The author of "Always Kiss Me Goodbye" offers the parents of teens what his first book offered the moms and dads of young children: the chance to hear--via sincere suggestions and insights--what children really need from parents.

    But it's also true, as Sebastian Faulks argues in this remarkable book, that the novel helped invent the British: for the first time we had stories that reflected the experiences of ordinary people, with characters in which we could find our reality, our understanding and our escape.In Faulks on Fiction, Faulks examines many of these enduring fictional characters from over the centuries -- Heroes from Tom Jones to John Self, Lovers from Mr Darcy to Lady Chatterly, Villains from Fagin to Barbara Covett, and Snobs from Emma Woodhouse to James Bond -- and shows us how they mapped and inspired the British psyche, and continue to do so.Published to coincide with a major BBC series, Faulks on Fiction is an engaging and opinionated look at the psychology of the British through their literature, and a unique social history of Britain from one of our most respected writers.From the Trade Paperback edition.

    Marked by the signature charm and subtle wit of one of India's best-loved writers, Ruskin Bond's Book of Humour, will make even the hardened among us crack a smile.

    Only now are we coming to a fuller appreciation of the nature and role of myth in human history. In these five lectures originally prepared for Canadian radio, Claude Lévi-Strauss offers, in brief summations, the insights of a lifetime spent interpreting myths and trying to discover their significance for human understanding. The lectures begin with a discussion of the historical split between mythology and science and the evidence that mythic levels of understanding are being reintegrated in our approach to knowledge. In an extension of this theme, Professor Lévi-Strauss analyzes what we have called “primitive thinking” and discusses some universal features of human mythology. The final two lectures outline the functional relationship between mythology and history and the structural relationship between mythology and music.

    Many of the most highly regarded citizens leaped from windows or jumped into the Rhone, screaming that their heads were made of copper, their bodies wrapped in snakes, their limbs swollen to gigantic size or shrunken to tiny appendages. Others ran through the streets, claiming to be chased by "bandits with donkey ears", by tigers, lions & other terrifying apparitions. Animals went berserk. Dogs ripped bark from trees until their teeth fell out. Cats dragged themselves along the floor in grotesque contortions. Ducks strutted like penguins. Villagers & animals died right & left. Bit by bit, the story behind the tragedy in Pont-St-Esprit--a tiny Provencial village of twisted streets that looks much today as it did in the Middle Ages--unfolded to doctors & toxcologists. That story, one of the most bizarre in modern medical history, is movingly recounted in The Day of St. Anthony's Fire. Throughout the Middle Ages & during other times in history, similar hallucinatory outbreaks occurred. They were called St. Anthony's Fire because it was believed that only prayers to the saint could hold the disease in check. Even modern medicine could find no way to check the disease. Drugs failed to bring even temporary relief. Hundreds in the village suffered for weeks, with total agonizing insomnia, never knowing when they might once more suddenly go berserk. The cause of St. Anthony's Fire was known since early history to be ergot, a mold found on rye grain that at rare times inexplicably became posionous enough to create monstrous hallucinations & death. In '51 little significance was attached to the fact that the base of ergot was lysergic acid, also the base for LSD, a drug just coming to the attention of scientists at the time--a drug so powerful that one eye-dropperful could cause as many as 5000 people to hallucinate for hours. At this point, the story becomes a vividly absorbing medical detective story demonstrating the possibility that a strange, spontaneous form of LSD might have caused the human tragedy that came to the hapless villagers of Pont-St-Esprit.

    But sixteen-hour days spent hauling heavy cargo aboard tugs and icebreakers along the frozen arctic offshore (not to mention smoking copious amounts of Cannabis indica) can warp a man’s sense of reality. Desperate for real human contact, he tunes the sideband radio to 2182 kHz (twenty-one eighty-two kilohertz), the international distress channel, in the vague hope of finding someone he can save. Soon, though, even the paycheck that fattens his wallet each season isn’t enough to fix his interest. Seine journeys south, but weathers a capsizing that leaves his fellow crewmen dead. Unable to break from his old habits, and haunted by the ghosts of dead shipmates, he flies north for another season. One day, idly monitoring 2182, Seine catches a fading distress call from somewhere out in the circumpolar twilight. A scientist named Louis Moneymaker is trapped alone on an ice floe that threatens to melt beneath his feet. Cobbling together a motley rescue team–the frostbitten Wolf, a six-foot-eight Russian known as Big Man, a tattooed Eskimo nicknamed the Buff, and an intrepid, dark-eyed sailor named Julia–Seine travels farther north than he’s ever gone, determined to save Moneymaker and exorcise his demons in one grand sweep. 2182 kHz combines the white-knuckle adventure of The Perfect Storm with the dark humor and deadpan wit of Chuck Palahniuk to create an absorbing tale of search-and-rescue. David Masiel introduces us to a compelling antihero who is only one step away from either destruction or salvation.From the Hardcover edition.

