But when one of Piper and Hazel's classmates disappears, they become determined to find out the truth of what happened to her.While investigating, they meet three handsome and rich grad students...who kidnap them. The girls are taken to a building in the middle of a privately-owned forest. The building isn't just designed to keep them locked away—every room is a test in survival. And Piper and Hazel won't give up without a fight.

    Or is it a haunting? Minty believes she is a witch - not the type you would notice ordinarily - - she appears to be like anyone else but is quite used to seeing phantoms floating about the place, and thinks it is perfectly normal. Minty is very determined as well, which is just as important because when she goes to stay with her aunt in the village of Belton she soon realizes that she has a task to do. . .

    Gradually the mystery of her family unravels.

    Henry Prize (for "Trust," a section of this novel) weaves a powerful story of girlhood, friendship, and sexuality.Fourteen-year-old Rainey Royal lives with her father, a jazz musician with a cultish personality, in a once-elegant, now-decaying brownstone. Her mother has abandoned the family, and Rainey fends off advances from her father’s best friend while trying desperately to nurture her own creative drives and build a substitute family. She’s a rebel, even a criminal, but she’s also deeply vulnerable, fighting to figure out how to put back in place the boundaries her life has knocked down, and more than that, struggling to learn how to be an artist and a person in a broken world.Rainey Royal is told in 14 narratives of scarred and aching beauty that build into a fiercely powerful novel: the harrowing and ultimately affirming story of a young artist.

     For Jack, Bogg's End is the end. The end of the turbulent, see-saw years of watching his father go on the wagon and fall right back off again. Once it took two years, but the inevitable inevitably happened. Now it's just Jack and his mom starting over in the strange old house his grandfather left them. But the ride's not over yet. Jack's father returns, full of apologies and promises, and for a little while, things are looking up. Then in one terrifying, sickening moment, everything comes crashing back down again. So Jack runs. He runs through a strange hidden door that takes him back in time to before his parents were born. Before he was born. Maybe with a second chance he can stop the inevitable. At least he's got to try. What Jack doesn't understand, though, is that he can't change his future until he faces his past.

    Reed is on the run - surely people are looking for him? He's trying to find out who he really is and thinks Lissa's mum might have some answers. But how could he be connected to Lissa's family - and why has he been left in charge of a baby? A baby who is sick, and getting sicker ...Reed's appearance stirs up untold histories in Lissa's family, and suddenly she is having to make sense of her past in a way she would never have imagined. Meanwhile, her brother is dealing with a devastating secret of his own.

    But for a beautiful young woman of limited means, Eliza’s choices appear to lie between the stifling domesticity of marriage or a downwards spiral to the streets – no matter how determined she is to forge her own path.One night at a run-down theatre, she meets the charismatic Devil Wix – showman, master of illusion, fickle friend. Drawn into his circle, Eliza becomes the catalyst of change for his colleagues – a dwarf, an eccentric engineer, and an artist – as well as Devil himself. And as Eliza embarks on a dangerous adventure, she must decide which path to choose, and how far she should go when she holds all their lives in her hands.

    In this time of change, Emeline Evans dreamed of becoming a nurse. But when her father dies unexpectedly, Emeline sacrifices her ambitions and rescues her family from destitution by marrying John Dorr, a reserved lawyer who can provide for her family. John moves Emeline to the remote Missouri town of Labellum and into an unusual house where her sorrow and uneasiness edge toward madness. Furniture twists and turns before her eyes, people stare out at her from empty rooms, and the house itself conspires against her. The doctor diagnoses hysteria, but the treatment merely reinforces the house’s grip on her mind. Emeline only finds solace after pursuing an opportunity to serve the poor as an unlicensed nurse. Yet in order to bring comfort to the needy she must secretly defy her husband, whose employer viciously hunts down and prosecutes unlicensed practitioners. Although women are no longer burned at the stake in 1900, disobedience is a symptom of psychological defect, and hysterical women must be controlled. A novel of madness and secrets, A White Room presents a fantastical glimpse into the forgotten cult of domesticity, where one’s own home could become a prison and a woman has to be willing to risk everything to be free.Based on historical trends of the era and inspired by the classic Victorian novels The Yellow Wallpaper, The Secret Garden, and Wuthering Heights, author Stephanie Carroll has taken women's empowerment in fiction to an all new level in this inspiring debut. -A White Room was featured as a Notable Page Turner in Shelf Unbound Magazine and named 2013's Best Cross-Genre Title by USA Book News.To read behind the scenes material about "A White Room" and learn about future books by Stephanie Carroll in addition to giveaways, freebees, and how to become a test reader, visit http://www.stephaniecarroll.net and sign up for the VIP Reader newsletter.

