Set during the Hundred Years War (1337-1453), the narrative creates believable human beings from the great roll of historical figures. Here are the mad Charles VI, the brilliant Louis d'Orleans, Joan of Arc, Henry V, and, most importantly, Charles d'Orleans, whose loyalty to France brought him decades of captivity in England. A natural poet and scholar, his birth and rank thrust him into the center of intrigue and strife, and through his observant eyes readers enter fully into his colorful, dangerous times. First published in the Netherlands in 1949, this book has never been out of print there and has been reprinted 15 times. Hella S. Haasse has written 17 novels as well as poetry, plays and essays, and has received many honors and awards including the Netherlands State Award for Literature. Her books have been translated into English, French, German, Swedish, Italian, Hungarian, Serbo-Croatian and Welsh.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    In this remarkable novel, Gioia Diliberto tells Virginie's story, drawing on the sketchy historical facts to re-create Virginie's tempestuous personality and the captivating milieu of nineteenth-century Paris. Born in New Orleans and raised on a lush plantation, Virginie fled to France during the Civil War, where she was absorbed into the fascinating and wealthy world of grand ballrooms, dressmakers' salons, and artists' ateliers. Even before Sargent painted her portrait, Virginie's reputation for promiscuity and showy self-display made her the subject of vicious Paris gossip. Immersing the reader in Belle Epoque Paris, I Am Madame X is a compulsively readable and richly imagined novel illuminating the struggle between Virginie and Sargent over the outcome of a painting that changed their lives and affected the course of art history.

    A young man is murdered by the local fascists. His brother, Khristo Stoianev, is recruited into the NKVD, the Soviet secret intelligence service, and sent to Spain to serve in its civil war. Warned that he is about to become a victim of Stalin’s purges, Khristo flees to Paris. Night Soldiers masterfully re-creates the European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.

    He becomes a devout believer in Islam and takes the Arabic form of his name and the surname of a convert, Daoud ibn Abdullah. He develops into a gifted warrior and assassin. He is sent to the Papal Court in the 13th century as a spy, in order to foil an alliance between the Christian West and the Mongolian descendants of Genghis Khan to exterminate the Muslim faith and capture the Holy Land.

    He is well known for having created the character Conan the Cimmerian, a literary icon whose pop-culture imprint can be compared to such icons as Tarzan of the Apes, Sherlock Holmes, and James Bond. Voracious reading, along with a natural talent for prose writing and the encouragement of teachers, conspired to create in Howard an interest in becoming a professional writer. One by one he discovered the authors that would influence his later work: Jack London and Rudyard Kipling. It's clear from Howard's earliest writings and the recollections of his friends that he suffered from severe depression from an early age. Friends recall him defending the act of suicide as a valid alternative as early as eighteen years old, while many of his stories and poems have a suicidal gloom and intensity that seem prescient in hindsight, describing such an end not as a tragedy but as a release from hell on earth.

    Forster marvelled at it, but F.R. Leavis considered it to be 'not only not one of his great books, but to be a bad one.' As for the author, he held The Ambassadors as the favorite among all his novels.Sent from Massachusetts by the formidable Mrs. Newsome to recall her son, Chad, from what she assumes to be a corrupt life in Paris, Strether finds his intentions subtly and profoundly transformed as he falls under the spell of the city and of his charge. He is quick to perceive that Chad has been not so much corrupted as refined, and over the course of the hot summer months in Paris he gradually realizes that this discovery and acceptance of Chad's unconventional new lifestyle alter his own ideals and ambitions.One of Henry James's three final novels, all of which have sharply divided modern critics, The Ambassadors is the finely drawn portrait of a man's late awakening to the importance of morality that is founded not on the dictates of convention but on its value per se.

    As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

    Sixteen-year-old Peggy is a well-bred orphan who is coerced into posing as a lady in waiting at the palace of King George I. Life is grand, until Peggy starts to suspect that the girl she's impersonating might have been murdered. Unless Peggy can discover the truth, she might be doomed to the same terrible fate. But in a court of shadows and intrigue, anyone could be a spy—perhaps even the handsome young artist with whom Peggy is falling in love...History and mystery spark in this effervescent series debut.

    One of Paine's greatest and most widely read works, considered a classic statement of faith in democracy and egalitarianism, defends the early events of the French Revolution, supports social security for workers, public employment for those in need of work, abolition of laws limiting wages, and other social reforms.

    The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

    But it soon becomes apparent that others are hunting this most precious of treasures – for far more evil ends. It seems that everyone – from the Nazis of the past to the shadowy modern organisation known as Gladius Domini – wants to uncover the secrets of immortality.Teaming up with attractive American scientist Dr Roberta Ryder, Ben is led on a wild and dangerous trail from Paris to the ancient Cathar strongholds of the Languedoc, where an astonishing secret has lain hidden for centuries…

    The leader of the Soviet Union, General Secretary Yermolov, instructs Defense Minister Marshal Budarenko to go on a limited military operation that will put an end to the civilian uprising in some of the Warsaw Pact states. But Marshal Budarenko has other plans.The Marshal, a WWII hero and red-army legend, is a tough, militant man. He begins conspiring behind the USSR leader’s back, forming an intricate scheme that will allow him to move mass armed forces towards West Germany, and beyond.In the face of this emerging threat, the US and NATO allies declare the highest alert level and are left with no choice but to start deploying their nuclear warheads. WWIII seems inevitable.Set against a complex historical background, David Yaron weaves a thrilling, sophisticated story, which seems completely realistic. Yaron's writing is minimalistic yet full of details that only a military expert can recount, keeping the reader in constant suspense.

    The Museum of Broken Promises is a beautiful, evocative love-story and a heart-breaking exploration of some of the darkest moments in European history.Paris, today. The Museum of Broken Promises is a place of wonder and sadness, hope and loss. Every object in the museum has been donated - a cake tin, a wedding veil, a baby's shoe. And each represent a moment of grief or terrible betrayal. The museum is a place where people come to speak to the ghosts of the past and, sometimes, to lay them to rest. Laure, the owner and curator, has also hidden artefacts from her own painful youth amongst the objects on display.Prague, 1985. Recovering from the sudden death of her father, Laure flees to Prague. But life behind the Iron Curtain is a complex thing: drab and grey yet charged with danger. Laure cannot begin to comprehend the dark, political currents that run beneath the surface of this communist city. Until, that is, she meets a young dissident musician. Her love for him will have terrible and unforeseen consequences. It is only years later, having created the museum, that Laure can make finally face up to her past and celebrate the passionate love which has directed her life.

    With Napoleon obsessed by the invasion of Russia, Wellington turns toward Spain. The way is barred by two fortresses, Ciudad Rodrigo and Badajoz. When Ciudad Rodrigo collapses after a short siege, Wellington prepares to break the fortress of Badajoz, the most formidable stronghold in Europe.Lieutenant James Webster is in mourning following the loss of his wife, and he volunteers to command the small group that will lead the assault. Second in command is Sergeant Thomas Davis; recently diagnosed with a fatal illness, he prefers a valiant death in battle. Breaches have been blown into the walls of the southern bastions, Trinidad and Santa Maria, and here Wellington will unleash the 4th and Light Divisions, while launching diversionary assaults on the northern San Vincente bastion, as well as the Badajoz castle. Together with one hundred volunteers, the Forlorn Hope, Webster and Davis will storm the breach.