To train for her entrance exams, Sophie is sent to relatives she’s never met.Cousin Sage and Great-Aunt Lan seem more interested in giving Sophie chores than in teaching her magic. Frustrated, Sophie attempts magic on her own, but the spell goes wrong, and she accidentally entangles her magic with the magic of a young water dragon named Lir.Lir is trapped on land and can’t remember where he came from. Even so, he’s everything Sophie isn’t—beloved by Sophie’s family and skilled at magic. With his help, Sophie might just ace her entrance exams, but that means standing in the way of Lir’s attempts to regain his memories. Sophie knows what she’s doing is wrong, but without Lir’s help, can she prove herself?

    Melanie Gillman's webcomic about a queer, black teenager who finds herself stranded in a dangerous and unfamiliar place: an all-white Christian youth backpacking camp.

    But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.Then Reha finds out that her Amma is sick. Really sick.Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.

    A practical thirteen year old in charge of the family laundry business, her daily routine features unforgiving customers, unbearable P.E. classes, and the fastidious Mr. Saubertuck who is committed to destroying everything she’s worked for.Wendell is a ghost. A boy who lost his life much too young, his daily routine features ineffective death therapy, a sheet-dependent identity, and a dangerous need to seek purpose in the forbidden human world.When their worlds collide, Marjorie is confronted by unexplainable disasters as Wendell transforms Glatt’s Laundry into his midnight playground, appearing as a mere sheet during the day. While Wendell attempts to create a new afterlife for himself, he unknowingly sabotages the life that Marjorie is struggling to maintain.

    Three generations. One great American love story. Ranee, worried that her children are losing their Indian culture; Sonia, wrapped up in a forbidden biracial love affair; Tara, seeking the limelight to hide her true self; Shanti, desperately trying to make peace in the family; Anna, fighting to preserve her Bengali identity.

    But fighting doesn’t always yield the best results for a confused and sensitive kid who yearns for a better, more fulfilling life than the one he was born into, as Joel learns in a series of brutal conflicts that eventually lead him to question everything he has learned about what it truly means to fight for one’s life. "FIGHTS is somehow brutally raw, funny as hell, deeply sensitive and insightful in each panel." –– Nate Powell (March trilogy)

    Faced with middle school racism, Junie Kim learns of her grandparents’ extraordinary strength and finds her voice.Junie Kim just wants to fit in. So she keeps her head down and tries not to draw attention to herself. But when racist graffiti appears at her middle school, Junie must decide between staying silent or speaking out.Then Junie’s history teacher assigns a project and Junie decides to interview her grandparents, learning about their unbelievable experiences as kids during the Korean War. Junie comes to admire her grandma’s fierce determination to overcome impossible odds, and her grandpa’s unwavering compassion during wartime. And as racism becomes more pervasive at school, Junie taps into the strength of her ancestors and finds the courage to do what is right.

    And on the first day of middle school, Natalie discovers that things are worse than she thought -- now she's not even cool enough for her best friend, Lily! As Natalie tries to get her best friend back, she learns more about her true self and natural talents. If Natalie can focus on who she is rather than who she isn't, then she might realize she's more than enough, just the way she is.

    But Jarrett's family is much more complicated than that. His mom is an addict, in and out of rehab, and in and out of Jarrett's life. His father is a mystery -- Jarrett doesn't know where to find him, or even what his name is. Jarrett lives with his grandparents -- two very loud, very loving, very opinionated people who had thought they were through with raising children until Jarrett came along.Jarrett goes through his childhood trying to make his non-normal life as normal as possible, finding a way to express himself through drawing even as so little is being said to him about what's going on. Only as a teenager can Jarrett begin to piece together the truth of his family, reckoning with his mother and tracking down his father.Hey, Kiddo is a profoundly important memoir about growing up in a family grappling with addiction, and finding the art that helps you survive.

