Sinatra is the story of an American icon who held the imagination of millions for more than fifty years and whose influence in popular music was unsurpassed in the twentieth century. As a child, he said, he had heard “symphonies from the universe” in his head. No one could have imagined where those sounds would lead him. Tracing the arc of this incredible life, from the humble beginnings in Hoboken to the twilight years as a living legend in Malibu, Sinatra follows a career built on raw talent, sheer willpower—and criminal connections. Drawing on a treasure trove of documents and interviews, Anthony Summers and Robbyn Swan reveal stunning new information about Sinatra’s links to such Mafia figures as Sam Giancana and Lucky Luciano. And we see for the first time where the Mafia connection began, how and why it lasted, and how it impinged on others, not least President John F. Kennedy.Here, too, is the core of the private Sinatra—alternately caustic and sympathetic—that the singer so long concealed. The heartbreaking truth about his passion for Ava Gardner emerges from never-before-published conversations with Gardner herself. In exclusive, intimate interviews, the women who loved Sinatra—some of them unknown to the public until now—share memories of the joy and pain of their relationships with him. And we learn what it was like to be the friend of a man who was generous and loyal to a fault, yet—as some of his fellow Rat Packers discovered—who could turn abruptly into a vindictive brute.Dramatic, eye-opening, and unfailingly fair-minded, Sinatra is masterful biography: the revelatory story of a brilliant artist and an infinitely complex man.

    I'm a rhyming fool and so cool that me, Fritz the Cat, and Mohair Sam are the baddest cats that am. I have so many outrageous stories, too many, and I'm gonna tell 'em all. All the unexpurgated, brain-jangling tales of debauchery, sex & drugs, transcendence & chemical dependence you will ever want to hear." The son of a classical pianist straight out of the Bronx of old Archie comics, Steven Tyler was born to be a rock star. Weaned on Cole Porter, Nat King Cole, Mick—and his beloved Janis Joplin—Tyler began tearing up the streets and the stage as a teenager before finally meeting his "mutant twin" and legendary partner Joe Perry. In this addictively readable memoir, told in the playful, poetic voice that is uniquely his own, Tyler unabashedly recounts the meteoric rise, fall, and rise of Aerosmith over the last three decades and riffs on the music that gives it all meaning. Tyler tells what it's like to be a living legend and the frontman of one of the world's most revered and infamous bands—the debauchery, the money, the notoriety, the fights, the motels and hotels, the elevators, limos, buses and jets, the rehab. He reveals the spiritual side that "gets lost behind the stereotype of the Sex Guy, the Drug Guy, the Demon of Screamin', the Terror of the Tropicana." And he talks about his epic romantic life and his relationship with his four children. As dazzling, bold, and out-on-the-edge as the man himself, Does the Noise in My Head Bother You? is an all-access backstage pass into this extraordinary showman's life.

    Now, after a lifetime of taking pen to paper to record thoughts and events, hardships and victories, he has bestowed his entire extant personal papers, which offer an unprecedented insight into his remarkable life.A singular international publishing event, Conversations with Myself draws on Mandela's personal archive of never-before-seen materials to offer unique access to the private world of an incomparable world leader. Journals kept on the run during the anti-apartheid struggle of the early 1960s; diaries and draft letters written in Robben Island and other South African prisons during his twenty-seven years of incarceration; notebooks from the postapartheid transition; private recorded conversations; speeches and correspondence written during his presidency--a historic collection of documents archived at the Nelson Mandela Foundation is brought together into a sweeping narrative of great immediacy and stunning power. An intimate journey from Mandela's first stirrings of political consciousness to his galvanizing role on the world stage, Conversations with Myself illuminates a heroic life forged on the front lines of the struggle for freedom and justice.While other books have recounted Mandela's life from the vantage of the present, Conversations with Myself allows, for the first time, unhindered insight into the human side of the icon.

    She writes about her childhood dreams of becoming a ballerina. She takes us on a tour of her go-go years in 1960s New York City, the phenomenon of TV’s Rowan & Martin’s Laugh-In, her Oscar-winning debut in Cactus Flower and Hollywood stardom. She writes intimately about the challenges of love, anger and fear, and the importance of compassion and integrity. She speaks openly about her family, her partner Kurt Russell, her children; her faith, her curiosity for that which she doesn’t yet know, and her thirst for knowledge. Most of all, it is a trip back through a life well lived by a woman well loved.

