What I got instead is heartbreak and a divorce. With my life a shambles, I hit the road and begin a voyage of self discovery and growth. When my keyboard reveals a world of sensual fantasy and dark desires, I don’t know whether to leap into the unknown or play things safe. What I do know is that I’m worth a second chance. I may be forty-five, but I’m not ready to give up on love.

    But this soon changes. Every day a new dilemma arises, pulling her into the chaos, and as she gets to know her neighbors she discovers comedy, cruelty, and even tragedy. Do you know what’s going on in your neighborhood?

    He has epilepsy.And, as it turns out, he has much bigger issues too.Esther falls. In love.It’s wonderful – but there’s a shadow that she can’t identify and she can’t make go away just by loving Luke.Luke’s experience has taught him to despise himself; Esther’s self-belief is fragile. And love is not as easy as it looks. Will they be still falling at the end of term?A story about the struggle it can be to love someone who doesn’t love themselves – and why it’s worth it.From the winner of Children’s Books Ireland Honour for Fiction, the CBI Children’s Choice Award and CBI Book of the Year Award for her previous novels Taking Flight and Grounded.

    Bingham Prize“Written by the hand of a poet, the prose in this collection is consistently beautiful.”—Elizabeth Nunez, author of Prospero’s Daughter and Boundaries“I love the tender beautiful writing; I love the characters, and in many ways it felt as if I had met them before….I just love this book.”—Uwem Akpan, author of Say You’re One of Them, an Oprah Book Club selectionInternationally renowned and award-winning poet Lorna Goodison brings us By Love Possessed, her long-anticipated collection of short fiction. Making dazzling use of the Creole patois of Jamaica, Goodison limns the beauty and despair of the human condition and explores the unique power of love to both uplift and destroy. Goodison’s powerfully moving stories explore the pain, the struggle, and the triumph of Jamaicans—particularly women—those still living on their Caribbean island and those who have emigrated elsewhere. By Love Possessed is a rare and beautiful gift from an extraordinary writer who was mentored by the legendary Derek Walcott and who stands with Edwidge Danticat as a brave and breathtaking voice in contemporary literature.

    But after her marriage to Andrew fell apart, she ceded most of the raising of the baby to her mother-in-law, the very opinionated Edith Vale, a woman as formidable and steely as her stiff blond bouffant, the veritable helmet that helps her soldier through life. Now, after letting Henry drift away, Susan is determined to make things right, but just as mother and son seem to make headway after embarking on a cross-country road-trip, things take a darker turn. When the family reconvenes in California, everybody must fight to find humor and courage in the face of a situation that threatens to change them all forever.

    I knew I was also in the presence of the brillian voice and sensibility of a major new American writer. This is an important novel by a true artist."--Robert Olen Butler"Dedra Johnson has caught something wonderful in Sandrine's Letter to Tomorrow. She writes brilliantly about childhood, New Orleans, the intricacies of a vexed family life. Sandrine is a remarkable debut novel that will catch your heart."--Frederick BarthelmeDespite being a straight-A student and voracious reader, eight-year old Sandrine Miller is treated as little more than a servant by her mother, who forces Sandrine to clean house, do chores and take care of her younger half sister, Yolanda. On top of the despair of her life at home, Sandrine must confront growing up against the harshness of life in 1970s-era New Orleans, where men in cars follow her home from school and she is ostracized because she is a light-skinned black girl. The only refuge Sandrine has against her bleak world is spending summers with her beloved grandmother, Mamalita. After Mamalita’s death, Sandrine realizes that she must escape from her mother, from New Orleans, from everything she has known, if she is to have any kind of future. In the tradition of Toni Morrison's The Bluest Eye and Alice Walker's The Color Purple, Sandrine's Letter to Tomorrow is a brilliant debut from an important new African-American voice in literary fiction.A native and current resident of New Orleans, Dedra Johnson received her MFA from the University of Florida, where she was a finalist for the Hurston/Wright Award for College Writers. Sandrine's Letter to Tomorrow was a runner-up for the William Faulkner-William Wisdom Award in 2006.

    So does fighting shoulder to shoulder with a God. But that was a long time ago - a past he's worked hard to bury.Now, in the Year 2047, Lochlan takes the public bus to his soul-sucking job answering phones. He lives to remain unnoticed.Then the visions started. Prophetic visions. That’s when he knew the Old World had found him again.These weren’t the fun kind of visions either. They were the watch-people-die kind, the try-to-stop-it-before-it-happened kind, the maybe-save-some-lives kind.These visions were powerful. And, as Lochlan had learned the hard way, power attracts enemies.MAGIC REQUIRED is the first in a planned series of five.

    To enter heaven, he discovers that he must crawl through a culvert in a canefield. Everything about paradise that he had been raised to expect and believe, he finds to be utterly and completely wrong.

