The moving and heart-warming new novel from Fleur McDonald.Lauren Ramsey was adopted at birth. Now a teacher, her mantra is to never let a child fall through the cracks. But she's so concerned about the welfare of a little boy in her kindy class she doesn't notice that her teenage daughter needs help.At fourteen, Skye Ramsey is on the cusp of womanhood, but she's also teetering on the edge of an abyss. Battling with the usual pressures faced by a teenage girl, including the pitfalls of social media, she's flirting with outright rebellion.As a child, Tamara Thompson felt unloved and overlooked. She's now the manager of a successful business and has a partner who adores her, but her fear of rejection is threatening to overwhelm her.All three women are searching for a happier future, but the answers may lie in shedding light on secrets from the past.From the bestselling author of Red Dust and Crimson Dawn, comes a moving and intriguing novel about love, friendship and how the truth can set us free.

    Heart-wrenching, wise and wryly funny, this novel will make you kinder to those who are lost.Miss Kaye works at The Institute. A place for the damaged, the outliers, the not-quite rights. Everyone has different strategies to deal with the residents. Some bark orders. Some negotiate tirelessly. Miss Kaye found that simply being herself was mostly the right thing to do.Susie was seven when she realised she'd had her fill of character building. She'd lie between her Holly Hobbie sheets thinking how slowly birthdays come around, but how quickly change happened. One minute her Dad was saying that the family needed to move back to the city and then, SHAZAM, they were there. Her mum didn't move to the new house with them. And Susie hated going to see her mum at the mind hospital. She never knew who her mum would be. Or who would be there. As the years passed, there were so many things Susie wanted to say but never could.Miss Kaye will teach Susie that the loudness of unsaid things can be music - and together they will learn that living can be more than surviving.

    The sign taunts a fool into feeling some sense of achievement, some kind of end- that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be.Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear.As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path.When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence.Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it.

    A Few Days in the Country brings together for the first time her stories published in Australian journals in the 1960s and 1970s, along with those from her archives—including ‘Alice’, published for the first time earlier this year in the New Yorker.Essential reading for Harrower fans, these finely turned pieces show a broader range than the novels, ranging from caustic satires to gentler explorations of friendship.Elizabeth Harrower is the author of the novels Down in the City, The Long Prospect, The Catherine Wheel and The Watch Tower—all of which have been republished as Text Classics—and In Certain Circles, which was published in 2014 and in early 2015 was a BBC Radio 4 Book at Bedtime. Elizabeth lives in Sydney.‘Harrower has the disconcerting knack of looking at life and seeing it unadorned.’ Australian Financial Review, Best Books of 2015‘Vital, vivid stories by a master storyteller.’ Joan London, Age/Sydney Morning Herald, Best Books of 2015‘One has to think hard of a book in which so much pleasure has been wrenched from so much pain. While the skies are overcast here, what happens on the ground is brightly lit, hilariously cast by lashings of irony and overstatement...This is the work of an activist in disguise as an entertainer.’ John Freeman, Australian‘Enchanting...That Harrower has, up until recently, been denied a place in the Australian literary canon, is a tragedy—one that can only be remedied by reading her. A Few Days in the Country: And Other Stories is a fantastic place to start.’ Lip Mag‘Lyrical, insightful and finely tuned.’ Otago Daily Times‘The range of stories and styles demonstrates Harrower’s extraordinary literary skill…A Few Days in the Country and Other Stories offers no sure-fire formulas, but through its interrogation of characters’ psychological motivations it affords a deeper understanding of human behaviour.’ Australian Book Review‘[Harrower] reveals an astonishing facility to reveal a world in a few brush strokes.’ West Australian‘A Few Days in the Country continues [Harrower’s] remarkable literary rejuvenation.’ Australian, Best Books of 2015

    Her girls are taught how to captivate a man - and find a potential husband - at a dinner, in a salon, or at a grouse shoot, and in ways that would surprise outsiders. For in 1914, persuading and charming men is the only true power a woman has.Sophie Higgs is the daughter of Australia's king of corned beef and the only 'colonial' brought to Shillings Hall. Of all Miss Lily's lovely ladies, however, she is also the only one who suspects Miss Lily's true purpose.As the chaos of war spreads, women across Europe shrug off etiquette. The lovely ladies and their less privileged sisters become the unacknowledged backbone of the war, creating hospitals, canteens and transport systems where bungling officials fail to cope. And when tens of thousands can die in a single day's battle, Sophie must use the skills Miss Lily taught her to prevent war's most devastating weapon yet.But is Miss Lily heroine or traitor? And who, exactly, is she?

    Yet as the world is rocked by warfare and political assassinations, by racial discrimination and social upheaval, she finds herself disillusioned with Lenny’s passive ways — and anxious for a saviour.Enter the Reverend Jim Jones, the dynamic leader of a revolutionary church called Peoples Temple. As Evelyn grows closer to Jones, her marriage is just the first casualty of his rise to power.Meticulously researched, elegantly written, and utterly engrossing, Beautiful Revolutionary explores the allure of the real-life charismatic leader who would destroy so many. In masterful prose, Woollett painstakingly examines what happens when Evelyn is pulled into Jones' orbit — an orbit it would prove impossible for her to leave.

