In other words, this remarkable collection of stories is unlike anything else you’ve read.

    One year that changes everything. They seem to have it all. They’re in good health and are financially secure. They live in a pleasant and comfortable town. But as their lives intertwine, cracks emerge and restlessness grows. For Clive, is retirement the beginning of the end? Can fun-loving Saskia break free from her adulterous husband? Will Andy marry his childhood sweetheart? Is Jamie prepared to change his dishonest ways? Might Ellie’s happy marriage be shattered by temptation?Heart-warming and heart-breaking collide in this novel about aspirations, expectations and the realities of everyday life.

    Usually when I tell people that they laugh and ask me what my real name is. I just look them dead on and repeat, 'Free.' I left my old name behind with my old life; shed both of them like a useless layer of skin. When I stepped free of that world, I took the name Free. It is my real name. I picked it myself. What could be more real than that?"Since leaving home at the age of 18, Free has traveled the country searching for home. Her travels afford a variety of experiences, from following the Grateful Dead to waitressing in Chicago to selling jewelry in New Orleans' French Market, but nothing seems to quell her sense of unrest. All the while her estranged brother Alfie is in her thoughts. Once she finds him, perhaps she'll finally feel at home. But her world is filled with bad choices and unsavory characters, and she finds that freedom sometimes comes at a cost. The reader will feel as if they are traveling right alongside Free in this moving coming-of-age story.

    In another, the narrator feels compelled to promise to deliver a takeout order that has incorrectly been phoned in to her. In a third, the petty details of a property transaction illuminate the complicated pains and loves of a family.The tales in this groundbreaking collection are secretly in conversation with canonical stories, re-imagined from the perspective of female characters. Just as Wallace Stevens’s “Anecdote of the Jar” responds to John Keats’s “Ode on a Grecian Urn,” Galchen’s “The Lost Order” covertly recapitulates James Thurber’s “The Secret Life of Walter Mitty,” while “The Region of Unlikeness” is a smoky and playful mirror to Jorge Luis Borges’s “The Aleph.” The title story, “American Innovations,” revisits Nikolai Gogol’s “The Nose.”By turns realistic, fantastical, witty, and lyrical, these marvelously uneasy stories are deeply emotional and written in exuberant, pitch-perfect prose. Whether exploring the tensions in a mother-daughter relationship or the finer points of time travel, Galchen is a writer like none other today.

    "Special hands. Strong and sensitive. You can do anything you want with hands like these. So don't ever put them to bad use.""Luke has good hands. Everybody says so. Good for playing the piano -- just like his father did before he died. And good for climbing -- climbing trees, climbing toward the stars, in search of some peace away from family troubles.Now Skin and his gang want Luke to do some climbing for them. They want him to climb into Mrs. Little's house to look for something to steal. They want him to prove he's a real part of the gang.But nobody is ready for what Luke discovers when he does climb into the house. He encounters something so unexpected that it changes everything -- something that unlocks secrets and helps Luke find out exactly who he is and what it is that he's been searching for.

    What happens when the man interviewing you for a job takes you on a date to see a hypnotist? How do you get rid of a psychosomatic case of bedbugs? What’s the best way to get rid of a beaver dam? How do you tell someone you just started seeing that you didn’t know you had scabies when you hooked up? In the Cuffer Prize–winning story, “Skin and Mud,” two boys have an intimate encounter as they wander through the barrens one day after school.Barrelling Forward is packed with unforgettable characters, vibrant humour, and acute insight into the overwhelming anxieties of new adults living their lives in the midst of a crumbling old economy.

