The best authors put painstaking--sometimes obsessive--effort into each element of their stories, from plot and character development to dialogue and point of view.What made Nabokov choose the name Lolita? Why did Fitzgerald use first-person narration in The Great Gatsby? How did Kerouac, who raged against revision, finally come to revise On the Road? Veteran editor and teacher Richard Cohen draws on his vast reservoir of a lifetime's reading and his insight into what makes good prose soar. Here are Gabriel Garc�a M�rquez's thoughts on how to start a novel ("In the first paragraph you solve most of the problems with your book"); Virginia Woolf offering her definition of style ("It is all rhythm. Once you get that, you can't use the wrong words"); and Vladimir Nabokov on the nature of fiction ("All great novels are great fairy tales").Cohen has researched the published works and private utterances of our greatest authors to discover the elements that made their prose memorable. The result is a unique exploration of the act and art of writing that enriches our experience of reading both the classics and the best modern fiction. Evoking the marvelous, the famous, and the irreverent, he reveals the challenges that even the greatest writers faced--and shows us how they surmounted them.Praise for How to Write Like Tolstoy"The highest compliment one can pay How to Write Like Tolstoy is that it provokes an overwhelming urge to read and write, to be in dialogue or even doomed competition with the greatest creative minds . . . . That Mr. Cohen is an editor, that his love of literature comes in large part from awe in the presence of better writers than he, is no small matter. His love is infectious, and regardless of how well he ends up teaching us to write, that is miracle enough."--Wall Street Journal"[A] perfect tasting menu . . . the homage of a passionate reader to the writers who have provided his 'main pastime.' "--The Sunday Times (U.K.)"This book is a wry, critical friend to both writer and reader. It is filled with cogent examples and provoking statements. You will agree or quarrel with each page, and be a sharper writer and reader by the end."--Hilary Mantel "These twelve essays are like twelve perfect university lectures on the craft of writing fiction. The professor--or, in this case, author--succeeds in being not only knowledgeable but also interesting, charming, and engaging."--Library Journal (starred review)"Insightful . . . [Cohen] escorts his readers to Iris Murdoch for sage counsel on launching a novel, to Salman Rushdie for shrewd guidance on developing an unreliable narrator, to Rudyard Kipling for a cagey hint on creating memorable minor characters, and to Leo Tolstoy for a master's help in transforming personal experience into fictional art."--Booklist

     Lexa Blackmoon, orphan and low-end magical thief, is just trying to get by the best way she can. But when a shadow mage tells her she's meant for something greater, she can't help feeling he's telling the truth. Taken to a secret resistance camp, Lexa learns that not only is she a mage, but she bears the Mark of Merlin, a magical power greater than she's ever dreamt of. She trains her powers to infiltrate the ranks of the magical police force tasked with keeping the arcane realm secret from normal humans. But when the sinister president-turned-dictator, Kiren Nightstorm, attempts to take over the realm, Lexa must defeat his secret crime syndicate before he enslaves the entire magical race. This book features a strong witch heroine and fast-paced action and adventure, including werewolves, shifters, vampires, and more!

    The text includes full-length selections as well as student essays.

     **NOTE** This book is the revised edition of the first half of the original title Banished published in 2015 by Youngblood and Poole. Fans of the hit TV series Once Upon a Time will love this Cinderella Story where the real world and fairy tale world collide when a fair-haired prince falls in love with a peasant girl. An accident puts Elle Worthington into a coma. When she awakes, she can’t remember her name or anything about her life. She leaves the hospital and returns to a home that’s anything but ideal—her stepmother loathes her, her stepsister resents her, and her father’s a workaholic who’s rarely ever home. She soon discovers she led a charmed life before the accident where she was dating Edward Kingsley, the golden-boy quarterback. Everyone tells her how lucky she is to be with Edward, but for some strange reason, Elle is instead drawn to Rush Porter, her next-door neighbor—a brooding, reckless newcomer who’s too good looking for his own good! From the moment she sees him, he captures her attention and haunts her dreams, and he seems to know an awful lot about her. When Elle goes to work for her eccentric aunt Adele who owns a chocolate shop, she begins to get a glimpse of another life—a magical life in which she was a simple peasant girl whose life changed forever the day she caught the eye of the prince. A girl who might have lived happily ever after had her heart not had other ideas. She becomes trapped between loyalty and duty—betrayal and love, and a forbidden attraction so strong that it has the power to destroy her. All is not as it seems on the surface. Dark forces are watching and waiting to claim what they deem to be theirs, and the fate of a kingdom rests in the hands of a girl who cannot remember who she is or where she came from. Includes bonus chapters of: The Magic in Me (Book 2 of The Grimm Laws Series) by Jennifer Youngblood & Sandra Poole The Neighbor's Secret (A Secret Billionaire Romance) by Kimberley Montpetit Rescue My Heart by Taylor Hart Books now available in the Grimm Laws Series: Banish My Heart The Magic in Me Under Your Spell A Love So True