    In the mid–1980s Geoffrey Giuliano lived in the "often wonderfully unreal" world of Harrison and his friends, interviews with whom are the basis for much of this vivid and revealing portrait. Here are Harrison's Liverpool childhood, the forging of the Beatles, their unheralded ascendancy, and the bitter break-up; his turbulent solo career with its soaring successes and harrowing setbacks; his reincarnation as a Traveling Wilbury; his impact as a record and film producer; his oft-publicized and misjudged spiritual quest; and much more. This edition includes an additional chapter that discusses Harrison's life through the twenty-fifth-anniversary reunion of the surviving Beatles to record new tracks for their video and musical anthology, as well as updated appendices and rare, previously unpublished photos. The result is a comprehensive, illuminating look at George Harrison's musical career and inner life.

    But when she saw him perform in front of thousands of screaming fans for the first time, she knew that rock stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised sons and daughters who became rock stars. Were they as surprised as she was about their children's fame? Did they worry about their children's livelihood and wellbeing in an industry fraught with drugs and other dangers? Did they encourage their children's passions despite the odds against success, or attempt to dissuade them from their grandiose dreams? Do they remind their kids to pack a warm coat when they go on tour?Virginia decided to seek out other rock star mothers to ask these questions, and so began a two-year odyssey in which she interviewed such women as Verna Griffin, Dr. Dre's mother; Marianne Stipe, Michael Stipe of REM's mother; Janis Winehouse, Amy Winehouse's mother; Patsy Noah, Adam Levine's mother; Donna Haim, mother of the Haim sisters; Hester Diamond, Mike D of The Beastie Boys' mother.With exclusive family photographs and a foreword by Dave Grohl, From Cradle to Stage will appeal to mothers and rock fans everywhere.

    Yet away from the spotlight, Alicia has grappled with private heartache―over the challenging and complex relationship with her father, the people-pleasing nature that characterized her early career, the loss of privacy surrounding her romantic relationships, and the oppressive expectations of female perfection.Since her rise to fame, Alicia’s public persona has belied a deep personal truth: she has spent years not fully recognizing or honoring her own worth. After withholding parts of herself for so long, she is at last exploring the questions that live at the heart of her story: Who am I, really? And once I discover that truth, how can I become brave enough to embrace it?More Myself is part autobiography, part narrative documentary. Alicia’s journey is revealed not only through her own candid recounting, but also through vivid recollections from those who have walked alongside her. The result is a 360-degree perspective on Alicia’s path―from her girlhood in Hell’s Kitchen and Harlem, to the process of self-discovery she’s still navigating.In More Myself, Alicia shares her quest for truth―about herself, her past, and her shift from sacrificing her spirit to celebrating her worth. With the raw honesty that epitomizes Alicia’s artistry, More Myself is at once a riveting account and a clarion call to readers: to define themselves in a world that rarely encourages a true and unique identity.

    Offering a different perspective from the bestselling Slash, Adler chronicles his life with the band, and own intense struggle with addiction, as seen on Dr. Drew’s Celebrity Rehab and Sober House.

    That the Beatles were an unprecedented phenomenon is a given. In Can’t Buy Me Love, Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise.Beginning with their adolescence in Liverpool, Gould describes the seminal influences––from Elvis Presley and Chuck Berry to The Goon Show and Alice’s Adventures in Wonderland––that shaped the Beatles both as individuals and as a group. In addition to chronicling their growth as singers, songwriters, and instrumentalists, he highlights the advances in recording technology that made their sound both possible and unique, as well as the developments in television and radio that lent an explosive force to their popular success. With a musician’s ear, Gould sensitively evokes the timeless appeal of the Lennon-McCartney collaboration and their emergence as one of the most creative and significant songwriting teams in history. And he sheds new light on the significance of Sgt. Pepper’s Lonely Hearts Club Band as rock’s first concept album, down to its memorable cover art.Behind the scenes Gould explores the pivotal roles played by manager Brian Epstein and producer George Martin, credits the influence on the Beatles’ music of contemporaries like Bob Dylan, Brian Wilson, and Ravi Shankar, and traces the gradual escalation of the fractious internal rivalries that led to the group’s breakup after their final masterpiece, Abbey Road. Most significantly, by chronicling their revolutionary impact on popular culture during the 1960s, Can’t Buy Me Love illuminates the Beatles as a charismatic phenomenon of international proportions, whose anarchic energy and unexpected import was derived from the historic shifts in fortune that transformed the relationship between Britain and America in the decades after World War II.From the Beats in America and the Angry Young Men in England to the shadow of the Profumo Affair and JFK’s assassination, Gould captures the pulse of a time that made the Beatles possible—and even necessary. As seen through the prism of the Beatles and their music, an entire generation’s experience comes astonishingly to life. Beautifully written, consistently insightful, and utterly original, Can’t Buy Me Love is a landmark work about the Beatles, Britain, and America.

