Bertrice Martin—a widow, some seventy-three years young—has kept her youthful-ish appearance with the most powerful of home remedies: daily doses of spite, regular baths in man-tears, and refusing to give so much as a single damn about her Terrible Nephew. Then proper, correct Miss Violetta Beauchamps, a sprightly young thing of nine and sixty, crashes into her life. The Terrible Nephew is living in her rooming house, and Violetta wants him gone. Mrs. Martin isn’t about to start giving damns, not even for someone as intriguing as Miss Violetta. But she hatches another plan—to make her nephew sorry, to make Miss Violetta smile, and to have the finest adventure of all time. If she makes Terrible Men angry and wins the hand of a lovely lady in the process? Those are just added bonuses. Author’s Note: Sometimes I write villains who are subtle and nuanced. This is not one of those times. The Terrible Nephew is terrible, and terrible things happen to him. Sometime villains really are bad and wrong, and sometimes, we want them to suffer a lot of consequences.

    Marcy and Doug have had only sporadic contact since Marcy's family moved away a year ago. Their older sisters agree to supervise the lovesick teens during a week-long stay in an eerie island house that has been in Marcy's family since the late 1600s. But who will chaperone the chaperones? Sparks fly between them almost from the beginning, growing into lightning-size bolts when Liv notices that Kayla is answering her questions before she has even voiced them. It is Liv's training in translating foreign languages, however that proves to be the key that unlocks the house's secret history - and the story of a tragic love begun and ended four centuries earlier.

    Tempestuous, swashbuckling and volatile, within two years she has run away with her fencing master, fallen in love with a nun and is hiding from the authorities, sentenced to be burnt at the stake. Within another year, she has become Mademoiselle de Maupin, a beloved star at the famed Paris Opéra. Her lovers include some of Europe's most powerful men and France's most beautiful women. Yet Julie is destined to die alone in a convent at the age of 33. Based on an extraordinary true story, this is an original, dazzling and witty novel - a compelling portrait of an unforgettable woman. For all those readers who love Sarah Dunant, Sarah Waters and Hilary Mantel.

    Especially when murder and homophobia are stalking the streets. For Wilhelmina “Bil” Hardy, trapped in the coils of her eccentric family and off-the-wall friends, neither the course of true love nor amateur sleuthing runs smooth. Mistaken identity, misunderstandings, and mysteries galore take Bil to places she’s never dreamed of visiting.Idaho Code is a funny book about love, family, and the freedom you can find in a state that values individuality more than common sense.Joan Opyr’s hobbies are politics, politics, and politics, though, for the sake of variation, she has been known occasionally to dance the polka.

     Quinn soon finds there is much to enjoy living as a man, in particular the company of other women. When she finds herself falling hard for Lady Fiona, a woman far above her own station, she is torn between revealing her true identity and continuing the façade of being a male pirate. Love is never easy, especially in the sixteenth century and especially under false pretenses. Can Quinn live with one foot in two different worlds, or must she consign herself to either the lusty life of a pirate or the loveless life of a noble woman? Come sail the high seas in this exciting and erotic adventure with the fierce pirate Gallagher as your guide. You’re in for a wild ride and may even score some booty along the way.

    Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    Now, years later, Amy returns to Little Dip, the Garoul home valley to help her aunt finish a botanical project. Except Little Dip is no longer the happy place of Amy’s childhood memories. There’s something sinister in the woods. And why hasn’t Leone moved on? Why does she still dog Amy’s every move? As more and more of the Garoul family arrive for a special hunting weekend, parts of the puzzle come together and Amy’s fears escalate as she moves closer to the truth—and the secret that has eluded her since childhood.

    This story is a fictional account of Mattie and Rachel, two women who lived there, and their lives in the months leading up to and during the time of the "great storm."Forced to flee from her family at a young age, Rachel Travis finds a home and livelihood on the island of Galveston. Independent, friendly, and yet often lonely, only one other person knows the dark secret that haunts her. That is until she meets Madeline Crockett.Madeline "Mattie" Crockett is trapped in a loveless marriage, convinced that her fate is sealed. She never dares to dream of true happiness, until Rachel Travis comes walking into her life. As emotions come to light, the storm of Mattie's marriage converges with the very real hurricane. Can they survive, and build the life they both dream of?

    Subsequent fires make life hot as they rush against time to unravel the mystery surrounding the death of Sam Madison, all the while dealing with their newfound attraction. Will the unexpected sparks between these two very different women blind them to the true identity of the arsonist? Or will they be able to stop a killer before anything else goes up in flames?

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    Upon the distant shore prowls an ancient sea god kept captive by a generations-old spell, a spell that Meriel alone must protect.Meriel's life has been lonely and unchanging--until the arrival of Nor. Nor's shape is that of a woman, but her heart belongs to the sea. Even though Nor is also held captive by Meriel's spell, she shows kindness to the isolated witch. Nor sparks a passion within Meriel, defying every law that binds them both.This award-winning short story ("The Witch Sea" won first place in the "Kissed by Venus" Fresh Voices short story competition) is a dark fantasy tale of love, loss and the price of freedom.

    Alice Walker's iconic modern classic is now a Penguin Book.A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love.

    See, my name is Karen Memery, like memory only spelt with an e, and I'm one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It's French, so Beatrice tells me."Set in the late 19th century—when the city we now call Seattle Underground was the whole town (and still on the surface), when airships plied the trade routes, would-be gold miners were heading to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront, Karen is a young woman on her own, is making the best of her orphaned state by working in Madame Damnable's high-quality bordello. Through Karen's eyes we get to know the other girls in the house—a resourceful group—and the poor and the powerful of the town. Trouble erupts one night when a badly injured girl arrives at their door, begging sanctuary, followed by the man who holds her indenture, and who has a machine that can take over anyone's mind and control their actions. And as if that wasn't bad enough, the next night brings a body dumped in their rubbish heap—a streetwalker who has been brutally murdered.Bear brings alive this Jack-the-Ripper yarn of the old west with a light touch in Karen's own memorable voice, and a mesmerizing evocation of classic steam-powered science.

    But beautiful Grace, with her mysterious past and her fierce dedication to Ireland's freedom, opens Caroline's eyes to worlds she has never imagined. As their friendship blossoms into romance, Caroline finds the greatest happiness she has ever known. But can their love survive the condemnation of a repressive society-and Grace's involvement in the approaching Easter Rising? A passionate story of personal, sexual, and national liberation, set against the backdrop of an unforgettable moment in Irish history.

    That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.Ottessa Moshfegh was awarded the 2013 Plimpton Discovery Prize for her stories in the Paris Review and a creative writing fellowship from the National Endowment for the Arts. She is currently a Wallace Stegner fellow at Stanford, and lives in Oakland, California.