Anna keeps passing Michael books until one day he disappears, suddenly released after a private detective manipulated a witness in Michael's trial. Outside, Michael encounters a Washington, D.C., that has changed a lot during his time locked up. Once shady storefronts are now trendy beer gardens and flower shops. But what hasn't changed is the hard choice between the temptation of crime and doing what's right. Trying to balance his new job, his love of reading, and the debt he owes to the man who got him released, Michael struggles to figure out his place in this new world before he loses control.<Smart and fast-paced, The Man Who Came Uptown brings Washington, D.C. to life in a high-stakes story of tough choices.

    As a massive hurricane approaches the Eastern Seaboard, FBI consultant Jake Cole must return to Montauk to care for his father, formerly a brilliant painter, now in the grip of madness. When a twisted serial killer strikes nearby, the local sheriff is ill equipped to battle an increasingly bold killer. Soon Jake finds himself dragged into the bloody case, all the while trying to care for a father he never wanted to see again. As bodies pile up and the storm edges closer, Jake rushes to keep his family from harm and find the killer. It’s a race against the clock, and there are forces at work that could end up pushing Jake permanently into the dark. Robert Pobi’s brilliant debut thriller, Bloodman, is twisted, gritty, and utterly compelling. Slated for publication in nine countries, Bloodman is poised to take the world by storm.

    It stops the entire universe. For Michael, it tarnishes everything, including his badge. For Chet and his hostage, it is the beginning of a chase that will lead them through dingy motels and the darkest corridors of their minds. Dogan just wants Sara back. Jimmy the Cat wants to make up for all the time he has wasted. Frankie wants to live a 'moral' life, erasing everyone in his path who does not live up to his standards. Conventional notions of good and evil quickly blur as they are all forced to look into the mirrors they have avoided for so long. Chilling and horrifying, whimsical and wretched, Joe Café's cast of broken characters try to find their way in a world they never understood to begin with...for the Chens, it is easy. They are dead.

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    She is not in the embrace of sleep, or even in the arms of one of her many lovers. She is dead. And the unpleasant task of finding her killer is handed to an overworked, crime-weary police detective named Pierre Emile Grazziano, nicknamed Grazzi, who would rather play hide-and-seek with his little son than cat and mouse with a diabolically cunning, savage murderer.

    But Elle is no petty thief--with just the right combination of smarts, looks, and skills, she can easily stroll through ritzy Bel Air neighborhoods and pick out the perfect home for plucking the most valuable items. This is how Elle has always gotten by--she is good at it, and she thrives on the thrill. But after stumbling upon a grisly triple homicide while stealing from the home of a wealthy art dealer, Elle discovers that she is no longer the only one sneaking around. Somebody is searching for her.As Elle realizes that her knowledge of the high-profile murder has made her a target, she races to solve the case before becoming the next casualty, using her breaking-and-entering skills to uncover the truth about exactly who the victims were and why someone might have wanted them dead. With high-stakes action and shocking revelations, The Burglar will keep readers on the edge of their seats as they barrel towards the heart-racing conclusion.

    from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    This would all be quite ordinary in those rough streets, except that Jensen is the Chief Detective of Supernatural Investigations. The breakneck plot centers around a mysterious blue stone — The Eye of the Moon—and the men and women who all want to get their hands on it: a mass murderer with a drinking problem, a hit man who thinks he's Elvis, and a pair of monks among them. Add in the local crime baron, an amnesiac woman who's just emerged from a five-year coma, a gypsy fortune teller, and a hapless hotel porter, and the plot thickens fast. Most importantly, how do all these people come to be linked to the strange book with no name? This is the anonymous, ancient book that no one seems to have survived reading. Everyone who has ever read it has been murdered. What can this mean?

    Horrified by the pedestrian names her husband chooses for their unborn child (Tanguy if it's a boy, Joelle if it's a girl), Lucette does the only honorable thing to save her baby from such an unexceptional destiny - she kills her spouse. While in prison, Lucette gives birth to a daughter to whom she bequeaths the portentous name of an obscure saint, Plectrude, before hanging herself." From her beginnings, Plectrude seems fated for a life like no other. Raised by an indulgent and adoring aunt, she is a dreamy child who is discovered to have enormous gifts as a dancer. Accepted at Paris's most prestigious ballet school, Plectrude devotes herself to artistic perfection, giving dance her heart and soul - and ultimately her body. As her world shatters as easily as her bones, she learns to survive in the only way she knows how - by committing an act of deadly self-preservation her mother would have understood best.

    He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls 'Mygale', after a type of tropical spider. All of these characters are caught in a deceitful web, doomed to meet their fate.

    A failed painter, he is now a failed forger. Awaiting him are two policemen anxious to remind him of his sins, and a letter from a woman with whom he had a passionate affair in his youth. Now dying, she summons him to tell him that he has a daughter, Connie.Sloane agrees to return to New York, a city of potent memories, to look for his daughter. But Connie is locked in a relationship with a man the police believe has killed once and who will not hesitate to kill again. Sloane has to decide whether to walk away or stay and fight for her. And the deeper the police dig into Vincent Delaney's business affairs, uncovering underworld associations, the more Delaney feels cornered, and the more unpredicable and dangerous he becomes.

    Suddenly, a series of crib deaths—indistinguishable from SIDS except for the fevered testimony of one distraught mother with connections in high places—draws the attention of the police and the national media and raises the possibility of the inconceivable: could there be a serial infant murderer on the loose? Orphaned as a child, out of place as an adult, gifted with delicate and terrifying powers of intuition, Lena finds herself playing a critical role in the case. But then there is the mystery of her own childhood to solve....Could the improbable deaths of a half-dozen babies be somehow connected to her own improbable survival? The beauty and originality of Diana Abu-Jaber's writing are here accompanied by deft, page-turning narrative tension and atmosphere, tugging the reader to an unforgettable conclusion.

    When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world

    Not even the death of the team's manager can dampen the enthusiasm for long, but then a kid on the high school paper begins to hear things-stories of brutalities at a team retreat, of hazing that went over the line . . . of murder. But no one wants to know, and at every step, the ranks close against him-the school, the parents, the police, the town fathers. Soon the threats begin, then the physical intimidation, and even after he recruits a fallen-from-grace city newsman named Ben Mitchell to help him, the incidents get uglier-and more dangerous. "You always kill for a big story," Mitchell tells him. "You don't get killed for one." But it may already be too late. Things may have gone too far. For years, such top thriller writers as Harlan Coben, Elmore Leonard, and Carl Hiaasen have praised Lupica for his tightly wound plots, rich characters, and dialogue "that is alone worth the price" (Leonard). Now Lupica joins their ranks. Too Far is a major novel of suspense-and a book that makes us all look in our own backyards.

    Random visitors, regulars, and, most notably, her colleagues—three gravediggers, three groundskeepers, and a priest—visit her as often as possible to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee that she offers them. Her daily life is lived to the rhythms of their hilarious and touching confidences.Violette’s routine is disrupted one day by the arrival of a man—Julien Sole, local police chief—who insists on depositing the ashes of his recently departed mother on the gravesite of a complete stranger. It soon becomes clear that the grave Julien is looking for belongs to his mother’s one-time lover, and that his mother’s story of clandestine love is intertwined with Violette’s own secret past.With Fresh Water for Flowers, Valérie Perrin has given readers a funny, moving, intimately told story of a woman who believes obstinately in happiness. Perrin has the rare talent of illuminating what is exceptional and poetic in what seems ordinary. A #1 best-seller in France, Fresh Water for Flowers is a delightful, atmospheric, absorbing fairy tale full of poetry, generosity, and warmth.