    A major collection of writings from one of the most important twentieth century French authors, "The Blanchot Reader" includes six works of fiction ("Death Sentence, The Madness of the Day, When the Time Comes, Vicious Circles, Thomas the Obscure", and "The One Who Was Standing Apart from Me") and extended selections of critical and philosophical essays from his major book, "The Gaze of Orpheus".

    This world of total human experience is the world that is (or at least ought to be) reflected and molded by the arts, above all by the art of literature. "What is the function of literature," Mr. Huxley asks, "what its psychology, what the nature of literary language? And how do its function, psychology and language differ from those of science? What in the past has been the relationship between literature and science? What is it now? What might it be in the future? And what would it be profitable, artistically speaking, for a twentieth-century man of letters to do about twentieth-century science?"Ours is the Age of Science; but from a study of the best contemporary literature one would find it difficult to infer this most obvious of facts. Contemporary poetry, drama and fiction contain remarkably few references to contemporary science—few references even to the metaphysical and ethical problems which contemporary science has raised. That this state of affairs should somehow be remedied is the theme of every recent discussion of "the Two Cultures." unfortunately most of these discussions have been carried on in abstract terms and with almost no citations of case histories, no references to the concrete problems of literary and scientific writing, no illustrative examples. Mr. Huxley has approached the subject in a different way. He deals with specific questions in the fields of immediate experience, of conceptualization, of philosophical interpretation and of verbal expression; and he illustrates these wide-ranging themes with copious quotations, drawn from a great variety of sources. He analyzes the nature of literary language and contrasts its many-meaninged richness with the simplified and jargonized language of science. He shows how the poets of earlier centuries made use of the scientific knowledge available to them. He gives examples of the ways in which modern science has modified and added to the traditional raw materials of literature. And he concludes with a speculative discussion of the ways in which future men of letters may work up the raw materials of brand new fact and revolutionary hypothesis provided by science, transfiguring them into a new kind of literature, capable of expression and at the same time coordinating and giving significance to the totality of an ever-widening human experience.

    There is no other guide like this; a user-friendly and enticing entry into the marvelously enjoyable world of Proust.At seven volumes, three thousand pages, and more than four hundred characters, as well as a towering reputation as a literary classic, Proust's novel can seem daunting. But though begun a century ago, in 1909, it is in fact as engaging and relevant to our times as ever. Patrick Alexander is passionate about Proust's genius and appeal--he calls the work "outrageously bawdy and extremely funny"--and in his guide he makes it more accessible to the general reader through detailed plot summaries, historical and cultural background, a guide to the fifty most important characters, maps, family trees, illustrations, and a brief biography of Proust. Essential for readers and book groups currently reading Proust and who want help keeping track of the huge cast and intricate plot, this Reader's Guide is also a wonderful introduction for students and new readers and a memory-refresher for long-time fans.

    Tragic, virginal, sweet, stoic, selfless, Anne. The less talented Brontë, the other Brontë.Or that's what Samantha Ellis, a life-long Emily and Wuthering Heights devotee, had always thought. Until, that is, she started questioning that devotion and, in looking more closely at Emily and Charlotte, found herself confronted by Anne instead.Take Courage is Samantha's personal, poignant and surprising journey into the life and work of a woman sidelined by history. A brave, strongly feminist writer well ahead of her time -- and her more celebrated siblings -- and who has much to teach us today about how to find our way in the world.

    “We come into the world intent on finding narrative in everything,” writes Manguel, “landscape, the skies, the faces of others, the images and words that our species create.” Reading our own lives and those of others, reading the societies we live in and those that lie beyond our borders, reading the worlds that lie between the covers of a book are the essence of A Reader on Reading.The thirty-nine essays in this volume explore the crafts of reading and writing, the identity granted to us by literature, the far-reaching shadow of Jorge Luis Borges, to whom Manguel read as a young man, and the links between politics and books and between books and our bodies. The powers of censorship and intellectual curiosity, the art of translation, and those “numinous memory palaces we call libraries” also figure in this remarkable collection. For Manguel and his readers, words, in spite of everything, lend coherence to the world and offer us “a few safe places, as real as paper and as bracing as ink,” to grant us room and board in our passage.

