Back then Betty Stern was an eighteen-year-old knockout working at her grandparents’ lakeside resort. The “Catskills of the Midwest” was the perfect place for Betty to prepare for bigger things. She’d head to college in New York City. Her career as a fashion editor would flourish. But first, she’d enjoy a wondrous last summer at the beach falling deeply in love with an irresistible college boy and competing in the annual Miss South Haven pageant. On the precipice of a well-planned life, Betty’s future was limitless.Decades later, the choices of that long-ago season still reverberate for Betty, now known as Boop. Especially when her granddaughter comes to her with a dilemma that echoes Boop’s memories of first love, broken hearts, and faraway dreams. It’s time to finally face the past—for the sake of her family and her own happiness. Maybe in reconciling the life she once imagined with the life she’s lived, Boop will discover it’s never too late for a second chance.

    Shaw’s Home for Watercress and Flower Girls. For years, the home has cared for London’s flower girls—orphaned and crippled children living on the grimy streets and selling posies of violets and watercress to survive.Soon after she arrives, Tilly discovers a diary written by an orphan named Florrie—a young Irish flower girl who died of a broken heart after she and her sister, Rosie, were separated. Moved by Florrie’s pain and all she endured in her brief life, Tilly sets out to discover what happened to Rosie. But the search will not be easy. Full of twists and surprises, it leads the caring and determined young woman into unexpected places, including the depths of her own heart.

    Though her new life as a wedding photographer provides a semblance of purpose, it’s also a distraction from her profound pain.When asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant. Hoping to open Woodmont to the public, Elaine has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process. Libby is immediately drawn to the old greenhouse shrouded in honeysuckle vines.As Libby forms relationships and explores the overgrown—yet hauntingly beautiful—Woodmont estate, she finds the emotional courage to sort through her father’s office. There she discovers a letter that changes everything she knows about her parents, herself, and the estate. Beneath the vines of the old greenhouse lie generations of secrets, and it’s up to Libby to tend to the fruits born of long-buried seeds.

    The future is another time.In a remote corner of Tanzania, Essie Lawrence lives with her husband in an archaeologist’s camp. One morning a chance encounter with two strangers sees her making a rash promise. When she returns home to the research base, she has a baby in her arms. Essie is to care for the little girl until the coming of the rains. And then hand her back.The organised world of Magadi Research Camp is turned upside down. As her heart opens up to new life, Essie is drawn into the ancient wisdom of the Hadza, the last hunter-gatherer tribe in East Africa. And she is led back to memories of her own mother and her first home on the island of Tasmania, at the far end of the world. But there is a price to pay. Essie's marriage, her career - everything she's worked for - is put at risk.On the shores of the flamingo lake, personal stories are played out alongside the Lawrences’ quest to find the origins of the human species. Nightmares and dreams go hand in hand as past and present merge. What is real and what will turn to dust? And after a season of being a mother, will Essie be able to survive the hardest challenge of all? To love, and then let go …An exquisite and heart-piercing story of one woman’s bond with a baby, The Beautiful Mother will resonate with every parent, crossing time, place and culture. It is an unforgettable exploration of what it really means to be a member of the human family, revealing the deep need we all have to find our own tribe.