Originally published in 1950, it became an instant classic. Considered to be essential in every household, it is still one of the most popular wedding presents today. The Silver Spoon was conceived and published by Domus, the design and architectural magazine famously directed by Giò Ponti from the 1920's to the 1970's. A group of cooking experts was commissioned to collect hundreds of traditional recipes from the different Italian regions and make them available for the first time to a wider audience. In the process, they updated ingredients, quantities and methods to suit contemporary tastes and customs, at the same time preserving the memory of ancient recipes for future generations. They also included modern recipes from some of the most famous Italian chefs, resulting in a style of cooking that appeals to the gourmet as well as the occasional cook A comprehensive and lively book, its simple and user-friendly format makes it both accessible and a pleasure to read. It provides an introduction to every course, and an explanation of the main type of ingredients. Never translated before, The Silver Spoon has now been adapted to an international market, with every recipe checked for suitability, measurements converted and methods rewritten to accommodate cultural differences, yet maintaining the authenticity of real Italian cooking. The new layout emphasizes its contemporary appeal and the colour coding of each section simplifies the process of cross-referencing ingredients and methods. A section with original menus from the 15 most famous Italian chefs of the last 50 years has been expanded to include original menus from Italian celebrity chefs working outside Italy. This is a substantial and prestigious cookbook that will share the bookshelves with other titles such as The Joy of Cooking and Larousse Gastronomique, another classic of national cuisine. With over 2,000 recipes illustrated with specially commissioned artwork and photography, the book is destined to become a classic in the Italian cooking booklist for the international market.

    [Prose] writes equally well about sausages and saints, documenting the madness and the grace of God in everyday life.--Jean Strouse, Newsweek.

    "Emperors of Rome" charts the 500 years that followed the death of Caesar and eventual triumph of Augustus, an era during which Rome reached heights of economic prosperity and cultural achievement, but also plumbed depths of anarchy, cruelty and chaos.

    Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

    From modern, fashionable Milan; to beautiful, historic Rome with its modern traffic and, even today, its sudden displays of faith; to primitive, brooding Calabria, Barbara Grizzuti Harrison reveals in all its glory and confusion her Italy, the country of her origins, where the keys to her past are held by those who never left.Beautifully and eloquently rendered, Italian Days is a deeply engaging travelogue, but it is much more as well. It is the story of a return home"of friends, family, and faith"and of the search for the good life that propels all of us on our journeys wherever we are.

    though she tried to be like 'everyone else', refusing to learn Italian and even dyeing her dark hair blonde, Zoe couldn't shake the unsettling sense of feeling 'half-and-half' - half Australian, mezza italiana - unable to fit fully into either culture, or merge the two. Years later, she travels to her family's ancestral village of Fossa in Abruzzo and discovers a place that is the stuff of fairytales - medieval castles, mystics, dark forests, serpent charmers and witches. As Zoe stays in the house that has belonged to her family for centuries, the village casts its spell. She begins to realise the preciousness of her heritage and the stories, recipes and traditions of her extended Italian family become a treasured part of her life. then the earthquake hits... Beautifully written, sprinkled with recipes and laced with love, Mezza Italiana is a heart-warming journey into the soul of Italy, and into a family you'll never forget!

    But it wasn’t like that; and the clock has no hands, so I can’t turn them back.” [p.171]Alex Carlise has returned to a place he thought he’d never see again, outside of his dreams. As he walks the ochre-dusted road to the house in which he grew up, the memories of his young life in a small Italian town push all other thoughts out of his head: thoughts about the major exhibition of his artwork opening soon in London, thoughts of the myriad things he should be doing in preparation–everything subsides to make room for the warm flood of a time long past.When he opens the door to the now-deserted house, he is suddenly seven again. There is Jamie, his first friend, his best friend; Anna, his first love; and the delicious days they spent exploring the valley and swimming in the cerulean blue Mediterranean Sea. It all comes back to Alex in a way he can neither control nor discern. But the memories are insistent, demanding. Soon Alex loses entire hours to the past, overwhelmed by the haunting memories of a youth turned tragic. Alex remembers the day he, Jamie, and Anna went to their favorite place, an abandoned church far up in the hills. There they stumbled upon a man, injured and sick. From this discovery, a series of events tumbled forth that would change them all forever. Alex now realizes that he must confront the truth about himself, about the echoes of the past that still haunt him, and about the friends whose legacy has meant only devastation.Guy Burt’s vision of youth is piercingly accurate, and his sense of how time can play tricks on the mind is startling. Haunting, eerie, and remarkably assured, The Clock Without Hands will resonate with the child that hides inside your own memories.From the Hardcover edition.