    It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose that has made Jane Austen so universally beloved?In essays culled from the last one hundred years of criticism juxtaposed with new pieces by some of today’s most popular novelists and essayists, Jane Austen’s writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed if she’d lived twenty more years, while C. S. Lewis celebrates Austen’s mirthful, ironic take on traditional values.Modern voices celebrate Austen’s amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen’s own struggle to be as “good” as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen’s societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen’s own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen’s place in both the literary canon and our cultural imagination.We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love.

    A new collection of essays that celebrates a life spent in books More Alive and Less Lonely collects over a decade of Jonathan Lethem's finest writing on writing, with new and previously unpublished material, including: impassioned appreciations of forgotten writers and overlooked books, razor-sharp critical essays, and personal accounts of his most extraordinary literary encounters and discoveries.

    When Charles Dickens died in 1870, The Times of London successfully campaigned for his burial in Westminster Abbey, the final resting place of England's kings and heroes. Thousands flocked to mourn the best recognized and loved man of nineteenth-century England. His books had made them laugh, shown them the squalor and greed of English life, and also the power of personal virtue and the strength of ordinary people. In his last years Dickens drew adoring crowds to his public appearances, had met presidents and princes, and had amassed a fortune.Like a hero from his novels, Dickens trod a hard path to greatness. Born into a modest middle-class family, his young life was overturned when his profligate father was sent to debtors' prison and Dickens was forced into harsh and humiliating factory work. Yet through these early setbacks he developed his remarkable eye for all that was absurd, tragic, and redemptive in London life. He set out to succeed, and with extraordinary speed and energy made himself into the greatest English novelist of the century.Years later Dickens's daughter wrote to the author George Bernard Shaw, "If you could make the public understand that my father was not a joyous, jocose gentleman walking about the world with a plum pudding and a bowl of punch, you would greatly oblige me." Seen as the public champion of household harmony, Dickens tore his own life apart, betraying, deceiving, and breaking with friends and family while he pursued an obsessive love affair.Charles Dickens: A Life gives full measure to Dickens's heroic stature-his huge virtues both as a writer and as a human being- while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great-his indomitable energy, boldness, imagination, and showmanship-finally destroyed him. The man who emerges is one of extraordinary contradictions, whose vices and virtues were intertwined as surely as his life and his art.

    It’s the only explanation for this recent run of catastrophes. She’s lost her brand-new car and a winning lottery ticket, and her ex-boyfriend just drove off with all her possessions. She’s even lost the empty office that’s been her lunchtime sanctuary. Plus, the new hire who’s taken it over is precisely the kind of impending heartache she knows to avoid, from his intense gaze to that irresistible crooked smile.Developer Aiden Scott plans to stay at the Denver architecture firm just long enough to prime it for takeover. A job like his can’t get personal. Yet from the moment he collides with Kristen, he’s smitten. He wants to save the stunning interior designer from every crazy scenario she winds up in. But who’s going to save him when his business agenda shatters Kristen’s trust?Turns out, love’s a lot like luck. You don’t know just how good you have it until you stand to lose it all.

    Mothers tell their children there isn’t anything in the shadows that isn’t there in the light. They are wrong. The reason humanity is afraid of the dark is because that’s when demons come out to play. The ghosts that fight them can’t come out until the sun goes down, either. And Soul’s Agents, like Navi? They’re just normal, boring people until the moon claims the sky. And then they aren’t. Death allows lost souls one last chance. Fight with the Agents against demons and darkness and evil and they won’t spend eternity roasting on a spit. It seems like an easy enough choice, but apparently roasting is easy and requires little effort, and fighting, well… Fighting is hard. Twenty-two year old Navi is an Agent, and she is good at what she does. Her only distraction is the boy who broke her heart four years ago—especially when the demons she hunts start hunting him, and she’s the only one who can keep him alive.

    Just south across the strait, a boy named Hiroki is fascinated by the mysterious tower the Soviets have constructed on the unreachable island, and he and his friend Takuya decide to build a plane that will take them over to see it. As they work, a girl named Sayuri becomes a part of their lives and the promise to one day fly to the tower. But when she disappears without a trace, their promise I left unfulfilled-possibly forever.