The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she's a suspect, squirming under fluorescent lights and the penetrating gaze of the alleged accomplice who's sitting across from her, watching: a man who's also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. This is a tale of sexual intrigue, ruthless urges, and danger, which has blindsided her from a seemingly innocuous angle. Here in the courtroom, everything hinges on one night in a dark alley called Apple Tree Yard.

    Meredith Winterbottom, a resident of Jerusalem Lane--a quaint section of London inhabited by Eastern European immigrants--and a great-granddaughter of Karl Marx, is found dead. Was she the victim of greedy real-estate developers, or was she killed for the politics of another age? When a second Marx sister is killed, David Brock, Chief Inspector of Scotland Yard, is brought in to help. As Kathy and Brock delve into the Lane's eccentric melting pot, they find unpublished letters from Marx to Engels; a possible fourth volume of Das Kapital; an endless list of shady suspects; and a plot to end Kathy's investigating days for good. Can they unravel the mystery before Kathy's first case is her last?

    She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her.

    Great job, really good hair, loyal friends, loving family. It’s only her succession of lame duck boyfriends that ruin the picture.Oh, and the world-famous rock-star father she’s never met, who won’t even acknowledge her existence.Then Ellie’s perfect life is smashed to pieces when her secret is sold to the highest bidder and her name, face (and pictures of her bottom) are splashed across the tabloids. Suddenly everyone thinks she’s a gold-digging, sex-crazy, famewhore.Enter David Gold. Charming and handsome David Gold. On paper he’s even more perfect than Ellie, if only he wasn’t her father’s ruthlessly ambitious lawyer whose job is to manage the crisis – and her. He certainly doesn’t think that Ellie’s the innocent party and she doesn’t trust him at all. So why is it that every time they’re alone together, damage limitation is the last thing on their minds?

    Eileen is newly single and about to turn eighty. She'd like a second chance at love, but her tiny Yorkshire village doesn't offer many eligible gentlemen.Once Leena learns of Eileen's romantic predicament, she proposes a solution: a two-month swap. Eileen can live in London and look for love. Meanwhile Leena will look after everything in rural Yorkshire. But with gossiping neighbours and difficult family dynamics to navigate up north, and trendy London flatmates and online dating to contend with in the city, stepping into one another's shoes proves more difficult than either of them expected.Leena learns that a long-distance relationship isn't as romantic as she hoped it would be, and then there is the annoyingly perfect - and distractingly handsome - school teacher, who keeps showing up to outdo her efforts to impress the local villagers. Back in London, Eileen is a huge hit with her new neighbours, but is her perfect match nearer home than she first thought?

    Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.

    Rebellious in spirit, conservative in philosophy, Nashe's brilliant and comic invective earned him a reputation as the 'English Juvenal' who 'carried the deadly stockado in his pen.' In its mingling of the devout and the bawdy, scholarship and slang, its brutality and its constant awareness of the immanence of death, his work epitomizes the ambivalence of the Elizabethans. Above all, Nashe was a great entertainer, 'his stories are told for pleasure in telling, his jokes are cracked for the fun of them, and his whole style speaks of a relish for living.'In addition to The Unfortunate Traveller, this volume contains Pierce Penniless, The Terrors of the Night, Lenten Stuff, and extracts from Christ's Tears over Jerusalem, The Anatomy of Absurdity, and other works.

    Set during the boom-and-bust years of the 1980s, An Absolute Scandal follows the lives of a group of people drawn together by their mutual monetary woes when the great financial institution Lloyd's undergoes a devastating downturn. For Nigel Cowper, this means the destruction of his family business; his wife, Lucinda, is willing to do everything she can to help him—except give up her irresistible lover. The powerful, charismatic banker Simon Beaumont and his wife, a highly successful advertising executive, lose everything they worked so hard to acquire; but the ultimate tragedy is something that neither one could have anticipated. The well-to-do are not the only ones suffering: a self-sufficient widow is suddenly deep in debt; a single mother struggles to maintain a comfortable home for her children; and a schoolmaster and his frustrated wife find that financial problems deepen the cracks in their troubled marriage. As their lives begin a downward spiral, these characters intersect in ways they never saw coming. Written in what has become her signature style of both wit and candor, Penny Vincenzi draws back the curtain and offers an inside view of the greed and social power plays that occur behind the closed doors of upper-crust society . . . where money isn’t everything. Sometimes, it’s the only thing.

