Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.

    Girls who are timid wallflowers.It was made for bold, outspoken, cultured kids of the political elite. Rich. Privileged. Condescending.Except for Ricardo, who looks at me like I'm a new flavor of ice cream he'd like to try, despite my cute bodyguard's disapproving stare. If only bratty girls and cute boys were my biggest problem.When the academy's resident mean girl is killed on my very first day, their shimmering oasis becomes a pool of blood. The whispering gets louder. Quick glances become hard stares.They’re looking for someone to blame. They’re looking at me.

    Designed to give essential background on the current study of folklore and some of the basic concepts and questions used when analyzing folklore, this short, coherent, and approachable handbook is divided into five chapters: What Is Folklore?; What Do Folklorists Do?; Types of Folklore; Types of Folk Groups; and, finally, What Do I Do Now?Through these chapters students are guided toward a working understanding of the field, learn basic terms and techniques, and learn to perceive the knowledge base and discourse frame for materials used in folklore courses. Folklore Rules will appeal to instructors and students for a variety of courses, including introductory folklore and comparative studies as well as literature, anthropology, and composition classes that include a folklore component.

    Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century AD to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology. Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

    But his new bride Shahrazad has a clever plan to save herself. Her nightly stories--of Sinbad the Sailor, Ali Baba, and many other heroes and villains--are so engrossing that King Shahryar has to postpone her execution again and again... This illustrated edition brings together all the Arabian Nights tales in an original retelling by award-winning author Geraldine McCaughrean.

    Written circa 1170, this version of the Griselda legend tells the story of the marriage of Erec, a handsome and courageous Welsh prince and knight of the Round Table, and Enide, an impoverished noblewoman. When the lovers become estranged because Erec neglects his knightly obligations, they subsequently ride off together on a series of adventures that culminate in their reconciliation and the liberation of a captive knight in an enchanted orchard.An innovative poet working during a time of great literary creativity, Chrétien de Troyes wrote poems that had a lively pace, skillful structure, and vivid descriptive detail. Ruth Harwood Cline re-creates for modern audiences his irony, humor, and charm, while retaining the style and substance of the original octosyllabic couplets. Her thorough introduction includes discussions of courtly love and the Arthurian legend in history and literature, as well as a new and provocative theory about the identity of Chrétien de Troyes. This clearly presented translation, faithful in preserving the subtle expressive qualities of the original work, is accessible reading for any Arthurian legend aficionado and an ideal text for students of medieval literature.

    Ranging from the ribald to the romantic, from the rustic to the mythical, these are lively translations of 150 tales drawn from unique sources including the Swedish National Folklore Archives and numerous private collections, while the humorous and dramatic illustrations are gathered from classic volumes of Swedish folktales. Lone Thygesen Blecher's engaging introduction details the purpose and background of folktales and legends as well as the history of their collection. This distinctive selection presents the storytelling artistry of Sweden's lush folkloric tradition.

    The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this is a fascinating depiction of an age of brutal battles, murder, sorcery and bitter family feuds.

    Meagher's insightful introduction and splendid translation illuminate this tale as never before, showing that the past is not past and that the darkest and brightest truths never change.

    Gods disguised as beggars and beasts, animals enacting Machiavellian intrigues, sagacious jesters and magical storytellers, wise counselors and foolish kings--all inhabit a fabular world, yet one that is also firmly grounded in everyday life. Here is an indispensable guide to India's ageless folklore tradition.With black-and-white illustrations throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Imagining Viking conquerors as much more numerous, technologically superior, and somehow inherently more warlike than their neighbors has overshadowed the cooperation and cultural exchange which characterized much of the Viking Age. In actuality, the Norse explorers and traders were players in a complex exchange of technology, customs, and religious beliefs between the ancient pre-Christian societies of northern Europe and the Christian-dominated nations surrounding the Mediterranean.DuBois examines Anglo-Saxon, Celtic, and Mediterranean traditions to locate significant Nordic parallels in conceptions of supernatural beings, cults of the dead, beliefs in ghosts, and magical practices. These beliefs were actively held alongside Christianity for many years, and were finally incorporated into the vernacular religious practice. The Icelandic sagas reflect this complex process in their inclusion of both Christian and pagan details.This work differs from previous examinations in its inclusion of the Christian thirteenth century as part of the evolution of Nordic religions from localized pagan cults to adherents of a larger Roman faith.Thomas DuBois unravels for the first time the history of the Nordic religions in the Viking Age and shows how these ancient beliefs and their oral traditions incorporated both a myriad of local beliefs and aspects of foreign religions, most notably Christianity.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Balanced and nuanced discussions explore the ways in which myths have portrayed both men and women. In addition, art and maps contextualize selected myths, providing insights into the cultures and religious traditions from which they originated.

    An unforgettable journey. A beautiful and bloody history. This is Iceland as you've never read it before... Broadcaster Richard Fidler and author Kári Gíslason are good friends. They share a deep attachment to the sagas of Iceland - the true stories of the first Viking families who settled on that remote island in the Middle Ages. These are tales of blood feuds, of dangerous women, and people who are compelled to kill the ones they love the most. The sagas are among the greatest stories ever written, but the identity of their authors is largely unknown. Together, Richard and Kári travel across Iceland, to the places where the sagas unfolded a thousand years ago. They cross fields, streams and fjords to immerse themselves in the folklore of this fiercely beautiful island. And there is another mission: to resolve a longstanding family mystery - a gift from Kari's Icelandic father that might connect him to the greatest of the saga authors. Praise For Fidler & Gíslason.'We already know Fidler is an interviewer of great empathy, now we know he mirrors that skill on the page, too.' Andrew McMillan, The Australian'Kári's descriptions of Iceland are so beautiful that one is tempted to pack up and go there.' Bev Blaauw, Cairns Post

    The poem recounts Venus' attempts to woo Adonis, their passionate coupling, and Adonis' rejection of the goddess, to which she responds with jealousy, with tragic results.