Lucy cares for abandoned animals. The solitude allows her to avoid the people and places that remind her of the past. Not that any of the townsfolk care. In 1959, no one is interested in a woman doctor. Nor are they welcoming Calvin and Justin Bell, a newly arrived African American father and son.When Pete Solomon, a neglected twelve-year-old boy, and Justin bring a wounded wolf-dog hybrid to Dr. Lucy, the outcasts soon find refuge in one another. Lucy never thought she’d make connections again, never mind fall in love. Pete never imagined he’d find friends as loyal as Justin and the dog. But these four people aren’t allowed to be friends, much less a family, when the whole town turns violently against them.With heavy hearts, Dr. Lucy and Pete say goodbye to Calvin and Justin. But through the years they keep hope alive…waiting for the world to catch up with them.

    One street. And a secret behind every door.Christmas is ruined on Newbury Street, Norwich.Presents have been going missing from resident's homes. There are rumours going around that it's one of their own who's been stealing from the neighbours. Festive spirit is being replaced with suspicion and the inhabitants of Newbury Street don't know who to trust. The police presence isn't helping matters, especially when they all have something to hide.But Christmas is a time for miracles... and if they open themselves up to hope and look out for each other, they might discover the biggest miracle of all.An uplifting novel about love, friendship, connection and community, for readers who love Joanna Cannon, Ruth Hogan and Libby Page.

    A perfect crime. When two young girls disappear from their primary school, the village of Heighington is put on high alert—and not for the first time. Called in to investigate, Detective Karen Hart is sure that parallels with a previous disappearance are anything but coincidental.DS Hart is still reeling from a case she tried and failed to solve eighteen months ago, when a young woman vanished without a trace. She’s no nearer to the truth of what happened to Amy Fisher, but with two children missing now too, the stakes have never been higher. As she looks to the past for clues, she must confront her own haunting loss, a nightmare she is determined to spare other families.Hart soon realises that nothing in this close-knit Lincolnshire community is what it seems. Pursuing the investigation with personal vengeance, she finds herself in conflict with her scrupulous new boss, but playing by the rules will have to wait. Because while there’s no shortage of suspects, the missing girls are running out of time…

    I am the one who came out on the other side of childhood; she is the one who searched for the door."In the tradition of The Glass Castle comes a debut memoir about a woman’s hopeful life despite the sad results of her mother’s choices. Moonlight on Linoleum is an affecting story of a girl who rose above her circumstances to become an early and faithful caretaker to her five siblings. It is about the power one finds in sisterhood to thrive in a difficult and ever-changing landscape as the girls bond in unconditional love despite constant upheaval and uncertainty. In these pages, Teresa Helwig crafts a moving portrait of a mother she loved completely even as she struggled to understand her. "Putting myself in Mama's shoes, which were most often white moccasins molded in the shape of her size seven-and-a-half foot, I see an eighteen-year-old girl with two children, one of them still a baby. . . . Her former husband is in Korea, drafted after their divorce; she has a sister who disappears from time to time, leaving yet another child in her care; she has no money, no high-school diploma, and a mother unhappy to have her home." Teresa and her sisters, who were added regularly throughout the 1950s and '60s, grew up with with their charismatic, troubled, and very young mother, Carola. Because of their stepfather’s roving job as in the oil fields, they moved frequently from town to town in the American West. The girls were often separated and left behind with relatives and never knew what their unstable mother would do next. Missing her mother became a habit for Teresa; one summer Carola dropped off her two daughters at her ex's family farm."If there were an idyllic summer of childhood, it was that summer on the Iowa farm. Yet, if I had to choose a time when I felt most forsaken by my mother, it was also that summer. Even back then, I was acutely aware of the paradox. On the outside, by day, I was like the morning glory vine twining around the back fence. Every day opened to a life I loved on the land. I reveled in and relished the absolute freedom and abandon of being turned loose in Eden.      "But then, each evening, after the sun set and the dinner dishes had been hand-washed and dried, I became like the moonflower vine climbing up the weathered boards on the side of the garage. The moonflower opens its large fragrant blooms at night; they shimmer like moonlight and sweeten the night air.     "I evolved a ritual at bedtime before crawling into my bed . . . I held Mama's Polaroid picture to my heart. I love you. Please come get us soon. I want to be with you more than I want to be anywhere else. These were my prayers, my blooms that opened to the night. Then I pursed my lips against the cool glass and kissed her smiling face goodnight."There were good times too: Carola made fudge for the girls during rainstorms, helped Teresa's cat deliver kittens, and taught her to play "You Are My Sunshine" on a toy piano. But when her husband was out working on the oil fields, Carola, who had married at fourteen, began to fill her time with men she met in the various towns her roving family moved to. She referred to her secret dating life as "going to Timbuktu," leaving Teresa in charge of her siblings. As Carola roamed and eventually developed crippling migraines, Teresa became a replacement mommy before her own childhood was fully in swing. Stress, guilt, and recurring nightmares marked her days and nights."In addition to the amphetamines [for weight loss], Mama was now taking barbiturates for her migraines. Her moods began to yo-yo. She became as hard to predict as the weather. When Daddy was out of town and Mama was in one of her fogs, I learned to fend for myself. And, being the oldest, I learned to fend for my sisters, too . . . It was around this time I came to realize a hard truth. Once your sisters begin looking up to you, as if you really could save them from being poisoned, as if you know a way out of a dark cave, there's no going back. You'll draw your last breath, trying to find that door to the Lost City of Enchantment, because you can't bear to let them down."Yet, even in the face of adversity, Teresa found beauty in the small moments: resting in the boughs of her favorite oak tree, savoring the freedom she found on her grandparents’ farm, and gleefully discovering the joys of dating and dancing. While Carola struggled for an exciting and satisfying life, Teresa faced adolescence and young adulthood, increasingly burdened by Carola's dysfunction. Finally, as the family splintered between colleges, homes, stepfathers, and their mother's disintegrating mental health, Teresa drove Carola to a mental hospital--where at last the mother of five found some peace and order.Upon leaving the hospital, sadly Carola continued in a downward spiral: more men, a drug addiction, a toddler son's death, and finally her own accidental overdose death in 1974. Though Carola's unhappy life meant Teresa's was marked by hardship and tragedy, Teresa found redemption in writing her mother's story and discovering empathy for the woman continually harmed by her own bad choices. The bonds of sisterhood helped sustain her, and today the girls are still close, still savoring the good in a childhood pocked with pain. Teresa, now a counselor and mother of a daughter, was able to conclude, after visiting her mom's grave and asking her blessing on the book, I believe joy and sorry rest together, the two sides of love. I have repeatedly uncovered places of joy inside my own heart tucked within the folds of sorrow.  With enormous skill and sensitivity, Teresa deftly explores the history she shared with Carola and the relentless love of a child for her mother.

