Asked about her experience during the war, Helga quietly revealed she had been a "Jugend," a member of Hitler's child army, "trained to revere and obey the Fuhrer." When Riehl asked how children were recruited, she replied, "Clever seduction." Helga's seduction begins with an invitation from Hitler she cannot refuse. The ten-year-old is ordered to attend weekly meetings of the Hitler Youth movement. Lies and tasty treats are employed to entice her allegiance to the Fuhrer. Helga is sent away to Hitler Youth training camps as the war draws nearer her home in Berlin. She is caught between loyalty to her family, suffering under Nazi rule, and loyalty to the Fuhrer, who keeps her safe and well-fed. Helga's gradual disillusionment, followed by her harrowing escape home, is a powerful coming-of-age story of a young girl's survival of Nazi mind control.

    Stoically poised for battle in the spring of 1945—when even Japan’s last desperate technique of arms, the kamikaze, was running short—Yamato arose as the last magnificent arrow in the imperial quiver of Emperor Hirohito. Here, Jan Morris not only tells the dramatic story of the magnificent ship itself—from secret wartime launch to futile sacrifice at Okinawa — but, more fundamentally, interprets the ship as an allegorical figure of war itself, in its splendor and its squalor, its heroism and its waste. Drawing on rich naval history and rhapsodic metaphors from international music and art, Battleship Yamato is a work of grand ironic elegy.