    Someone who writes it down after it's all over. Why am I the narrator of this story? I am because it is the story of my life—and of the people I love most. . . ."Harry and Madeleine Winslow have been blessed with talent, money, and charm. Harry is a National Book Award–winning author on the cusp of greatness. Madeleine is a woman of sublime beauty and grace whose elemental goodness and serenity belie a privileged upbringing. Bonded by deep devotion, they share a love that is both envied and admired. The Winslows play host to a coterie of close friends and acolytes eager to bask in their golden radiance, whether they are in their bucolic East Hampton cottage, abroad in Rome thanks to Harry's writing grant, or in their comfortable Manhattan brownstone.One weekend at the start of the summer season, Harry and Maddy, who are in their early forties, meet Claire and cannot help but be enchanted by her winsome youth, quiet intelligence, and disarming naivete. Drawn by the Winslows' inscrutable magnetism, Claire eagerly falls into their welcoming orbit. But over the course of the summer, her reverence transforms into a dangerous desire. By Labor Day, it is no longer enough to remain one of their hangers-on.A story of love, lust, deception, and betrayal as seen through the omniscient eyes of Maddy's childhood friend Walter, a narrator akin to Nick Carraway in The Great Gatsby, Indiscretion is a juicy, richly textured novel filled with fascinating, true-to-life characters—an irresistibly sensual page-turner that explores having it all and the consequences of wanting more.

    She expected a young student not a middle-aged bookseller whose marriage has fallen apart. But Trevor is attracted to Elizabeth's house because of the empty shed in her backyard, the perfect space for him to revive the artistic career he abandoned years earlier. The face-blind, EH Holden-driving Elizabeth is a solitary and feisty book editor, and she accepts him, on probation...Miles Franklin finalist Philip Salom has a gift for depicting the inner states of his characters with empathy and insight. In this poignant yet upbeat novel the past keeps returning in the most unexpected ways. Elizabeth is at the beck and call of her ageing mother, and the associated memories of her childhood in a Rajneesh community. Trevor's Polish father disappeared when Trevor was fifteen, and his mother died not knowing whether he was dead or alive. The authorities have declared him dead, but is he?The Returns is a story about the eccentricities, failings and small triumphs that humans are capable of, a novel that pokes fun at literary and artistic pretensions, while celebrating the expansiveness of art, kindness and friendship.

    Then one summer's afternoon tragedy strikes ... and those who are closest to him struggle to come to terms with their loss. Friendships are strained, marriages falter and loyalties are tested in a gripping and brilliantly crafted novel of loss, grief and desire.Told from the points of view of nine of the people who are mourning Rory, this riveting novel presents a vivid snapshot of contemporary suburban Australia and how we live now. Marriage, friendship, family-all are dissected with great psychological insight as they start to unravel under the pressure of grief. The characters live on the page; their lives are unfolded and their dilemmas are as real as our own.Last Summer is a stunning novel about loss-the terrible pain of losing a husband, brother or friend-but also all those smaller losses that everyone must face: the loss of youth, the shattering of dreams, the fading of convictions and the change in our notions of who we thought we were. It is also about what comes after the loss: how we pick up the pieces and the way we remake our lives.

    It was in the past, and Layla didn’t dwell on the past.’Layla was just like any other teenager in the small town of Glasswater Bay: she studied hard, went out with her friends and worked at the local cafe after school. But when her attractive, married boss turned his attention on her, everything changed.Twenty years later, Layla's living a quiet life in the suburbs with a loving husband and two children. She's finally left the truth of what happened behind. Until she receives a text message: I know what you did.For years, she’s outrun her past, turning away from her friends and her home town. Now her past is about to catch up.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    Five years ago, she fled her successful career as a concert harpist in London to return to her Bondi home. She still plays, but now her audience is on the way out ... literally. It's complicated and complication is something Zoe understands well. Her best friend is chasing a new love, her brother's chasing too much love and her father has been married far too many times. Compared to them she thought she was doing okay. She's met the guy she is sure is the one. He wooed her and has been sleeping with her for almost five years. It would all be perfect ... if he wasn't married.Zoe is learning that hearts, like harps, are capable of beautiful music if treated the right way and can be tricky to manoeuvre. She's over the old tune. But does Zoe have the courage to rewrite the song of her own life?The Song Of Us is a soulful story of family, love and the notes that define our lives by the author of The Secret Recipe For Second Chances.

    From one of Australia's most loved novelists. He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home. It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At the Golden Age Children's Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a forbidden, passionate bond. The Golden Age becomes the little world that reflects the larger one, where everything occurs, love and desire, music, death, and poetry. Where children must learn that they are alone, even within their families. Written in Joan London's customary clear-eyed prose, The Golden Age evokes a time past and a yearning for deep connection. It is a rare and precious gem of a book from one of Australia's finest novelists.

    She crafts beautiful, handmade wooden dolls in her workshop in a sleepy seaside town. Every doll is special. Every doll has a name. And every doll has a hidden meaning, from a past Mona has never accepted.Each new doll takes Mona back to a different time entirely - back to Birmingham, in 1972. Back to the thrill of being a young Irish girl in a big city, with a new job and a room of her own in a busy boarding house. Back to her first night out in town, where she meets William, a gentle Irish boy with an easy smile and an open face. Back to their whirlwind marriage, and unexpected pregnancy. And finally, to the tragedy that tore them apart.