    One of the throng of young Jamaicans who left the island after the devastating hurricane of 1974, Imelda's journey has taken her to England, to the home of ganja-growing rebel Purletta Johnson, the arms of fake Northerner Ozzie, and a law degree. But when her mother dies Imelda returns to Watersgate, choosing Jamaica over England. 1983 is still a couple of years shy of the great dancehall explosion in which artists like Shabba Ranks would sing how he "loved punany bad," and the village is still dominated by the Evangelical church and the thundering voice of Pastor Braithwaite. When Tessa Walcott's panties are stolen—and in the absence of Perry Mason—she and Imelda decide to set up a Neighborhood Watch. But they haven't counted on Pastor Braithwaite and the crusading zeal of Evangelist Millie. As a Pentecostal fervor sweeps through the village, the tensions between old and new come to a head.

    But Allison rises to the challenge of raising Westley's toddling daughter as though she were her own. Over the course of their lifetime together, Allison, Westley, and Michelle form the strong bond of family. As Allison struggles with infertility and finding her way during a time of great change for women, others--some she knows and others whom she never meets--brush and weave against the fabric of her life, leaving her with more questions than answers. From teen bride to grandmother, Allison's life chronicles the ups and downs of an ordinary woman's life to examine the value of what we all leave behind.

    ‘The Girl with the Hazel Eyes’ is well-written and compelling. I give this novel 5/5 stars.” - Bekah’s Bookshelves.A beautifully written coming-of-age tale that examines the bonds of womanhood, feminism and pre-independence life on a small island. Almost fifty years after Susan Taylor was exiled from Barbados for her famous whistle-blowing novel, ‘The Unspeakable Truth’, she contacts a young writer to pen her biography. Susan is crotchety and unpleasant but Lia Davis is broke so she has no choice but to stay and write Susan's biography. As Lia starts to unravel the reclusive author's life, she realizes that some things just don't add up. Susan has been hiding a massive secret for decades and Lia is determined to find out what it is. The Girl with the Hazel Eyes is an endearing novel that tugs at your heart with its examination of love, lies, and loyalty.

    The Trinidad of her stories is utterly contemporary but also a place defined by its folk mythologies and its cultural creations, its traditions of masking and disguises. Her stories confront the increasing economic and cultural divisions between rich and poor, the alarming rise in crime, murders and an alternative economy based on drug trafficking. Their daring is that they both look within the human psyche and back in time to make sense of this reality. The figure of the loup-garou, the hyperbolically violent rhetoric of the Midnight Robber of the carnival parade – or even cannibalism taking place far off the beaten track – have become almost comic tropes of a dusty folklore. In Mc Ivor’s stories they become real and terrifying day-light presences, monsters who pass among us.Her great gift as a writer is to take us to unexpected places, both to seduce us into a kind of sympathy for her monsters of greater and lesser kinds, and sometimes to reveal a capacity for redemption amongst characters we are tempted to dismiss as shallow, unlikable human beings. The problem, in a world of masks and disguises, is how to tell the difference.

    Carefully crafted over 15 years, they explore unbounded sexualities, a vision of the fluidity of the person, and politics – from the deaths of black people at the hands of the police, to the deep shifts that signal the subtle changes in the nature of capitalism and much more. These stories may sometimes tickle, sometimes shock; but will always engage both the intellect and the heart.

    Under her deceptively revealing title, Alecia McKenzie recreates Jamaica’s enduring traditions in fresh and illuminating ways that make this one of the most avant-garde fictions I have read in a long time."--Curdella Forbes, author of A Tall History of SugarAfter a personal tragedy upends his world, American-born artist Chris travels to his mother’s homeland in the Caribbean hoping to find some peace and tranquility. He plans to spend his time painting in solitude and coming to terms with his recent loss and his fractured relationship with his father. Instead, he discovers a new extended and complicated “family,” with their own startling stories, including a love triangle. The people he meets help him to heal, even as he supports them in unexpected ways, through his art.Told from different points of view, this is a compelling novel about unlikely love, friendship, and community, with several surprises along the way. The story takes place against the backdrop of rural Jamaica, New York City, and Paris, France.

    The twelfth novel by this celebrated author revolves around an enigmatic crime and the young man at its center. Dieudonné Sabrina, a gardener, aged twenty-two and black, is accused of murdering his employer--and lover--Loraine, a wealthy white woman descended from plantation owners. His only refuge is a sailboat, La Belle Créole, a relic of times gone by. Condé follows Dieudonné's desperate wanderings through the city of Port-Mahault the night of his acquittal, the narrative unfolding through a series of multivoiced flashbacks set against a forbidding backdrop of social disintegration and tumultuous labor strikes in turn-of-the-twenty-first-century Guadeloupe. Twenty-four hours later, Dieudonné's fate becomes suggestively intertwined with that of the French island itself, though the future of both remains uncertain in the end.Echoes of Faulkner and Lawrence, and even Shakespeare's Othello, resonate in this tale, yet the drama's uniquely modern dynamics set it apart from any model in its exploration of love and hate, politics and stereotype, and the attempt to find connections with others across barriers. Through her vividly and intimately drawn characters, Condé paints a rich portrait of a contemporary society grappling with the heritage of slavery, racism, and colonization.