She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man's nightmares, which may be more prophecy than madness.

    Now, Divakaruni returns with her most gripping novel yet.Orphaned at birth, seventeen-year-old Korobi Roy is the scion of a distinguished Kolkata family and has enjoyed a privileged, sheltered childhood with her adoring grandparents. But she is troubled by the silence that surrounds her parents’ death and clings fiercely to her only inheritance from them: the love note she found hidden in her mother's book of poetry. Korobi dreams of one day finding a love as powerful as her parents', and it seems her wish has come true when she meets the charming Rajat, the only son of a high-profile business family.But shortly after their engagement, a heart attack kills Korobi's grandfather, revealing serious financial problems and a devastating secret about Korobi's past. Shattered by this discovery and by her grandparents' betrayal, Korobi undertakes a courageous search across post 9/11 America to find her true identity. Her dramatic, often startling journey will, ultimately, thrust her into the most difficult decision of her life.

    From his own birth and childhood on the streets of Dublin to his role as soldier (and lover) in the Irish Rebellion, Henry recounts his early years of reckless heroism and adventure. At once an epic, a love story, and a portrait of Irish history, A Star Called Henry is a grand picaresque novel brimming with both poignant moments and comic ones, and told in a voice that is both quintessentially Irish and inimitably Roddy Doyle's.

    Now, Penguin is publishing a new edition of Gilbert's wise and charming novel for the millions of readers who devoured Eat, Pray, Love and remain hungry for more. Off the coast of Maine, Ruth Thomas is born into a feud fought for generations by two groups of local lobstermen over fishing rights for the waters that lie between their respective islands. At eighteen, she has returned from boarding school-smart as a whip, feisty, and irredeemably unromantic—determined to throw over her education and join the "stern men"working the lobster boats. Gilbert utterly captures the American spirit through an unforgettable heroine who is destined for greatness—and love—despite herself.

    At thirty-five, Mary Frazier Armstrong, called "Frazier" by friends and enemies alike, is a sophisticated woman with a thriving art gallery, a healthy bank balance, and an enviable social position.  In fact, she has everything to live for, but she's lying in a hospital bed with a morphine drip in her arm and a life expectancy measured in hours.  "Don't die a stranger," her assistant says on her last hospital visit.  "Tell the people you love who you are."  And so, as her last act on earth, Frazier writes letters to her closest family and friends, telling them exactly what she thinks of them and, since she will be dead by the time they receive the letters, the truth about herself: she's gay.The letters are sent.  Then the manure hits the fan in Charlottesville, Virginia, because the funny thing is, Frazier Armstrong isn't going to die after all.

    To confront those fears, Valencia’s therapist suggests that she fly somewhere—anywhere—before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem—he might not actually exist.Mrs. Valentine is an eccentric old woman desperate for company, be it from neighbors, telemarketers, or even the funeral director (when you’re her age, you go to a lot of funerals). So she’s thrilled when the new cleaning girl provides a listening ear for her life’s story—a tale of storybook love and incredible adventures around the world with her husband before his mysterious and sudden disappearance.The stories of Valencia and Mrs. Valentine may at first appear to have nothing in common…but then again, nothing in life is as straightforward as it seems.

    As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.A MAJOR MOTION PICTURE COMING OUT FALL 1995-- with Maya Angelou, Winona Ryder, and Rip Torn

    With no pretense of courage, and a vague dislike for what she feels is the cheap availability of her emotions, Olly grieves the husband she probably would have divorced, while coping with the warmth and awkwardness of family trying (and failing) to distract her from their own grief. As she learns to rethink her life and her love, she becomes close to Sam's brother, Patrick—and begins to realize Sam's recklessness and passion may not be as foreign to her as she thought.Laurie Colwin depicts Olly—the “More Life Widow of the More Life Kid”—with humor, compassion, and a decided lack of sentimentality, creating a real heroine who tries to remain true to her heart while keeping her head.This edition features cover art by Olivia McGiff.

    An arsonist, a covetous nurse, and the endearing village idiot are among the few who have ever seen Mary.Newcomers to Mill River -- a police officer and his daughter and a new fourth grade teacher -- are also curious about the reclusive old woman. But only Father Michael O’Brien knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.

    When Carlos Ruweda's wife is suddenly taken from him, he discovers a magical gift: In waking dreams, he had clear visions of the fates of "the disappeared." But he cannot "imagine" what has happened to his own wife. Driven to near madness, his mind cannot be taken away: imagination, stories, and the mystical secrets of the human spirit.

    In the twilight of the Civil War, a Union soldier named Norman Pelham is found battle-wounded and near death by Leah, a slave running from a different hell. After Leah nurses him back to health, Norman brings her to his family homestead in Vermont as his wife, and there they begin a family that will be shaped by their passionate devotion to each other and its consequences.

    We meet Kate at a crucial moment in middle age when she begins to yearn to see the son she abandoned when she was seventeen. But if she decides to seek him, will he understand her? Winner of the National Book Critics Circle Award, Kate Vaiden is a penetrating psychological portrait of an ordinary woman in extraordinary circumstances, a story as joyous, tragic, comic and compelling as life itself.

    Set in the Midwest, where Florida represents a faraway paradise, this novel tells the story of Alice Fivey. Fatherless since she was seven, Alice is left in the care of her relatives at the age of ten, when her mother, whose "toenails winked in the foil bed we knew for Florida," is institutionalized. Alice is moved from place to place, remaining still while others try to mold her into someone different from her mother. She consoles herself with books and becomes a storyteller herself as she moves into adulthood, ever further from the desolation of her mother's actions and closer to the meaning of her own experience. Told in brief scenes of spare beauty, Florida is a graceful and gripping tale of family, forgiveness, and creation of the self.

    But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his last bid for the presidency. Her husband's handler would like the press to forget that Inez's father is a murderer. And, in 1975, the year in which much of this bitterly funny novel is set, America is doing its best to lose track of its one-time client, the lethally hemorrhaging republic of South Vietnam.As conceived by Joan Didion, these personages and events constitute the terminal fallout of democracy, a fallout that also includes fact-finding junkets, senatorial groupies, the international arms market, and the Orwellian newspeak of the political class. Moving deftly from Honolulu to Jakarta, between romance, farce, and tragedy, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase.

    Dotty Johnson is the kind of woman no one can ingore. One afternoon, they both disappear from the small Vermont town where they live. The next day, two hundred miles away, a toddler is snatched from her Massachusetts home.For the next five years, Aubrey, Dotty, and the kidnapped child—bound together by strange love and desperate need—are trapped in a nomadic existence governed by their constant fear of discovery. Canny, the little girl, becomes Aubrey's entire existence. But Dotty wants out. She is tired of being saddled with this fearful little man. When she meets Jiggy Huller, a brutal ex-convict, the wheels of Canny's return to her natural parents are wrenched fatally into motion.