But I can’t help myself.I’ve worked my face off to make a name for myself in the architect world, and finally it’s landed me the perfect job—teaching at my local university. Not a day goes by when a student doesn’t flirt and try their hand at winning my heart, if only for a night. But I know the rules, and I follow them closely. No way in hell I’m giving up this sweet gig.My newest student has stolen my attention and has me thinking things I should never think.And her flirting goes to a new level. She’s defiant, dark, and not afraid of a little blackmail to get what she wants. The young woman is beyond beautiful and everything I fantasize about, but I have a secret I want to keep hidden. Unfortunately for me, she knows it and is more than happy to use it to get what she wants most—me.What started out as a one-time payment turns into a burning need neither of us can ignore. I just hope this girl is the type that doesn’t kiss and tell. Otherwise, I’m ruined.

    Our trademark step-by-step, screen-by-screen approach now encourages users to expand their understanding of the Office 2010 software through experimentation, exploration, and planning ahead.

    

    

    Dan Forrester and Violet Jones are the perfect couple. His devotion to the charismatic, beautiful firecracker has been the envy of their friends since high school. Until the day she throws his love in his face and walks away from them. Watching her change into someone she’s not is the most challenging thing he’s ever done. Loving Dan is impossible until Violet learns who she is. Violet’s concept of true love is shattered when her parents announce their divorce. Doubt taints everything she thought to be true. Fear becomes the reason for every decision she makes. Determined to find out who she really is, she embarks on a journey of self-discovery. Loving someone often means giving her the time and space she needs. As Dan and Violet smolder in a failed relationship, life takes them in opposite directions. But will love ignite the ashes and bring them back to where they belong?

    Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings.

    As the forerunner of such important books as Annie Dillard's Pilgrim at Tinker Creek, Edward Abbey's Desert Solitaire, and Robert Finch's The Primal Place, this classic work remains as relevant today as it was sixty-five years ago.

    The devastating impact on the planet is well documented, from polluting oceans to harming wildlife. Yet we are so dependent on a vast variety of plastic products in our daily lives that going without is a real challenge. Filled with simple and practical ways to reduce the amount of plastic you use—such as buying loose fruit and vegetables and ditching the bottled water—this little book will help you find safe, reusable, and affordable alternatives in all areas of your life. Not only will you discover the health, cost, and waste benefits, but you’ll also find tips on how to handle the plastic you already have at home.

    Through a series of entertaining, bite-sized chapters that combine anthropological insight with cutting-edge science, we gain fresh perspectives into our first hominin ancestors and ways to challenge perceptions about the traditional progression of evolution. With Lee as our guide, we discover that we indeed have always been a species of continuous change.

    He’s got a killer reputation, social status, unfathomable wealth, fast cars, and all the women he wants. Hell, he even has a video game character made in his likeness. Brother…But, he’s willing to pay the big bucks for my high-end escort services. If the boy needs a monster to prance around his annual Halloween Crawl of Horrors experience, then I’m his ghoul. The only real problem is that I’m terrified of things that go bump in the night. Halloween is NOT my holiday. But, I can swallow my fear for a month and play Barbie to his Ken. The main thing to keep in mind is that the man is a client. None of this is real. Not the wealth, the heat, the steamy moments where I want to give up all of my candies and stop being a trick… all fake. And he is completely off limits. The fact that he keeps making me feel so safe in the swirls of horror around us isn’t helping anything.He might be looking for a rich fake witch, but I’m starting to feel forever. Maybe I’ll just put a spell on him. ‘Cause then he’s mine… right?

    As if it isn’t hard enough trying to finish college.Now I have my tormentor offering to help me complete my goals.Including losing my V-card.Talk about embarrassing.All he asks in return is that I tutor him so he can keep playing hockey.Easy enough.I can keep feelings out this deal.After all, I hate the pompous jerk…Or, at least, I did...Until one kiss leads to the most incredible night of my life.Now I’m torn between my present and my future.The man who once brought out my ire now owns my heart.But will our hopes and dreams pull us down different paths?Or can this summer fling become something more?

    . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic.” —Susan Stewart, citation for the Academy of American Poets FellowshipUrban tumbleweed, some people call it,discarded plastic bag we see in every cityblown down the street with vagrant wind.            —from Urban TumbleweedUrban Tumbleweed is the poet Harryette Mullen’s exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen’s stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being’s place in the natural world. But, as she writes in her preface, “What is natural about being human? What to make of a city dweller taking a ‘nature walk’ in a public park while listening to a podcast with ear-bud headphones?”

    His colleagues resist her argument that human reason is overrated and that the inability to reason does not diminish the value of life; his wife denounces his mother's vegetarianism as a form of moral superiority.At the dinner that follows her first lecture, the guests confront Costello with a range of sympathetic and skeptical reactions to issues of animal rights, touching on broad philosophical, anthropological, and religious perspectives. Painfully for her son, Elizabeth Costello seems offensive and flaky, but—dare he admit it?—strangely on target.Here the internationally renowned writer J. M. Coetzee uses fiction to present a powerfully moving discussion of animal rights in all their complexity. He draws us into Elizabeth Costello's own sense of mortality, her compassion for animals, and her alienation from humans, even from her own family. In his fable, presented as a Tanner Lecture sponsored by the University Center for Human Values at Princeton University, Coetzee immerses us in a drama reflecting the real-life situation at hand: a writer delivering a lecture on an emotionally charged issue at a prestigious university. Literature, philosophy, performance, and deep human conviction—Coetzee brings all these elements into play.As in the story of Elizabeth Costello, the Tanner Lecture is followed by responses treating the reader to a variety of perspectives, delivered by leading thinkers in different fields. Coetzee's text is accompanied by an introduction by political philosopher Amy Gutmann and responsive essays by religion scholar Wendy Doniger, primatologist Barbara Smuts, literary theorist Marjorie Garber, and moral philosopher Peter Singer, author of Animal Liberation. Together the lecture-fable and the essays explore the palpable social consequences of uncompromising moral conflict and confrontation.

    So was His.If you've ever tried to pick up the shattered pieces of your life and put them back together again without help, you know it's an impossible task. When you lose your job, when divorce divides your family, when a loved one commits suicide, or when cancer claims a friend, it's easy to lose perspective and abandon hope.According to Jon Weece, Christianity does not require you to smile through your pain, much less praise God for tormenting you. God doesn't enjoy your suffering. But he does understand it--and he knows exactly how to fix it.That's what Me Too is all about: A God who turned the ugliness of the cross into a spectacle of eternal beauty. An all-powerful Lord who will do the same with the pain of this world. An eternal Father who specializes in wiping away tears and putting you back together again. If you'll allow him.

    He was drinking too much — and, worst of all, had lost all pleasure in the outside world. This remarkable book charts his gradual return to joyfulness. Richard Mabey had lived his whole life in the Chilterns. As a boy, he had tramped over the hills, bird-watching and botanizing. As a man, he purchased a large wood, which he studied in detail over a number of years. He drew on the experience of the Chilterns in all his writings. When depression dragged him under, he felt as if all this was lost, denied, destroyed. In Nature Cure he describes how he found the courage to change his habitat — from hills and chalk to watery fens and flat open spaces. He moved to Norfolk. He fell in love. Slowly, he started once more to look about him.Drawing always on the metaphors and myths of nature — the migration of birds, the magic of the changing seasons — he shows how the British countryside increased his understanding of what really matters and restored his sense of delight.