Warring Indian tribes still populate America's western territories, even as lawless gold-rush towns begin to mark the landscape, and two paleontologists pillage the Wild West, hunting for dinosaur fossils while surveilling, deceiving, and sabotaging each other.Into this treacherous territory plunges William Johnson, a student who has joined world-renowned paleontologist Othniel Charles Marsh on his latest expedition. But when Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, he abandons him in Cheyenne, Wyoming, a locus of crime and vice.William joins forces with Cope and soon stumbles upon a discovery of historic proportions. With this extraordinary treasure, however, comes exceptional danger, and Johnson's newfound resilience will be sorely tested..

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    Honoring her mother's promise, Tiffany reluctantly travels west to meet her estranged father and his enemy's eldest son, rancher Hunter Callahan. Once the Warrens and the Callahans are united by marriage, both clans will stop squabbling over a disputed strip of land. In the chaos of a train robbery, Tiffany seizes a golden opportunity: By assuming the identity of her father's new housekeeper, she can live with the father she never knew and assess his true character, as well as that of the neighboring cowboy to whom she is betrothed. But, too late, Tiffany discovers that the rivalry between the Warrens and the Callahans has escalated when the Callahans steal the Warrens' housekeeper as soon as she steps off the train!Now, Tiffany, who is pretending to be Jennifer Fleming, finds herself living in the enemy camp, under the same roof as her fiancé. All too soon she learns her intended is a handsome, sweet talking charmer whom she has to fight off because he can't keep his eyes—or his hands—off Jennifer. After Tiffany's charade is exposed, she refuses to marry Hunter to end the feud. As Hunter goes about claiming his rightful bride-to-be, he knows that although he loves two women—proper, elegant Tiffany as well as spunky, passionate Jennifer—he has only one heart to win.

    Most men would end their days in bed or take their own lives, but a gunfighter has a third option, one that Books decides to exercise. He may choose his own executioner.As word spreads that the famous assassin has incurable cancer, an assortment of human vultures gathers to feast on the corpse—among them a gambler, a rustler, a clergyman, an undertaker, an old love, a reporter, even an admiring teenager. What follows is the last courageous act in Books’s own legend.This classic, Spur Award–winning novel was chosen by the Western Writers of America as one of the best western novels ever written and was the inspiration for John Wayne’s last great starring role in the acclaimed 1976 film adaptation. The Bison Books edition includes a new introduction by the author’s son, Miles Swarthout, in which he discusses his father’s work and the making of the legendary film.

    First published in Norway as two books in 1924 and 1925, the author collaborated with Minnesotan Lincoln Colcord on the English translation.The novel follows a Norwegian family's struggles as they try to make a new life as pioneers in the Dakota territory. Rølvaag is interested in psychology and the human cost of empire building, at a time when other writers focused on the glamor and romance of the West. The book reflects his personal experiences as a settler as well as the immigrant homesteader experience of his wife’s family. Both the grim realities of pioneering and the gloomy fatalism of the Norse mind are captured in depictions of snow storms, locusts, poverty, hunger, loneliness, homesickness, the difficulty of fitting into a new culture, and the estrangement of immigrant children who grow up in a new land. It is a novel at once palpably European and distinctly American.Giants in the Earth was turned into an opera by Douglas Moore and Arnold Sundgaard; it won the Pulitzer Prize for Music in 1951.