She’s visiting her old friend, the Earl’s heir Jimmy Yoxall—but she wants to spend a lot more time with Jimmy’s fiancée. The irrepressible Miss Fenella Carruth, with her laughing eyes and lush curves, is the most glorious woman Pat’s ever met, and it quickly becomes impossible to remember why she needs to stay at arm’s length.But while the women’s attraction grows, the tensions at Rodington Court get worse. Affairs, secrets, betrayals, and blackmail come to light. And when a body is discovered with a knife between the shoulderblades, it’s going to take Pat and Fen’s combined talents to prevent the murderer destroying all their lives.

    She dreams of indulging her passion for ornithology and visiting the famous new amusement park--a summer of fun before she returns for her final year of high school, after which she’s expected to marry a nice boy and settle into middle-class homemaking. But in the country, Garnet finds herself under the supervision of equally oppressive guardians--her father’s wealthy cousin and the matron’s stuck-up daughter. Only a liberating job in a hat shop, an intense, secret relationship with a daring and beautiful flapper, and a deep faith in her own fierce heart can save her from the suffocating boredom of traditional femininity.Silhouette of a Sparrow is a coming-of-age story about a search for wildness in a confining time, and a simultaneous quest for security in an era full of unrest. It is the tale of a young woman’s discovery of the science of risk and the art of rebellion, and of course, the power of unexpected love.

    New to a small town, Jackie and Paula envision a quiet life for their kids: a young adopted son and two teenage foster children, including the troubled Star. However, they quickly butt heads with their neighbor, Clementine, who disapproves of their lifestyle and is incensed when Star befriends her spirited horse, Comet. Haunted by past tragedy and unable to properly care for Comet, Clem nevertheless resents the bond Star soon shares with the horse. When Star disappears with Comet, the neighbors are thrown together—far too close together. But as the search for the pair wears on, both families must learn to put aside their animosity and confront the choices they’ve made and the scars they carry. Plumbing the depths of regret and forgiveness, The Language of Hoofbeats explores the strange alchemy that transforms a group of people into a family.

    Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, is overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.

    In Los Angeles, Leticia is quickly immersed in the post-punk, post-Queer hipster scene, and after a short-lived affair with the devastating Edith, Leticia meets K, a tall, dark and handsome Old Spice-wearing lovely from Philadelphia. K and Leticia tumble into "candy heaven" bliss, with, to Leticia's amazement, her nana's blessing. As her confidence in herself and her own sexuality grows, Leticia moves toward an identity that K refers to as "shy bookworm sweater femme boy"-- only to have her newfound happiness brutally shattered by Nana's sudden illness and by the disturbing discovery that K is not as trustworthy as she seems. Vividly wrought, heart-breaking and compelling, Trace Elements of Random Tea Parties is a wonderful debut from Felicia Luna Lemus.

    From the author of Bad Behavior comes a new compilation of clever and cutting-edge stories propelling readers into a world of men and women where the ways of desire are sometimes distasteful and complex.Tiny, smiling daddy --Because they wanted to --Orchid --The blanket --Comfort --The girl on the plane --The dentist --Kiss and tell --The wrong thing Turgor --Respect --Processing --Stuff

    The love between Michaela and Rivi is depicted precisely and delicately. . . . It’s beautiful.” —Amos Oz“More than anything else, the book is a temple of love to the imaginary, and to literature as an option for deep and vigorous living.” — Time Out Written by best-selling Israeli author Judith Katzir, Dearest Anne is a stirring record of an artist’s coming-of-age during the 1970s and the story of a hidden, erotic love affair between a teenaged girl and her married teacher, Michaela.After reading Anne Frank’s diary, young Rivi starts a series of writing notebooks that document the angst of growing up in rural Israel. The entries reveal how her crush on her literature teacher develops into a poignant and turbulent love affair that lasts for years before its scandalous end. Decades later, the grown Rivi, now a mother, wife, and established author, comes to terms with the forbidden love that shaped her life.

    Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

    In Bookforum, James Greer called it ambitious in a way few works of fiction are. This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.

    Mitchell Sayer, a buttoned-down gay attorney at a prestigious Chicago law firm, discovers he has a long-lost twin. But his well-ordered life comes apart at the seams when the separated siblings finally meet, and Mitchell discovers his brother Donald is better known as Kitten Kaboodle, star of the city's most infamous drag revue. Plunged into a chaotic world where he's forced to confront his own fluid masculinity, Mitchell learns that appearances aren't just deceiving - they're even more disturbingly revealing. Building to a riotous climax in which identities blur and destinies go bust, all to the accompaniment of a cabaret pianist, Drag Queen is a rip-snorting romp through wigs and wardrobes, wit and wantonness.

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    Here, National Book Award winner Paul Monette depicts three men of various economic and social backgrounds, all with one thing in common: They are widowers, in a way, and all of their lovers died of AIDS in an LA hospital within a week of one another.Steven, Sonny, and Dell meet weekly to discuss how to go on with their lives despite the hanging sword of being HIV positive. One tries to find a semblance of normalcy; one rebels openly against the disease, choosing to treat his body as a temple that he can consecrate and desecrate at will; and one throws himself into fierce political activism. No matter what path each one takes, they are all searching for one thing: a way to live and love again.Afterlife finds Paul Monette at his most autobiographical, portraying men in a situation that he himself experienced, and one that he described to critical acclaim in the award-winning Borrowed Time: An AIDS Memoir.

    Her plans are to get the craft seaworthy and then sail into the snaking waterways—alone.Life for a veterinarian in Stillwater Bay is good. Jackie Townsend is fond of the quirky inhabitants and loves the natural beauty. The newcomer working on the dilapidated boat could become much more than a random acquaintance, but it’s clear that the moody Stef harbors a grim secret and wants to get lost in her pain, not found by romance.The waterways of the Delta tangle and weave for hundreds of miles, hiding secret coves, serene vistas and fragile depths. But they are no match for the tides of a woman’s heart.

    A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of Mrs Dalloway. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.The Hours recasts the classic story of Woolf's Mrs Dalloway in a startling new light. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the worlds of three unforgettable women.

    It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?