    But even though his name is Hoodoo, he can't seem to cast a simple spell. Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger’s black magic, and only Hoodoo can defeat him. He’ll just need to learn how to conjure first. Set amid the swamps, red soil, and sweltering heat of small town Alabama in the 1930s, Hoodoo is infused with a big dose of creepiness leavened with gentle humor.

    For the house is positively overflowing with sparkling magic—she can feel it. And it’s not long before Rose realises that maybe, just maybe, she has a little bit of magic in her, too. . . .The first book in an exciting, get-lost-in-the-world series about orphans, alchemy, magical powers and sinister child-catchers.

    Can you imagine the chaos - all the churches closed, King John in retaliation arresting every priest who hadn't fled and the people terrified of dying in sin without the last rites? No burials were permitted on consecrated land, no marriages were conducted, no babies baptized. But I don't want to reveal much more, except to say the plot involves people-trafficking, murder and, oh yes... a very feisty dwarf and a eunuch with a hunger for revenge.

    What will be the outcome of the conflict between smugglers and revenue men? How can the hero, John Trenchard, discover the secret of Colonel John Mohune's treasure? As the book progresses these two interwoven themes resolve themselves into a third and richer one, with the friendship and suffering of both John Trenchard and the craggy, taciturn Elzevir Block. Falkner's feeling for history and for the landscape of his Dorset setting combine with his gift for storytelling to turn Moonfleet into a historical romance of moving intensity.

    It’s 1900 in Oregon, and Olivia’s father, concerned that she’s headed for trouble, convinces a stage mesmerist to try to hypnotize the rebellion out of her. But the hypnotist, an intriguing young man named Henri Reverie, gives her a terrible gift instead: she’s able to see people’s true natures, manifesting as visions of darkness and goodness, while also unable to speak her true thoughts out loud. These supernatural challenges only make Olivia more determined to speak her mind, and so she’s drawn into a dangerous relationship with the hypnotist and his mysterious motives, all while secretly fighting for the rights of women. Winters breathes new life into history once again with an atmospheric, vividly real story, including archival photos and art from the period throughout.

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.

    Detwiler comes a sinister horror with jaw-dropping twists.Everyone has a breaking point.At twenty, an unplanned pregnancy seals Crystal Holt into a marriage to the abusive Richard Connor. After a stillborn birth, Crystal insists they have the baby baptized postmortem. A cynic, a drunk, and a poor man, Richard has other plans. When her monstrous husband tosses the baby into the woods to be forgotten, Crystal instantly spirals. After beating her within an inch of her life, Richard does something else he's done before—he disappears. This time, however, things feel very different…With her husband gone, Crystal battles with the demons of abuse, dark childhood memories, and a declining mental state worsened by horrific nightmare sequences. As the story unfolds, it becomes clear that something's not quite right about the way Richard disappeared this time, and Crystal is in more danger than ever. After all, not all of the dark secrets belong to Richard.Will Crystal be able to escape from a lifetime of torture unscathed, or will she succumb to the dark secrets she's fallen prey to before?A twisted page-turner that will shake even the toughest horror and thriller fans…