Penetrating, gripping, and provocative, this book combines natural history, anthropology, and ecology on an epic scale. Illustrations.

    Disaffected, hard-drinking and plagued by blackouts, Nathan lives alone and has only one true friend, a woman named Madge. But Madge is dying slowly of cancer, and when she asks Nathan to end her pain, she sets off a shocking string of events.A modern-day answer to Crime and Punishment, My Name Is Nathan Lucius is a taut and unforgiving exploration of the intersection of violence, trauma, social responsibility, and memory. Stylish, intense, and unforgettable, this glittering noir gem that will appeal to readers of Irvine Welsh and Chuck Palahniuk as well as fans of Thomas Harris and Dennis Lehane.

    Written at a critical time in his life when his own love had been rejected, the book is a thinly disguised picture of the author's innermost feelings. Though it ranges over a wide variety of topics from courtly love to the emancipation of women, central to the book is Stendhal's account of love - an intense, romantic and generally unrequited love.

    Oh, wait — it did.Augusta is soon caught between wealthy doctor Gregory and a dark stranger who makes her pulse race as he indulges her fantasies. Will she choose comfort and security or take a leap into the unknown?Meet Me at Midnight is a cut-down novella of my romantic thriller novel Carbon, with an alternative ending. The first eleven chapters are the same. This one's for the romance fans - there's no Emmy and no shooting in this version!

    Updated with the latest biointensive tips and techniques, this is an essential reference for gardeners of all skill levels seeking to grow some or all of their own food.

    Most books on smoking just give some elementary information and then are filled with recipes; this book is the reverse, scholarly information and theory as it applies to smoking meats and a few recipes that will get one started. While various recipes usually get the spotlight, it is the authors' opinion that the technical know-how behind preparing meats and sausages is far more important. There is a section with some basic recipes, but after reading the book one should be able to create his own recipes without much effort. The book explains differences between grilling, barbecuing and smoking. The sections on smokehouse design include over 250 construction diagrams and photos that cover most known methods: masonry, portable, wood, concrete, and drum smokers. After reading this book a reader will fully comprehend what can be expected of any particular smoker and how to build one that will conform to his individual needs. The book will benefit the serious smoker as well as the beginner.

    There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.

    As Brian Fagan shows, every human society has been shaped by its relationship toour most essential resource. Fagan's sweeping narrative moves across the world, from ancient Greece and Rome, whose mighty aqueducts still supply modern cities, to China, where emperors marshaled armies of laborers in a centuries-long struggle to tame powerful rivers. He sets out three ages of water: In the first age, lasting thousands of years, water was scarce or at best unpredictable-so precious that it became sacred in almost every culture. By the time of the Industrial Revolution, human ingenuity had made water flow even in the most arid landscapes.This was the second age: water was no longer a mystical force to be worshipped and husbanded, but a commodity to be exploited. The American desert glittered with swimming pools- with little regard for sustainability. Today, we are entering a third age of water: As the earth's population approaches nine billion and ancient aquifers run dry,we will have to learn once again to show humility, even reverence, for this vital liquid. To solve the water crises of the future, we may need to adapt the water ethos of our ancestors.

    His captain, Lieutenant Johnson, has previously withheld a recommendation for command – Richard is too ill at ease with his men and too fond of his Bible. Just as Johnson changes his opinion, the submarine is involved in a tragic accident and sinks, leaving Johnson dead and the survivors trapped on the seabed with a diminishing air supply. It’s a race against time for Richard to save his men. In March 1912, Richard’s cousin, Elizabeth Miller, is an activist in the Women’s Social and Political Union, standing alongside the Pankhursts to gain the vote for women. When Elizabeth faces arrest and is later imprisoned, Richard comes to her aid and the two become engaged, to the disapproval of his mother. War is brewing, and no one knows what the future brings. After her father dies and her brother goes off to fight, Elizabeth is left to run Miller’s Shipyard, building submarines and ships for the Navy, whilst Richard takes command of a submarine and heads off to war. The fight for women’s equality takes a backseat to the war effort, but Elizabeth knows where women can do the most good – in her shipyard. Set in the dying days of the Edwardian era, and the violence and heartache of World War I, The Custom of the Trade is filled with rich, historical details of the hazards of life in early submarines, the successful submarine campaign in the Dardanelles and women’s own battles against prejudice to gain the vote.

