She lives with her brother, studies hard, and works at a convenience store to contribute to getting her parents back from Mexico.Arden Moss used to be the star quarterback at school. He dated popular blondes and had fun with his older sister, Amber. But now Amber’s dead, and Arden blames his father, the town sheriff who wouldn’t acknowledge Amber's mental illness. Arden refuses to fulfill whatever his conservative father expects.All Carly wants is to stay under the radar and do what her family expects. All Arden wants is to NOT do what his family expects. When their paths cross, they each realize they’ve been living according to others. Carly and Arden’s journey toward their true hearts—and one another—is funny, romantic, and sometimes harsh.

    Her friends treat her like she’s carrying the plague, her classmates torture and ridicule her, and the boy she thought loved her doesn’t even care. Afraid to experience the next seven months alone, she turns to her ex-boyfriend, Neil Donaghue, a dark-haired, blue-eyed player. With him, she finds comfort and the support she desperately needs to make the hardest decision of her life: whether or not to keep the baby.Then a tragic accident leads Andie to discover Neil’s keeping a secret that could dramatically alter their lives, and she's forced to make a choice. But after hearing her son’s heartbeat for the first time, she doesn’t know how she’ll ever be able to let go.

    Her mother, Meg, ex–rock star and professional question evader, shares only the end of the story—the post-fame calm that Phoebe’s always known. Her sister, Luna, indie-rock darling of Brooklyn, preaches a stormy truth of her own making, selectively ignoring the facts she doesn’t like. And her father, Kieran, the cofounder of Meg’s beloved band, hasn’t said anything at all since he stopped calling three years ago.But Phoebe, a budding poet in search of an identity to call her own, is tired of half-truths and vague explanations. When she visits Luna in New York, she’s determined to find out how she fits in to this family of storytellers, and to maybe even continue her own tale—the one with the musician boy she’s been secretly writing for months. Told in alternating chapters, Phoebe’s first adventure flows as the story of Meg and Kieran’s romance ebbs, leaving behind only a time-worn, precious pearl of truth about her family’s past—and leaving Phoebe to take a leap into her own unknown future.

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    The last thing she has left is her art, and not even Banksy himself could convince her to give that up.Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war.

    the Homo Sapiens Agenda goes to Italy in Arvin Ahmadi's newest incisive look at identity and what it means to find yourself by running away.Eighteen-year-old Amir Azadi always knew coming out to his Muslim family would be messy--he just didn't think it would end in an airport interrogation room. But when faced with a failed relationship, bullies, and blackmail, running away to Rome is his only option. Right?Soon, late nights with new friends and dates in the Sistine Chapel start to feel like second nature... until his old life comes knocking on his door. Now, Amir has to tell the whole truth and nothing but the truth to a U.S. Customs officer, or risk losing his hard-won freedom.At turns uplifting and devastating, How It All Blew Up is Arvin Ahmadi's most powerful novel yet, a celebration of how life's most painful moments can live alongside the riotous, life-changing joys of discovering who you are.

    While every other college student is out having fun, Lyla is studying. With her cat. Well, she's played it "safe" quite enough, thank you. So she creates a "College Bucket List"―with item #7 being a night of uninhibited, mind-blowing sex...But she needs some help from her man-whore best friend.Hockey player Beck Davenport thought Lyla's transformation would be subtle. Man, was he wrong. With every item she ticks off, Beck finds himself growing seriously hot for his sweet, brainiac best friend. And if he's not careful, he'll end up risking their friendship in order to convince Lyla that he might just be her lucky #7...

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.