The English village of Wealding is no longer troubled by distant sirens, yet the rustling coils of barbed wire are a reminder that something, some quality of life, has evaporated. Together again after years of separation, Laura and Stephen Marshall and their daughter Victoria are forced to manage without "those anonymous caps and aprons who lived out of sight and pulled the strings." Their rambling garden refuses to be tamed, the house seems perceptibly to crumble. But alone on a hillside, as evening falls, Laura comes to see what it would have meant if the war had been lost, and looks to the future with a new hope and optimism. First published in 1947, this subtle, finely wrought novel presents a memorable portrait of the aftermath of war, its effect upon a marriage, and the gradual but significant change in the nature of English middle-class life.

    She anticipates her first dance, the greatest yet most terrifying event of her restricted social life, with tremulous uncertainty and excitement. For her pretty, charming elder sister Kate, the dance is certain to be a triumph, but what will it be for shy, awkward Olivia?Exploring the daydreams and miseries attendant upon even the most innocent of social events, Rosamond Lehmann perfectly captures the emotions of a girl standing poised on the threshold of womanhood.

    Light, humorous novel in the usual Sharp style, Isabel Brocken, a sentimental English widow, extends her hospitality to a rather mixed group of friends and relatives who have been left without living quarters by the war.

    Beautiful divorcee Tory is painfully involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good.

    On the first page (a scene as compelling in its way as the five conception scenes at the beginning of Manja) Deborah and her husband are saying goodbye to each other before he is posted overseas. They swear undying loyalty, well, undying emotional loyalty because the husband does not deny that he might not be able to be faithful all the time he is away. But once he is gone, Deborah is soon bored by life in a village with her small son and decides to get a job in London. Here she acquires a lover, and another, and another. As Juliet Gardiner, the historian, says in her Preface, this is a near harlot’s tale. But she admires the book very much because it shows such a different side of the war from that shown in, for example, Jocelyn Playfair’s A House in the Country, which is full of people mostly behaving honourably. The book was originally published in 1946 under Laski's pseudonym, Sarah Russell.

    Apparently 'a fairly ordinary tale about the destruction of a happy marriage' (Nina Bawden) yet 'it makes compulsive reading' in its description of an ordinary family struck by disaster when the husband, in a moment of weak, mid-life vanity, runs off with a French girl. Dorothy Whipple is a superb stylist, with a calm intelligence in the tradition of Elizabeth Gaskell.

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    Of Jennifer's adventures with cottages and clergymen and clergymen's maiden sisters Elizabeth weaves a romance that is pointed with tenderly malicious satire and flooded with the intoxicating golden sunshine that was the delight of The Enchanted April.

    Mrs. Miniver's adventures have charmed millions. This edition, published on the fiftieth anniversary of the book's orginal publication in the U.S., features a new introduction by Greer Garson, who won the Academy Award as best actress for her role as Mrs. Miniver.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    Growing up in a typically Victorian household, the Pargiter children must learn to find their footing in an alternative world, where the rules of etiquette have shifted from the drawing-room to the air-raid shelter. A work of fluid and dazzling lucidity, The Years eschews a simple line of development in favour of a varied and constantly changing style, emphasises the radical discontinuity of personal experiences and historical events. Virginia Woolf's penultimate novel celebrates the resilience of the individual self and, in her dazzlingly fluid and distinctive voice, she confidently paints a broad canvas across time, generation and class.

    A deep sense of tradition binds him to his inheritance, though he loathes the social circus he is a part of. Deception, infidelity and greed hide beneath the glittering surface of good manners. Among the guests at a lavish party are two people who will change Sebastian's life: Lady Roehampton, who will initiate him in the art of love; and Leonard Anquetil, a polar explorer who will lead Sebastian and his free-spirited sister Viola to question their destiny.A portrait of fashionable society at the height of the era, THE EDWARDIANS revealed all that was glamorous about the period - and all that was to lead to its downfall. First published in 1930, it was Vita Sackville-West's most successful book.

    The novel has a delicate tangle of schemes and unfulfilled dreams, hidden secrets and a castle or two. Told wonderfully in the deadpan honesty that has become a Pym hallmark, this book is a delight.

    Bury yourself in London or any really large city, and you can live like a hermit, but avoid the outskirts of a village. I am dazed by the ceaseless whirl of activities in which almost everyone in and round Ravenskirk is involved.Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities, dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, an unwed mother, befriending kind, practical Elizabeth Drysdale and charming Mrs. Currie and her daughter Sylvia (the latter first met halfway through Sara's drawing room window), and having an embarrassing first encounter with rugged Major Whitburn. Add in her nephew Arthur, neglected by an indifferent father, Arthur's dog Pam, and even Hugo himself returning unexpectedly from overseas, and Sara's life is a 'ceaseless whirl' indeed!Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson (in just such a village as Ravenskirk), and they may well have influenced one another's writing. First published in 1955, Dear Hugo is one of the funniest of her spirited, joyful comedies of Scottish village life. This new edition includes an introduction by Elizabeth Crawford.