    Are you Canadian, the border guards ask, or American? “Blackfoot.”And when border guards will not accept their citizenship, mother and son wind up trapped in an all-too-real limbo between nations that do not recognize who they are.A powerful graphic-novel adaptation of one of Thomas King’s most celebrated short stories, Borders explores themes of identity and belonging, and is a poignant depiction of the significance of a nation’s physical borders from an Indigenous perspective. This timeless story is brought to vibrant, piercing life by the singular vision of artist Natasha Donovan.

    Now Edmund lives in secret as a changeling in the World Above, with fae powers that make him different from everyone else—even his unwitting parents and older sister, Alexis. The Childe lives among the fae in the World Below, where being human makes him an oddity at the royal palace, and where his only friend is a wax golem named Whick.But when the cruel sorceress Hawthorne takes the throne, the Childe and Edmund realize that the fate of both worlds may be in their hands—even if they’re not sure which world they belong to.

    The dazzling lights cast shadows that grow ever darker as the glitzy prosperity of the Roaring Twenties screeches to a halt. Enter a cast of familiar characters: a young girl, Samantha White, returning after being sent away by her cruel stepmother, the Queen of the Follies, years earlier; her father, the King of Wall Street, who survives the stock market crash only to suffer a strange and sudden death; seven street urchins, brave protectors for a girl as pure as snow; and a mysterious stock ticker that holds the stepmother in its thrall, churning out ticker tape imprinted with the wicked words "Another . . . More Beautiful . . . KILL." In a moody, cinematic new telling of a beloved fairy tale, extraordinary graphic novelist Matt Phelan captures the essence of classic film noir on the page—and draws a striking distinction between good and evil.

    Forced to flee from Syria, they become asylum-seekers in Lebanon, and finally resettled refugees in the West. It is a story that has been replayed thousands of times by other families.When the family home in Aleppo is destroyed by a government-led bomb strike, Walid has no choice but to take his wife and children and flee their war-torn and much loved homeland. They struggle to survive in the wretched refugee camps of Lebanon, and when Youssef becomes fatally ill as a result of the poor hygienic conditions, his father is forced to take great personal risk to save his family.Walid's daughter, the young Amina, a whip-smart grade-A student, tells the story. As she witnesses firsthand the harsh realities that her family must endure if they are to survive -- swindling smugglers, treacherous ocean crossings, and jihadist militias -- she is forced to grow up very quickly in order to help her parents and brother.Kullab's narrative masterfully maps both the collapse and destruction of Syria, and the real-life tragedies faced by its citizens still today. The family's escape from their homeland makes for a harrowing tale, but with their safe arrival in the West it serves as a hopeful endnote to this ongoing worldwide crisis.Beautiful illustrations by Jackie Roche -- whose work on the viral web-comic, Syria's Climate Conflict, was seen prominently in Symboliamag. com, Upworthy.com and Motherjones.com, among others -- bring Kullab's words to life in stunning imagery that captures both the horror of war and the dignity of human will.

    Da Qin—Big Piano—and her younger sister, Xiao Qin—Little Piano—live in the city of Wuhan with their parents. For decades, China's government had kept the country separated from the rest of the world. When their country's leader, Chairman Mao, dies, new opportunities begin to emerge. Da Qin and Xiao Qin soon learn that their childhood will be much different than the upbringing their parents experienced.

    So suddenly moving to the country and getting new stepsisters shouldn't be too much of a surprise.Jen did not want to leave the city. She did not want to move to a farm with her mom and her mom's new boyfriend, Walter. She did not want to leave her friends and her dad.Most of all, Jen did not want to get new "sisters," Andy and Reese.If learning new chores on Peapod Farm wasn't hard enough, then having to deal with perfect-at-everything Andy might be the last straw for Jen. Besides cleaning the chicken coop, trying to keep up with the customers at the local farmers' market, and missing her old life, Jen has to deal with her own insecurities about this new family . . . and where she fits in.