    . . draw the reader more tightly into the web of the world. They forge links in unexpected ways. They connect us to nature and to each other, and those connections nourish the intellect and uplift the spirit.”—Jerome Groopman, M.D., editorThis year’s Best American Science and Nature Writing offers another rich assortment of “fascinating science and impressive journalism” (New Scientist) culled from an array of periodicals, such as The New Yorker, Scientific American, and National Geographic. The twenty-four provocative and often visionary stories chosen by guest editor Jerome Groopman form an outstanding sampling of the very best in a field of writing that stays ahead of the curve, bringing important topics to the forefront of American discussion. In “The Universe’s Invisible Hand,” Christopher Conselice takes us into the recent spectacular discovery of the crucial role of dark energy, which is making our universe expand faster and faster. Florence Williams tells the story of a more down-to-earth form of energy in “A Mighty Wind,” which describes how a small Danish island community is making great leaps in energy conservation by using innovative wind farms. John Cohen explores the marvelous world of ligers, zorses, wholphins, and other hybridized creatures in “Zonkeys Are Pretty Much My Favorite Animal.” And Robin Marantz Henig delves into the possibly hazardous ramifications of the rapidly expanding science of nanotechnology. The Best American Science and Nature Writing 2008 packs a wallop of intriguing, informative, and wondrous stories, each one bringing with it, as Jerome Groopman writes, “a sense of excitement [to be] shared with others.”

    The book sheds light on his many contradictions: he was the son of a billionaire, yet insisted his family live like paupers. He adored his wives and children, depending on two of his wives, both of whom had PhDs, to make important strategic decisions. Yet he also brought ruin to his family. He was fanatically religious, yet willing to kill thousands of civilians in the name of Islam. He inspired deep loyalty yet, in the end, his bodyguards turned against him. And while he inflicted the most lethal act of mass murder in United States history, he failed to achieve any of his strategic goals.The lasting image we have of bin Laden in his final years is of an aging man with a graying beard watching old footage of himself, just another dad flipping through the channels with his remote. In the end, bin Laden died in a squalid suburban compound, far from the front lines of his holy war. And yet despite that unheroic denouement, his ideology lives on. Thanks to exclusive interviews with family members and associates, and documents unearthed only recently, Bergen’s portrait of Osama will reveal for the first time who he really was and why he continues to inspire a new generation of jihadists.

    A romantic comedy that recognizes the absurdity of life.

    . . Rufin maintains a perfect balance between impatient detachment and compassionate curiosity. "The Abyssinian," like Thackeray's " Vanity Fair," carries the weight of history with good-humoured finesse' "The Times "'An ambitious first novel, dashing, abundant and, when necessary, vividly theatrical' "Times Literary Supplement"'[A] remarkably assured first novel . . . Rufin's writing is elegantly readable' "Independent"'It is old-fashioned enough to be delightful, and new enough to be moving' "Glasgow Herald "'Rufin offers the reader at least three different novels in the space of a single book: a tale of diplomatic intrigue, a voyage of discovery to a virtually unknown civilisation, and a chronicle of the adventures and loves of his irrepressible hero' "Daily Telegraph"

    Leigh Blackburn, the main character of Deliberate, finally has the life she’s dreamed of and fought for. Happily divorced and living on a shabby chic farm with her sixteen-year-old son, she owns an upscale consignment store and has been building a new life free of tension. Free that is until her mother gets herself thrown out of her assisted living facility and moves in with Leigh. Abba Gee, Leigh's mother, will be familiar to those who have read, Spit of a Minute. Last seen at age fifteen, Abba Gee is seventy-years-old and still herself... Only More So!

    It also includes book 0, Bad Dreams, translated into English for the first time: the very first adventures of our two heroes, published after City and retroactively numbered. Finally, linking the volumes of this collection together, a long, exclusive interview with the authors and director Luc Besson is illustrated with new art as well as numerous sketches, studies and photographs from the latter's upcoming big-screen adaptation.