ACTION COMICS #900 (2011)  Writer: David S. Goyer, Artist: Miguel Sepulveda"The Boy Who Stole Superman's Cape" -- ACTION COMICS #0 (2012)   Writer: Grant Morrison, Artist: Ben Oliver

    Blessed at birth by the gods themselves, Princess Diana left an idyllic island paradise ruled by wise and brave women to bring the peace, love, and nobility of the Amazons to the tumultuous world of humankind. In January 1942, Wonder Woman took the world of comics—and its pantheon of superpowered males—by storm. Wielding her impervious silver bracelets and golden Lasso of Truth, she’s battled forces of evil from the Axis powers to a slew of super-villains worldwide, teamed up with the likes of Superman, Batman, Green Lantern, and the Flash, and become a high-flying feminist icon and pop-culture superstar. Now, for the first time in more than thirty years, here’s a definitive A-to-Z volume that draws together all the knowledge about the star-spangled, action-packed history of Wonder Woman. In more than 400 fact-packed pages you’ll find • the complete story of Wonder Woman’s origins, as imagined and reinterpreted by generations of comics writers—including her groundbreaking creator, William Moulton Marston • biographies of every major character in Wonder Woman’s universe, including her mother, Hippolyta; sister, Donna Troy; and mortal ally Steve Trevor—as well as such classic foes as Ares, Cheetah, Hades, and the members of Villainy Inc.• classic black-and-white comic book artwork throughout• two sixteen-page full-color artwork inserts—plus a dazzling original cover illustration by fan-favorite artist Adam Hughes Written by veteran Wonder Woman artist and writer Phil Jimenez and comics historian John Wells, The Essential Wonder Woman Encyclopedia is the ultimate archive, proving that die-hard devotees of the gorgeous go-to goddess don’t have to visit Paradise Island for a taste of heaven on earth.

    Lansdale, the acclaimed horror novelist of such titles as EDGE OF DARK WATER and DEAD AIM, took on DC's famed bounty hunter Jonah Hex in these darkly comic epics from the 1990s. In these twisted tales of the Old West, Hex battles a doctor determined to transform him into a zombie, joins up with Buffalo Will's (yes, Will's) Wild West Show and learns the dark secret behind the existence of a demonic baby, and discovers an ancient race of man-eating worms from beneath the earth. Collects JONAH HEX: TWO-GUN MOJO #1-5, JONAH HEX: SHADOWS WEST #1-3 and JONAH HEX: RIDERS OF THE WORM AND SUCH #1-5.

    Fortunately, some of those people have grown up to be clever and talented comic artists, with an important message to share: Everyone can survive middle school! Edited by underground comics icon Ariel Schrag, this anthology of illustrated tales about the agonies and triumphs of seventh and eight grade features some of America's leading graphic novelists, including Daniel Clowes, Joe Matt, Lauren Weinstein, and Ariel herself. With a sense of humor as refreshing as it is bitingly honest, seventeen artists share their stories of first love, bullying, zits, and all the things that make middle school the worst years of our lives.

    From the optimizing individual to game theory to price theory, The Cartoon Introduction to Economics is the most digestible, explicable, and humorous 200-page introduction to microeconomics you'll ever read.Bauman has put the "comedy" into "economy" at comedy clubs and universities around the country and around the world (his "Principles of Economics, Translated" is a YouTube cult classic). As an educator at both the university and high school levels, he has learned how to make economics relevant to today's world and today's students. As Google's chief economist, Hal Varian, wrote, "You don't need a brand-new economics. You just need to see the really cool stuff, the material they didn't get to when you studied economics." The Cartoon Introduction to Economics is all about integrating the really cool stuff into an overview of the entire discipline of microeconomics, from decision trees to game trees to taxes and thinking at the margin.Rendering the cool stuff fun is the artistry of the illustrator and lauded graphic novelist Klein. Panel by panel, page by page, he puts comics into economics. So if the vertiginous economy or a dour professor's 600-page econ textbook has you desperate for a fun, factual guide to economics, reach for The Cartoon Introduction to Economics and let the collaborative genius of the Klein-Bauman team walk you through an entire introductory microeconomics course.

    Can she save the remaining Alderaanians from the might of the Galactic Empire? Before master of charm Lando Calrissian joined the rebellion, or even ran Cloud City, he and faithful ally Lobot got by with the odd swindle and plenty of swagger. But this time, has Lando bitten off more than he can chew? Speaking of things getting Chewy, everybody's favorite Wookiee warrior also faces some alone time after the battle of Yavin. Stranded on an Imperial occupied planet, far away from Han Solo, will he make a new best friend?COLLECTING: PRINCESS LEIA 1-5, LANDO 1-5, CHEWBACCA 1-5