    After making some of the most inventive albums of the '80s - including 1999, Purple Rain and Sign of the Times - he turned his attention to redefining his role in the music industry, changing his name to an unpronounceable symbol, declaring war on his record label, Warner Bros., and leading the internet revolution. His subsequent career has had many ups and downs, but he remains a major commercial and artistic force, as evidenced by his ability to sell out the O2 Arena in London for 21 nights in succession in 2007. In 2010 he announced that the internet was "over" and released his latest album, 20Ten, as a free cover-mounted CD with several European publications. Prince: Chaos, Disorder, and Revolution is an authoritative chronicle of one of popular music's true mavericks. Covering every album, every movie, and every tour, it includes profiles of various key collaborators, assesses the artist's various business dealings, and details his many and varied side projects - on stage, on record, on screen, and beyond.

    He talks about his songwriting process, offering the back story to many of his hits. He muses on his collaborations with other artists and directors, sharing the details of performances in concert, TV comedy, and film. He also reflects on who he is, examining what makes him tick, speaking candidly about fatherhood, family, close relationships, struggles, and his search to find an inner calm and strength. Living a creative life, observing and finding inspiration in the world, taking risks, and listening to an inner voice—this is Justin Timberlake.

    In The Most Beautiful, a title inspired by the hit song Prince wrote about their legendary love story, Mayte Garcia for the first time shares the deeply personal story of their relationship and offers a singular perspective on the music icon and their world together: from their unconventional meeting backstage at a concert (and the long-distance romance that followed), to their fairy-tale wedding (and their groundbreaking artistic partnership), to the devastating losses that ultimately dissolved their romantic relationship for good. Throughout it all, they shared a bond more intimate than any other in Prince's life. No one else can tell this story or can provide a deeper, more nuanced portrait of Prince - both the famously private man and the pioneering, beloved artist - than Mayte, his partner during some of the most pivotal personal and professional years of his career. The Most Beautiful is a book that will be returned to for decades, as Prince's music lives on with generations to come.

    Yngwie Malmsteen's revolutionary guitar style—combining elements of classical music with the speed and volume of heavy metal—made him a staple of the 80s rock scene. Decades later, he's still a legend among guitarists, having sold 11 million albums and influenced generations of rockers since. In Relentless, Malmsteen shares his personal story, from the moment he burst onto the scene seemingly out of nowhere in the early 80s to become a household name in the annals of heavy metal. Along the way, he talks about his first bands, going solo, his songwriting and recording process, and the seedy side of the rock business.

    He has been named Time Out’s Comedian of the Year, Best Newcomer at the British Comedy Awards, and Most Stylish Man by GQ’s Men. His UK stand-up tour was sold out and his BBC Radio 6 show became a cult phenomenon, the second most popular podcast of the year. Before the fame, however, Russell’s life was anything but glamorous. His father left when he was three months old, he was bulimic at age 12, and began drinking heavily and taking drugs by age 16. He regularly visited prostitutes in Soho, began cutting himself, took drugs on stage during his stand-up shows, and even set himself on fire while on crack cocaine. In 2003 Russell was told that he would be in prison, a mental hospital, or dead within six months unless he went into rehab. He has now been clean for three years, and hasn’t looked back since. This is Russell’s amazing story.

    As the band enters its fourth decade, Fleetwood and Davis ( Hammer of the Gods ) recount the fun, turmoil and triumphs that shaped and, at times, threatened to destroy the group. Despite numerous personnel changes over the years, involvement with drugs, grueling road trips, divorces and reconciliations, the core members of the group--Fleetwood, John McVie and Christine McVie--seem to have the same enthusiasm for music they displayed together as a raunchy blues band playing in London pubs. Anecdotes about the group and its sometimes outrageous performances (on and off the stage) abound, as does commentary about rock stars who pop in and out of the text at unexpected places. Fleetwood emerges as hip and flip and the book is written in an assured, essentially happy tone.