    Marlowe gives it to us. The backdrop is Renaissance Europe, a world alive with creative ferment, triple-crossing intrigue, and the passionate quest for novelty. Lofty tragedy and lyric poetry still reign as queens of the literary arts, but young writers heady with ambition seek live action to give substance to their teeming imaginations. It is scoundrel time, and the novel is in gestation. To enter Cervantes's world we cross a threshold that is Shakespearean and quixotic into a metaphysical wonderland where time expands to become space and vast vaulted distances bend back on themselves, where the threads of fiction and the strands of history shuttle back and forth in the great loom of the artist's imagination. Marlowe's Cervantes is a towering creation: flesh and blood and living legend, actor in and creator of the events in his own fantastical life story. He not only survives war, prison, torture, and poverty, he survives death itself, growing inexorably toward the writing of Don Quixote, which would bring both him and his character immortal fame.

    The magic is worked through the mesmerizing tales told by Libertini Faussone, a construction worker, and by the narrator, a writer-chemist, who share stories of their adventures. Faussone is a life-loving, self-educated philosopher who has built bridges and towers in India, Africa, Alaska, and Russia. His passion for work and travel shines through his stories – of a monkey who wanted to be a man, of a magnificent machine that caught stardust, and of a first love, a girl who drove a bulldozer. The writer-chemist, himself a rigger of words and molecules, listens, patient and amused, and responds with his own fascinating stories and reflections on the similar joys of labor, both physical and intellectual.

    An American woman residing in Sicily for the past twenty years portrays the Sicilian landscape and customs - both rural and urban - from the perspectives of both a "foreigner" and a resident.

    This is a city perilously under siege from tourism, but its people refuse to give it up—indeed they love it with a passion. This book is a fascinating window into the world of ordinary Venetians and the strange and unique place they call home.

    Haunted by recent events in his life and uneasy in the foreign environment, he finds it impossible to sleep, so he takes to walking the damp Venetian streets at midnight. In that labyrinth of alleyways and bridges, Wilson meets the ethereal and perplexing Caterina, a woman who seems to bear the sadness of centuries, a woman wrapped in the past but unwilling to share any of her own history with him. Every night he goes to find her among the thousands of stray cats that she feeds faithfully, and over the course of a few weeks falls desperately in love with her even though he knows nothing about her beyond the vague answers he receives to his constant questions. But something about her compels him despite reason. Even as he begins to learn that to uncover the secret she is keeping means losing her forever, he presses harder for a truth that is as elusive as it is inescapable. As the winter hangs heavy over the deserted city, Wilson finds the impossible answer that will change his life forever.

    Called in to investigate, melancholy Detective Ciccio, a secret admirer of the murdered woman and a friend of her husband’s, discovers that almost everyone in the apartment building is somehow involved in the case, and with each new development the mystery only deepens and broadens. Gadda’s sublimely different detective story presents a scathing picture of fascist Italy while tracking the elusiveness of the truth, the impossibility of proof, and the infinite complexity of the workings of fate, showing how they come into conflict with the demands of justice and love. Italo Calvino, Pier Paolo Pasolini, and Alberto Moravia all considered That Awful Mess on the Via Merulana to be the great modern Italian novel. Unquestionably, it is a work of universal significance and protean genius: a rich social novel, a comic opera, an act of political resistance, a blazing feat of baroque wordplay, and a haunting story of life and death in the Eternal City.

    Yet at the start of the first century BC, Rome, outnumbered and out-generaled, faced a hostile army less than a week's march from the Capitol. It is probable that only a swift surrender prevented the city from being attacked and sacked. Before that point, three Roman consuls had died in battle, and two Roman armies had been soundly defeated - not in some foreign field, but in the heartland of Italy.So who were this enemy who so comprehensively knocked Rome to its knees? What army could successfully challenge the legions which had been undefeated from Spain to the Euphrates? And why is that success almost unknown today?These questions are answered in this book, a military and political history of the Social War of 90-88BC. This tells the story of the revolt of Rome's Italian allies (socii in Latin - hence the name of the war). Because these Italian allies had the arms, training and military systems of the Roman army which they usually fought alongside, all Rome's usual military advantages were nullified. This brought the war down to a clash of generals, with the Roman rivals Gaius Marius and Cornelius Sulla spending almost as much time in political intrigue as combat with the enemy. The Italian leaders had to manage an equally fractious coalition of peoples. Some tribes sought negotiation with Rome, and others would settle for nothing less than the total extermination of the city and its people.The interplay of personalities (the young Cicero, Cato, and Pompey were also protagonists); high-stakes politics and full-scale warfare combine with assassination; personal sacrifice and desperate measures (such as raising an army of freed slaves) to make for a taut, fast-paced tale.

    A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.