    First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as self-evident." --Arthur SchopenhauerThe Ponzi Factor is the most comprehensive research ever compiled on the negative-sum nature of capital gains (non-dividend stocks). The book shows why, as a whole, ALL investors will lose money from buying and selling stocks.Most people don’t realize that profits from buying and selling stocks come from other investors who are also buying and selling stocks. When one investor buys low and sells high, another investor is also buying high and needs to sell for even higher. Companies like Google, Telsa, Facebook never pay their investors. Their investors’ profits are dependent on the inflow of money from new investors, which by definition, is how a Ponzi scheme works.This book is not for everyone. If you are a finance junkie who wants to rationalize why companies don’t have to pay their investors and believe a system that shuffles money between investor can magically create more money than people contribute, then this book is not for you. On the other hand, if you understand why we can’t create money by shuffling it with imaginary paper, and that investors invest because they want money, not value, then you will learn something you will never forget: The mechanics of how the stock market works and what really makes a stock price move.A stock without dividends is a Ponzi asset. It’s not how equity instruments were designed to work historically and not how ownership instruments are supposed to work logically. The Ponzi Factor is not a perspective or an opinion. It is a proof that is based on definition, logic, and it is supported by observable facts and history. This is not a story that will disappear after another market crash. It is an idea that will remain relevant for as long as the stock market exists.Lastly, to critics, the naysayer, and the finance junkies who think the imaginary value = cash. The author will award $20,000 to anyone who can show why non-dividend stocks DO NOT meet the definition of a Ponzi scheme. That’s $20,000 in cash, not value. (Details on this book's website. The Ponzi Factor. Proof by Definition.)

    Foreign phrases are translated; poems and quotations presented in full; historical figures and events fleshed out; subtle allusions–and there are many–noted. From the origins of the Arabic drink qahveh to a recipe for quince paste, from the medical uses of ants and alum, to Zacco, Zenobia, and Zoroaster, this easy-to-use A-to-Z reference richly illuminates the intricacies of the complex and far-flung Renaissance world Dorothy Dunnett’s creations so colorfully inhabit.

    Professor of Demotic History at the University of Kloone, Yapp spends his days highlighting the corrupt capitalistic nature of the upper-classes, and his nights feeding Doris his computer the information he has gatheredSo when capitalist Lord Petrefact hires him to write a damaging family history, Yapp seizes the chance to chronicle the corrupt life of the Petrefact family. Spurred on by his expectations of dishonesty and depravity Yapp heads of the town of Buscott, where nobody is what they at first appear to be.Now a pawn in Lord Petrefact’s vindictive family game, Yapp’s presence is as welcome as the plague. From provoking dwarfish marital problems to uncovering an erotic toy factory Yapp’s presence sparks a chain of events that ends in death, destruction and a murder trial.Going through a car wash will never feel the same again.

    It is a brilliant work of critical insight that also tells us much about its author's own thinking and preoccupations. In its own right it is a masterpiece of literary and philosophical creative writing. This edition was published in 1999 - ten years after the writer's death. The volume also contains the equally celebrated dialogues with the art critic Georges Duthuit - written to record their different points of view after the discussions took place. Beckett always let Duthuit win, but his very unusual and often opposite point of view on the nature and purpose of art is all the more forceful and memorable on that account.

    Pater was shocked at the reaction his book inspired: 'I wish they would not call me a hedonist, it gives such a wrong impression to those who do not know Greek.'.The book had begun as a series of idiosyncratic, impressionistic critical essays on those artists that embodied for him the spirit of the Renaissance; by collecting them and adding his infamous Conclusion, Pater gained a reputation as a daring modern philosopher. But The Renaissance survives as one of the most innovative pieces of cultural criticism to emerge from the nineteenth century.

     The victories won by British arms in the years which followed that great deliverance have made men forget those soldiers – the first of the many – upon whom it fell to withstand the shock of Hitler’s great attack. It is now fitting that these men and their Commander-in-Chief, Lord Gort, should be worthily remembered, and their story fully told, from those first landings in France, in the autumn of 1939, until the climax of Dunkirk. The authors, both professional writers, themselves served as officers with the B.E.F., and have recaptured the gallantry and comradeship of that little force. The result is a moving story of courage and devotion in the face of odds which no other British Force has ever been called upon to face. It is chivalrous to admire a gallant enemy, and of that chivalry we have lately seen much. Justice demands that the courage and devotion of our own fighting men be no less clearly recognised. There were no medals for the B.E.F., hardly even today the laurels of memory. They were soldiers, doing a soldier’s job against odds which no British Force had ever been called upon to face, and which, it is to be hoped, no British Force will ever face again. What were they then, the men of that small Expeditionary Force, a mere army in one of the groups of French armies? How did they spend the months of what has been called the “twilight war”, and how, when the shock of battle came at last, did they withstand the blow? Dunkirk tells the true story of those brave men who fought to save the lives of so many. With the 2017 movie release of Christopher Nolan’s Dunkirk now is the time to remember the real history of the battle in the words of those who experienced it. Lt. Colonel Ewan Butler and Major J. Selby Bradford M.B.E., M.C. served in France as young officers during the last months of 1939 and the first five of 1940 with that small British Expeditionary force commanded by Lord Gort, which first faced the full might of Nazi Germany. Dunkirk was first published in 1950 under the title Keep The Memory Green. It was used as inspiration for the 1958 film, Dunkirk, starring Richard Attenborough.

    And if this were like most books on the subject, it probably wouldn’t tell you. Besides what a few grumpy critics claim, Postmodernism is not a bunch of meaningless intellectual mind games. On the contrary, it is a reaction to the most profound spiritual and philosophical crises of our time–the failure of the Enlightenment. Jim Powell takes the position that Postmodernism is a series of “maps” that help people find their way through a changing world. Postmodernism For Beginners features the thoughts of Foucault on power and knowledge, Jameson on mapping the postmodern, Baudrillard on the media, Harvey on time-space compression, Derrida on deconstruction and Deleuze and Guattari on rhizomes. The book also discusses postmodern artifacts such as Madonna, cyberpunk sci-fi, Buddhist ecology and teledildonics.

    With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

    You can get the inside story with his secret diary - find out the news of the day in the Shakespearean Sun and prepare to be amazed as the curtain is raised on Shakespeare's most dramatic acts.