The plot concerns a wealthy, lecherous old man who feigns a mortal illness in order to solicit bribes from greedy acquaintances who hope to inherit his fortune. Many complexities of plot and connivance ensue, but in the end, the guilty parties are exposed and punished. Explanatory footnotes.

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. In “Confido” a laboratory assistant’s magical invention promises to put his family on easy street at last. But is a machine that gives voice to our innermost thoughts and unspoken grievances really the key to happiness–or a direct line to despair? “Confido” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.

    This deluxe gift edition carefully reproduces thity-four of Arthir Rackham's enchanting and exquisuute paintings.

    Revised reissue.

    Four men struggle for survival after escaping from a sinking ship and into a small open boat.

    As John Banville writes in his introduction to The Love Object, Edna O'Brien "is, simply, one of the finest writers of our time." The thirty-one stories collected in this volume provide, among other things, a cumulative portrait of Ireland, seen from within and without. Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York," the single-mindedness of love dramatically derails the relationship between a girl and her mother, while in "Sister Imelda" and "The Creature" the strong ties between teacher and student and mother and son are ultimately broken. "The Love Object" recounts a passionate affair between the narrator and her older lover. The magnificent, mid-career title story from Lantern Slides portrays a Dublin dinner party that takes on the lives and loves of all the guests. More recent stories include "Shovel Kings" -- "a masterpiece of compression, distilling the pain of a lost, exiled generation" (Sunday Times) -- and "Old Wounds," which follows the revival and demise of the friendship between two elderly cousins. In 2011, Edna O'Brien's gifts were acknowledged with the most prestigious international award for the story, the Frank O'Connor Short Story Award. The Love Object illustrates a career's worth of shimmering, potent prose from a writer of great courage, vision, and heart. "The most striking aspect of Edna O'Brien's short stories, aside from the consistent mastery with which they are executed, is their diversity."-John Banville

    An inspector calls to interrogate the family, and during the course of his questioning, all members of the group are implicated lightly or deeply in the girl's undoing. The family, closely knit and friendly at the beginning of the evening, is shown up as selfish, self-centered or cowardly, its good humor turning to acid, and good fellowship to dislike, before the evening is over. The surprising revelation, however, is in the inspector...

    Contending with the perils and the varied cast of characters of the marriage market, Belinda strides resolutely toward independence. Admired by her contemporary, Jane Austen, and later by Thackeray and Turgenev, Edgeworth tackles issues of gender and race in a manner at once comic and thought-provoking. The 1802 text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.

    Shamefacedly, in indirect ways, he had been finding out about Haskett; and all that he had learned was favorable. The little man, in order to be near his daughter, had sold out his share in a profitable business in Utica, and accepted a modest clerkship in a New York manufacturing house. He boarded in a shabby street and had few acquaintances. His passion for Lily filled his life. Waythorn felt that this exploration of Haskett was like groping about with a dark-lantern in his wife's past.

    It is part of Asimov's Robot series, and was the second of Asimov's positronic robot stories to see publication.Powell and Donovan are assigned to a space station which supplies energy via microwave beams to the planets. The robots that control the energy beams are in turn co-ordinated by QT1, known to Powell and Donovan as Cutie, an advanced model with highly developed reasoning ability. Using these abilities, Cutie decides that space, stars and the planets beyond the station don't really exist, and that the humans that visit the station are unimportant, short-lived and expendable. QT1 makes the lesser robots disciples of a new religion, which considers the power source of the ship to be "Master."

    Two women uncover the truth in a rural murder investigation.

    The kits were designed for use withlanguage arts students in 6th grade through adult levels. Students follow along on word-for-wordscripts as they listen to the recorded audio drama with full casts and sound effects. The highinterest audio production promotes enthusiastic responses from students. When used as whole-class read-along, the kits solve the age-old problem of some students not reading the assignment.Read-Along Radio Dramas may be used with all language arts areas and ability levels (English,reading, drama, ESL, special education, etc.) to improve reading, writing, listening andvisualization skills.Each kit includes:A cassette recording, a word-for-word script with duplication rights, seven or more studentactivity sheets, discussion/writing questions, answer keys, a literary terms study packet, specificteaching suggestions for the story title, strategies for teaching read-along in the secondaryclassroom, an annotated script of the original story (when major changes are made in theadaptation), and a sample lesson plan.Common classroom uses:Whole-class literature study.Learning Stations -- Individual (home school for instance) or small group activities.Models for writing and producing classroom plays.Emergency Lesson Plans -- When teacher is absent, students are engaged in appropriate activities. RELATED TITLES"The Monkey's Paw" by W. W. Jacobs"The Black Cat" by Edgar Allan Poe"Cask of Amontillado" by Edgar Allan Poe"Hop-Frog" by Edgar Allan Poe"Tell-Tale Heart" by Edgar Allan Poe"Pit & Pendulum" by Edgar Allan Poe [A Reading]"Love of Life" by Jack London"Ransom of Red Chief" by O. Henry"Lady or Tiger" by Frank Stockton [A reading]"The Last Leaf" by O. Henry"The Celebrated Jumping Frog of Calaveras County" by Mark Twain"The Strange Orchid" by H.G. Wells"The Necklace" by Guy de Maupassant"Horseman in the Sky" by Ambrose Bierce"Chickamauga" by Ambrose Bierce [A Reading]"Headfirst" by Dennis Rhodus"The Long Night" by Lowell D. Blanton"Traffic Incident" by Roger Rittner"After the Battle" by Joseph Altsheler"The Matemaker" by Dennis Rhodus"Heat Lightning" by Robert F. Carroll"The Perfect Touch" by Eli GlassTheatre of the Mind, Writing and Producing Radio Dramas in the Classroom by Don Kisner.Tell-Tale Heart (a Read-Along Radio Drama)Edgar Allan Poe, Don Kisner (Editor)

    

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    Since the 1980s, Eliza Haywood's literary works have been gaining in recognition and interest. She wrote and published over seventy works during her lifetime including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood is a significant figure of the long 18th century as one of the important founders of the novel in English. Her writing career began in 1719 with the first two installments of Love in Excess. Many of her works were published anonymously. Amongst her other works are Fantomina; or, Love in a Maze (1724), The Fortunate Foundlings (1744), Life's Progress Through the Passions; or, The Adventures of Natura (1748) and The History of Miss Betsy Thoughtless (1751).