    Bullies will find your weakness and jump on it. Teachers will say you did something wrong when really you didn't mean to do anything wrong. The kids who joke the loudest can drown out the quieter, nicer kids.Maverick wants to change all that. One of the last things his father left him was a toy sheriff's badge, back when Maverick was little. Now he likes to carry it around to remind him of his dad -- and also to remind him to make school a better place for everyone . . . even if that's a hard thing to do, especially when his own home life is falling apart.The Secret Sheriff of Sixth Grade is a story about standing up for yourself -- and being a hero at home and in the halls of your school.

    After the death of Dezmond, Jazzie has released him and all of her past hurts—or so she thought, until an unexpected situation connects them together. Can she ever be free of him, or will he still haunt her—even after death? Jazzie battles with the decision to move on with her life, but should she wait on the man who use to love all of her, or welcome a new flame? Maine is still trying to cope with the hurt of Jazzie’s betrayal and finds himself in a different bed that leads to ugly situations. Can he find someone to take Jazzie’s place or will he settle down with Hollywood? Hollywood never expected to fall in love with Maine but she did, and now she wants the same from him. She feels he’s overly stuck on stupid in his feelings for Jazzie, and it makes her sick to her stomach. Can she make him see that she is all the flame he needs? Tori and Truth’s love for each other is stronger than ever but is Tori willing to seek help so she give him the little girl he wants? Eric and Trinity are back in Tampa for good, living under the same roof. Has Trinity matured enough to make their relationship work, or will she send Eric out to look for a new flame? The girls are taking Hot Nasty on a roller-coaster ride with all the drama in their lives, but there is some good in it. At least he finds himself talking to the Lord more often—even if he’s only asking why He place him in a circle with a bunch of stuck on stupid fools. Can he live through the stress?

    When psychotherapist Alexis Cosse is found murdered in the playground of the sleepy northern village of Burrowhead, the local police force of Georgie, Trish and Simon investigate. Leads take them from Alexiss recent clients to local bullies, exposing a maelstrom of racism, misogyny, abuse and homophobia that has been simmering beneath the surface of the village. Shaken by the revelations and beginning to doubt her relationship with her husband Fred, Georgie starts to realise something bad is lurking under the soil in Burrowhead, while someone (or something) equally threatening is hiding in the strange and haunted cave beneath the cliffs.

    Contracts and laws weave the web of our culture together. Our Masters walk amongst us. They can be our friends, or the ones to make us disappear forever. Where I once had found peace within my existence, it all ended with the death of my cruel, yet caring owner. My world shattered and I was taken back to the one place I had hoped to never see again—the cells of Whitlock—a subterranean fortress for slaves who await their new placement. Now I have no rights. I have no say. My feelings and wellbeing are meaningless. Escape is impossible, but I have nothing left to lose. To stand any chance of survival, I must give my life as collateral to the highest bidder: Soul for Sale. slave 24690 ***********WARNING*********** This book contains EXTREMELY disturbing situations, explicit sexual content, and very graphic language. This book EXCEEDS the dark genre and has been classified as PITCH BLACK. May contain triggers for some. Read at your own risk!!READING ORDER:24690White Out27001 (Welcome to Whitlock 2.1)27009 (Welcome to Whitlock 2.2)27011 (Welcome to Whitlock 2.3)Black OutThe novellas 27001, 27009, 27011 can be found individually or in the complete set book titled, Welcome to Whitlock. They MUST be read before Black Out to understand the story completely.

