Cover Artist: Alan AldridgeWhen John Bravais was sent on a secret mission to observe a war in North Africa he found out more than it was safe for him to know - even after he had secretly been surgically transformed so that he was as strong as a Bolo tank, and nearly as tough: Wolf-like aliens, invisible to the ordinary eye, were harvesting the brains of the fallen fighters! Brevais might have become the Ultimate Warrior, but still he was only one man against A Plague of Demons.

    They must act as soldier/protectors of the far more civilized races who have long since turned away from war... — Staff Sergeant Torin Kerr was a battle-hardened professional. So when she and those in her platoon who'd survived the last deadly encounter with the Others were yanked from a well-deserved leave for what was supposed to be "easy" duty as the honor guard for a diplomatic mission to the non-Confederation world of the Silsviss, she was ready for anything.At first it seemed that all she'd have to contend with was bored troops getting into mischief, and breaking in the new Second Lieutenant who had been given command of her men.Sure, there'd been rumors of the Others - the sworn enemies of the Confederation - being spotted in this sector of space. But there were always rumors. The key thing was to recruit the Silsviss into the Confederation before the Others either attacked or claimed this lizardlike race of warriors for their own side. And everything seemed to be going perfectly. Maybe too perfectly...

    Kirit Densira cannot wait to pass her wingtest and begin flying as a trader by her mother's side, being in service to her beloved home tower and exploring the skies beyond. When Kirit inadvertently breaks Tower Law, the city's secretive governing body, the Singers, demand that she become one of them instead. In an attempt to save her family from greater censure, Kirit must give up her dreams to throw herself into the dangerous training at the Spire, the tallest, most forbidding tower, deep at the heart of the City.As she grows in knowledge and power, she starts to uncover the depths of Spire secrets. Kirit begins to doubt her world and its unassailable Laws, setting in motion a chain of events that will lead to a haunting choice, and may well change the city forever - if it isn't destroyed outright.

    In San Francisco, the survivors are heir to a city transformed. It is a haunted, dreaming place peopled with memories, and in a strange way nearly alive itself. And although it is only beginning to recover from near-ultimate disaster, the city is at risk again. An army of power-hungry men are descending on San Francisco. Teenagers Jax and Danny-boy must lead the fight for freedom using the only weapons they have art, magic, and the soul of the city itself.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    The trouble starts when George Paxton ingenuously signs an admission of complicity in starting World War III.

    Vannemar Morgan's dream of linking Earth with the stars requires a 24,000-mile-high space elevator. But first he must solve a million technical, political, and economic problems while allaying the wrath of God. Includes a new introduction by the author.

    She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.

    McHugh established herself as one of the decade's best science fiction writers. In its pages, we enter a post-revolution America, moving from the hyper-urbanized eastern seaboard to the Arctic bleakness of Baffin Island; from the new Imperial City to an agricultural commune on Mars. The overlapping lives of cyber-kite fliers, lonely colonists, illicit neural-pressball players, and organic engineers blend into a powerful, taut story of a young man's journey of discovery. This is a macroscopic world of microscopic intensity, one of the most brilliant visions of modern SF.

    Dick Award: In a nuclear-ravaged California, a humble musician sets out on a dangerous quest to rescue his lost love from the clutches of a soul-devouring religious cultIn the twenty-second century, the City of Angels is a tragic shell of its former self, having long ago been ruined and reshaped by nuclear disaster. Before he was in a band in Ellay, Gregorio Rivas was a redeemer, rescuing lost souls trapped in the Jaybirds cult of the powerful maniac Norton Jaybush. Rivas had hoped those days were behind him, but a desperate entreaty from a powerful official is pulling him back into the game. The rewards will be plentiful if he can wrest Urania, the official’s daughter and Gregorio’s first love, from Jaybush’s sinister clutches. To do so, the redeemer reborn must face blood-sucking hemogoblins and other monstrosities on his way to discovering the ultimate secrets of this neo-Californian civilization. One of the most ingeniously imaginative writers of our time, Tim Powers dazzles in an early work that displays his unique creative genius. Alive with wit, intelligence, and wild invention, Dinner at Deviant’s Palace is a mad adventure across a dystopian future as only Tim Powers could have imagined it.

    It's been put there by a galactic intelligence intent on imposing harmony and cooperation on the different peoples of the universe. But to the inhabitants, the barrier evokes stark terror.

    The hip, noir adventurers who get by on wit, bravado, and drugs, and haunt the virtual worlds of the Shadows of cyberspace, are up against the encroachments of civilization. It's time to adapt or die.India Carless, alias Trouble, got out ahead of the feds and settled down to run a small network for an artist's co-op.Now someone has taken her name and begun to use it for criminal hacking. So Trouble returns. Once the fastest gun on the electronic frontier, she had tried to retire-but has been called out for one last fight. And it's a killer.

    Into the world of the Ata comes a desperate man, running from a fast life of fame and fortune, drugs and crime. He is led by the kin of Ata on a spiritual journey that, sooner or later, we all must take.

    In the 24th century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company, Dr. Zeus. One of these is Mendoza the botanist. She is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden. But while there, she meets Nicholas Harpole, with whom she falls in love. And that love sounds great bells of change that will echo down the centuries, and through the succeeding novels of The Company.

    Jimson Alleca can live another 20 years with drugs and a peaceful lifestyle -- if he stays in space-normal. But he's willing to risk it all to make the jump into the Hype, the shimmering "not space" for one year among the stars.