A silent film, destroyed in a fire in 1913 at the Pathé studio, before it was seen even by its director. A lowly seamstress, who makes the costumes she should be wearing, but believes her talent - and the secret she keeps too - will soon get her a dressing room of her own. A beautiful house in Paris, with a curving staircase, a lake, and locked rooms. A famous - and dashing - creator of spectacular cinematic illusions, husband to a beautiful, volatile actress, the most adored icon of the Parisian studios. All fit together, like scenes in a movie. And as you will see, this plot has a twist we beg you not to disclose ...

    Keller on the Spot is one of ten stories that are collected as the episodic novel, Hit Man.

    South Bass, an island on Lake Erie, is home to an idyllic summer resort, but these three ladies keep disturbing the peace.The initial book choice is Agatha Christie’s Murder on the Orient Express, and that sets their mouths to watering. The Orient Express is the island’s newest Chinese restaurant. They might not agree about much, but the ladies all love the orange chicken on the menu. But their meal is spoiled when the restaurant’s owner, Peter Chan, has the bad fortune of getting murdered. Now, with Christie as their inspiration, the League of Literary Ladies has a real mystery to solve…if they can somehow catch a killer without killing each other first.

    And then the killer showed up. During the summer of 1987, from their tree house fort in the woods, neighborhood boys Tim, Scott, and Luke spot a man holding a gun to missing sixteen-year-old Molly Peterson's back. The problem is, nobody believes their story, not even the police. As search efforts to find Molly dwindle, the boys know that she, and the man with the gun, are nearby -- and that they must now find and save Molly themselves. A growing sense of honor and urgency forces the boys to take action -- to find Molly, to protect themselves, and to stand guard for the last long days of summer.

    Into this cushy world bursts “Dr. Crandall Taylor” —or rather the actor who plays him — the star of a dated American soap opera that is now one of the hottest primetime shows in France. And this newfound fame, as enriching as it is unexpected, is not wasted on Crandall, eager to put his dark and often violent American past behind him and enjoy all the fruits —and the women —that Paris and fame have to offer him.But TV fame isn’t enough. Randall wants a feature film. Every actor wants a feature film, and so Crandall uses his charm and intellect to draw into his narcissistic web four different women: an executive at the network that runs his show; an American porn star reaching new heights on the internet; a bookish university student with a slightly nasty bent; and the beautiful would-be actress wife of an arms dealer. Against his better judgment, Crandall accepts both the arms dealer’s cash and his beautiful wife’s advances. Soon, Crandall is on the run through the alleys and streets of Paris, trying not only to fund a film but simply to stay alive. But this is no ordinary chase —and Crandall is no ordinary mouse — and soon his penchant for violence, sex, and megalomania erupts into full blown war.Rake is the latest noir classic from the author of The Ice Harvest. It features a charming, despicable anti-hero and a funny, satiric take on modern entertainment culture. Phillips turns his gimlet eye on the lush life of an actor who, on his destructive tour through Paris, crosses the line from garden variety narcissism into full-fledged psycopathy.

    To the incredulity of the passers-by, he refuses their offers to play in concert halls, or at prestigious gatherings. He is waiting for someone, he tells them.Joseph was just sixteen when he was sent to a religious boarding school in the Pyrenees: les Confins, a dumping ground for waifs, strays, and other abandoned souls. His days were filled with routine and drudgery, and he thought longingly of the solace he found through music in his former life.Joe dreams constantly of escape, but it seems impossible. That is, until a chance encounter with the orphanage's benefactor leads him to Rose, and a plan begins to form...Humorous even in its darkest moments, Devils and Saints tells a daring tale of camaraderie, love, and good triumphing over evil.

    Will under suspicion, they flee. Suddenly a hard-edged FBI agent appears on their doorstep. “I know you’re innocent, because Rachael wasn’t the first ... or the last.”

    This is a full-fledged lovers' tragedy between a drifter-turned-writer and the fatally flawed Betty, his muse and obsessive promoter.

    With him he carries the ghosts of a partner killed in action, three failed marriages, and a long affair with the bottle. And now he's about to face the most dangerous case of his career--one that begins with a body that doesn't stay buried. Brutally murdered and bizarrely mutilated, a woman's corpse is discovered on Havasupai Nation land. Parker is paired with FBI Special Agent Anna Turnipseed in a hastily assembled task force of two. The two share a mixed Native American ancestry...and little else. As they are pulled deeper into a complex case, Parker suspects they are being led--like Custer into Little Bighorn--into a killer's trap, with Anna the bait and Parker himself the quarry. At the heart of it are the dead, with history the most lethal weapon of all....

    In it, Isaac alludes to a secretive organization that is after his final bombshell equation, and he charges Hazel with safely delivering it to a trusted colleague. But first, she must find where the equation is hidden. While in Los Angeles for Isaac’s funeral, Hazel realizes she’s not the only one searching for his life’s work, and that the equation’s implications have potentially disastrous consequences for the extended Severy family, a group of dysfunctional geniuses unmoored by the sudden death of their patriarch. As agents of an enigmatic company shadow Isaac’s favorite son—a theoretical physicist—and a long-lost cousin mysteriously reappears in Los Angeles, the equation slips further from Hazel’s grasp. She must unravel a series of maddening clues hidden by Isaac inside one of her favorite novels, drawing her ever closer to his mathematical treasure. But when her efforts fall short, she is forced to enlist the help of those with questionable motives.

    But everything changes when she finds a body on the common near her home. She’s shaken and haunted by the image of the lifeless young woman, and frightened that the killer, still at large, could strike again. Before long, the police have a lead. The evidence points to a very clear suspect. One Gaby never saw coming . . . Full of twists and turns, this is a dark and suspenseful psychological thriller that will make you secondguess everything. Because you can never be too sure about anything, especially when it comes to murder.

    But the real mystery at the heart of Albert Cossery's wry black comedy is not the cause of this death but the paradoxical richness to be found in even the most materially impoverished life. Chief among Cossery's proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery's masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right.

    30-year-old Albert returns to Paris after six years away, during which time his mother has passed away, to find himself entangled in a complicated case centred around a woman he met at a restaurant whose husband's body appears in her lounge, but then disappears almost inexplicably.

    This sharp, ironic, tightly written thriller takes place during a single night, during which our narrator, editor of a small-city newspaper, shows what stuff journalists were made of then by consuming a truly epic amount of alcohol and unweaving an artfully tangled web.

    Katie committed a terrible crime. Sixteen years was the price she had to pay. Once released from prison, she finds the world has changed. But Katie is a survivor. Isolated and alone, she struggles to make sense of her new life. Starting again isn’t easy, especially after what she’s done. Despite not feeling free or safe, Katie overcomes her fears and confronts the future. Although history won’t remain forgotten. Gradually, memories of the past are revealed. When Katie finally exposes the awful truth and sees there are others who share the blame, she must choose her path. Will she seek redemption, or will she take revenge?