     When a woman disappears from a motorway service station, DI Charlie Lambert struggles to make any headway finding her. Missing person specialist DI Tanya Miller is called in to take over the investigation, but when it becomes a murder inquiry, she too is threatened with replacement. With a suspected serial killer on the loose, DI Miller must quickly muster her ad hoc team into action. But suspicions about the outsider are rife, and any delay might end in disaster. Is the young detective, woman in a man’s world, up to the task? After the missing woman’s body is found, mutilated and dressed in a wedding gown, the investigation closes in on the missing woman’s husband. He was certainly present at the time of her disappearance and had a possible motive. But following her instincts, Miller is not so sure. And when another woman goes missing, she takes the matter personally. Will Miller find the perpetrator before he strikes again? Based in Oxfordshire and the Midlands this detective murder mystery is set in the heart of England. If you enjoy crime fiction with plenty of twists and full of suspense, BROKEN ANGEL is for you.

    So when a family of travellers sets up camp illegally in front of their farm, its the catalyst for a stand-off that can only end in disaster. But to Iris it's an adventure. She secretly strikes up a friendship with the gypsy boy, Trick, and discovers home can be something as simple as a carved out circle in a field of corn...

     After DCI Alex Warren and his team are given the task of tracking down the killer, they investigate the numerous people Stevenson has harmed and stumble upon a web of crimes motivated by sex and greed. As the body count rises, they struggle to close the case before more lives are lost. First book in the Scottish crime series by Zach Abrams, Made A Killing is a fast-moving, gripping crime novel set in the tough, crime-ridden streets of Glasgow.

    Other kids are into punk or ska, but Una is learning to play "Mull of Kintyre" by Wings on the guitar, and she thinks it’s a really good song. There's another song, chanted on the terraces by Leeds United fans. It might not have made it on to Top of the Pops, but the boys all sing it on the walk home from school: "One Yorkshire Ripper . . . There’s only one Yorkshire Ripper . . . One Yorkshire Ri-pper . . ."  A serial murderer is at large in West Yorkshire and the police—despite spending more than two million man-hours hunting the killer and interviewing the man himself no less than nine times—are struggling to solve the case. As this national news story unfolds around her, Una finds herself on the receiving end of a series of violent acts for which she feels she is to blame. Unbecoming explores gender violence, blame, shame, and social responsibility. Through image and text Una asks what it means to grow up in a culture where male violence goes unpunished and unquestioned. With the benefit of hindsight Una explores her experience, wonders if anything has really changed and challenges a global culture that demands that the victims of violence pay its cost.

    Twelve-year-old Elvis Babbitt has a head for the facts: she knows science proves yellow is the happiest color, she knows a healthy male giraffe weighs about 3,000 pounds, and she knows that the naked mole rat is the longest living rodent. She knows she should plan to grieve her mother, who has recently drowned while sleepwalking, for exactly eighteen months. But there are things Elvis doesn’t yet know—like how to keep her sister Lizzie from poisoning herself while sleep-eating or why her father has started wearing her mother's silk bathrobe around the house. Elvis investigates the strange circumstances of her mother's death and finds comfort, if not answers, in the people (and animals) of Freedom, Alabama.

    And every year, Samuel Lake, a vibrant and committed young preacher, brings his beloved wife, Willadee Moses, and their three children back for the festivities. The children embrace the reunion as a welcome escape from the prying eyes of their father’s congregation; for Willadee it’s a precious opportunity to spend time with her mother and father, Calla and John. But just as the reunion is getting under way, tragedy strikes, jolting the family to their core: John’s untimely death and, soon after, the loss of Samuel’s parish, which set the stage for a summer of crisis and profound change.In the midst of it all, Samuel and Willadee’s outspoken eleven-year-old daughter, Swan, is a bright light. Her high spirits and fearlessness have alternately seduced and bedeviled three generations of the family. But it is Blade Ballenger, a traumatized eight-year-old neighbor, who soon captures Swan’s undivided attention. Full of righteous anger, and innocent of the peril facing her and those she loves, Swan makes it her mission to keep the boy safe from his terrifying father.With characters who spring to life as vividly as if they were members of one’s own family, and with the clear-eyed wisdom that illuminates the most tragic—and triumphant—aspects of human nature, Jenny Wingfield emerges as one of the most vital, engaging storytellers writing today. In The Homecoming of Samuel Lake she has created a memorable and lasting work of fiction.

    One HELLO can save a life.Tricia: A girl struggling to find her way after her beloved grandma's death.Emerson: A guy who lives his life to fulfill promises, real and hypothetical.Angie: A girl with secrets she can only express through poetry.Brenda: An actress and screenplay writer afraid to confront her past.Brian: A potter who sets aside his life for Tricia, to the detriment of both.Linked and transformed by one phone call, Hello? weaves together these five Wisconsin teens' stories into a compelling narrative of friendship and family, loss and love, heartbreak and healing, serendipity, and ultimately hope.Told from all five viewpoints: narration (Tricia), narration (Emerson), free verse poetry (Angie), screenplay format (Brenda), narration and drawings (Brian).