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    1 New York Times bestseller Beautiful Ruins, a father-son story that underscores why Jess Walter is not only among the funniest writers working today but among the most bighearted and humane.Jay is nothing like his hard-drinking, skirt-chasing, blue-collar dad. He’s college-educated, works as a graphic designer, prefers white wine to whiskey, and is gay—a fact that’s been lost, with so much else, in the growing fog of his father’s dementia. When the woman with whom his dad has lived for decades throws him out (thanks to a little neighborly infidelity), Jay moves his dad to Boise to live with him—at least temporarily—until he can find an eldercare facility for the old man. But the search turns out to be far more complicated than Jay realized—what place will not only care for his dad but let him be who he imperfectly is, bad habits and all? The answer to that question takes father and son to a 1950s-style motor inn, the Town & Country Senior Inn, where the only therapy on offer is nostalgia and happy hour starts at 3:30.In turns hilarious and heartbreaking, Town & Country describes a son’s greatest act of tolerance and acceptance in a world—a distinctly American one—that hasn’t always shown him the same. It’s a story, as only Jess Walter could write it, about all the ways we cannot help but love each other even when, owing to political, regional, and generational divisions, we do not, and maybe cannot, understand each other.

    Best friends Anna and Corry share one last morning on Earth. A solitary woman inherits a penny arcade haunted by a beautiful stranger. A prep-school student requires more than luck when playing dice with a faerie. Ladies who lunch—dividing one last bite of dessert—delve into new dimensions of quantum politeness. At summer camp, a young girl discovers the heartbreak of forbidden love.Whether on a habitat on Mars or in a boardinghouse in London, discover Ellen Klages’ wicked, wondrous adventures full of cheeky wit, empathy, and courage.

    In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

    Without glamorizing poverty, Bonnie Jo Campbell details a vision in which shabbiness, beauty, brutality, and wisdom all coexist -- and yet the stories can be surprisingly optimistic, often funny. In "Sleeping Sickness," a twelve-year-old copes with the sexually charged atmosphere at home by carefully tending her vegetable garden. In "Bringing Home the Bones," a farmer who prides herself on self-sufficiency must lose her leg before she can meet her estranged daughters halfway. In "Eating Aunt Victoria," a young woman finally looks into the face of her dead mother's lesbian lover. Campbell's hard-working, sometimes hard-drinking, women protagonists are both dangerous and vulnerable, living without seat belts or televisions or the right kind of love. Not surprisingly, the children in these stories often look beyond human role models to dogs, cows, and even gorillas.

    In "Fire," a troubled young wife discovers a rare, radiant happiness in an adulterous relationship. In "Curly Red," a girl makes a decision to reveal a family secret, and changes her life irrevocably. In "The Girl with the Blackened Eye," selected for The Best American Mystery Stories 2001, a girl pushed to an even greater extreme of courage and desperation manages to survive her abduction by a serial killer. And in "Three Girls," two adventuresome NYU undergraduates seal their secret love by following, and protecting, Marilyn Monroe in disguise at Strand Used Books on a snowy evening in 1956.These vividly rendered portraits of women, men, and children testify to Oates's compassion for the mysterious and luminous resources of the human spirit.

    These are but a few of the curiosities collected in this volume of short stories by three acclaimed practitioners of paranormal fiction.But The Curiosities is more than the stories. Since 2008, Maggie, Tessa, and Brenna have posted more than 250 works of short fiction to their website merryfates.com. Their goal was simple: create a space for experimentation and improvisation in their writing—all in public and without a backspace key. In that spirit, The Curiosities includes the stories and each author's comments, critiques, and kudos in the margins. Think of it as a guided tour of the creative processes of three acclaimed authors.So, are you curious now?

    Matt is ready to reform his brawling ways, but the group he joins doesn’t turn out to be a typical 12-step program, in “The Taskmasters.” “Protecting the Innocent” features Nick, who fails to heed the warnings of his girlfriend’s possessive brother. And with “A Gun in the House,” Leah refuses to move from her beloved home, leading to protective measures with disastrous results. These and six others send out the invitation for disaster—one that’s gladly accepted.The ten taut tales in this collection from award-winning crime-fiction author Simon Wood are rife with good intentions gone bad—and bad intentions gone worse. Filled with jaw-dropping twists and turns, Asking for Trouble is a wild ride that will leave readers clamoring for more.