    Their forbidden love soon draws everyone, including Queen Elizabeth, into the drama, and inspires Will to write the greatest love story of all time: Romeo and Juliet. Based on the Oscar-winning screenplay by Marc Norman and Tom Stoppard, Shakespeare in Love has been deftly adapted for the stage by Lee Hall and has been playing to rave reviews and a sold-out theatre at the Noël Coward in London. The London production is directed by Declan Donnellan and designed by Nick Ormerod, the driving force behind the world-renowned theatre company, Cheek by Jowl. A Broadway transfer is planned for Spring 2015.

    He is a good man and he is happy. But one day, he receives a call from his daughter's school to inform him that, for no apparent reason, fifteen-year-old Miriam has collapsed and stopped breathing. In that moment, he is plunged into a world of waiting, agonising, not knowing. The story of his life and the lives of his family are rewritten and re-told around this shocking central event, around a body that has inexplicably failed. In this exceptionally courageous and unflinching novel of contemporary life Sarah Moss goes where most of us wouldn't dare to look, and the result is riveting - unbearably sad, but also miraculously funny and ultimately hopeful. The Tidal Zone explores parental love, overwhelming fear, illness and recovery. It is about clever teenagers and the challenges of marriage. It is about the NHS, academia, sex and gender in the twenty-first century, the work-life juggle, and the politics of packing lunches and loading dishwashers. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence.

    They gather evidence—fingerprints lifted from windows with tape, a wallet stained with blood—and lay traps to flush out the murderer. But nothing can prepare them for what happens when a criminal feels you closing in on him. Recently emigrated from Ghana with his sister and mother to London’s enormous housing projects, Harri is pure curiosity and ebullience—obsessed with gummy candy, a friend to the pigeon who visits his balcony, quite possibly the fastest runner in his school, and clearly also fast on the trail of a murderer. Told in Harri's infectious voice and multicultural slang, Pigeon English follows in the tradition of our great novels of friendship and adventure, as Harri finds wonder, mystery, and danger in his new, ever-expanding world.

    

    Always desperate for money, she's unscrupulous about how she gets it. Noel's mourning his godmother, Mattie, a former suffragette. Brought up to share her disdain for authority and eclectic approach to education, he has little in common with other children and even less with Vee, who hurtles impulsively from one self-made crisis to the next. The war's thrown up new opportunities for making money but what Vee needs (and what she's never had) is a cool head and the ability to make a plan. On her own, she's a disaster. With Noel, she's a team. Together they cook up an idea. Criss-crossing the bombed suburbs of London, Vee starts to make a profit and Noel begins to regain his interest in life. But there are plenty of other people making money out of the war and some of them are dangerous. Noel may have been moved to safety, but he isn't actually safe at all…

    . .  I went from feeling warm and fuzzy to shock, delight before, finally, well – you'll just have to read it!'GIOVANNA FLETCHERWhat if you met the right person at the wrong time?   Nell and Van meet as children when their parents fall in love, but soon they are forced worlds apart. Five years later, they find each other.  Their bond is rekindled and new feelings take hold, but once again they must separate.   For the next two decades, fate brings Nell and Van together every five years, as life and circumstance continue to divide them. Will they ever find true happiness? And will it be together?  ‘One day, maybe five years from now, you’ll look back and understand why this happened…’  'Filled with warmth and poignancy, Five Years From Now is a page-turner and a delight' JANE COSTELLO 'Simply gorgeous'SUN** PRAISE FOR PAIGE TOON ** 'You'll love it, cry buckets and be uplifted' MARIAN KEYES 'Paige really ratchets up the tension. You'll be in a reading frenzy by the end'LISA JEWELL ‘Gave me all the feels . . . I loved it’LINDSEY KELK ‘Poignant and lovely, warm and wise’MILLY JOHNSON ‘A gorgeous, warm novel’ADELE PARKS ‘Paige’s writing is brilliant!’MHAIRI McFARLANE ‘Wonderfully heartfelt… her best book yet’ heat, five star review 'For smart, romantic fiction, look no further than the new book from bestselling Paige Toon' RED 'Witty, fun and impossible to put down!' CLOSER

    Her boss is suddenly shunting her towards career Siberia, and her demanding mother is never off the phone. With her fortieth birthday fast approaching, all Kate wants to do is run away from the lot of them. And so she does. On impulse, Kate walks out of her job, her family and her life, and gets on a plane to Italy. With no ties and no responsibilities, she soon finds herself deliriously caught up in La Dolce Vita -- and the arms of a man barely half her age. But when the unthinkable threatens her family, Kate is brutally forced to choose between her past and the future.