Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    In this landmark volume, America's preeminent storyteller offers us one hundred treasures from a lifetime of words and ideas. The stories within these pages were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining.

    Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.

    His stories take place at the crossroads of the fantastical, searing, and hilarious. His characters grapple with parenthood and family, war and games, marijuana and cake, memory and love. These stories never go to the expected place, but always surprise, entertain, and move…In "Arctic Lizard," a young boy narrates a post-apocalyptic version of the world where a youth army wages an unending war, rewarded by collecting prizes. A father tries to shield his son from the inevitable in "Fly Already." In "One Gram Short," a guy just wants to get a joint to impress a girl and ends up down a rabbit hole of chaos and heartache. And in the masterpiece "Pineapple Crush," two unlikely people connect through an evening smoke down by the beach, only to have one of them imagine a much deeper relationship.The thread that weaves these pieces together is our inability to communicate, to see so little of the world around us and to understand each other even less.

    C. Boyle is known as one of our greatest American novelists, he is also an acknowledged master of the short story. In The Relive Box, his first collection following two hugely influential collected volumes, Boyle’s crackling wit and thematic range combine with a penetrating social consciousness to produce his trademark “inventive and often crushingly comic” (NPR) short fiction.From the title story, featuring a so-called relive box that allows users to experience anew almost any moment from their past, to “The Five-Pound Burrito,” the tale of a man aiming to build the biggest burrito in town, the twelve stories in this collection represent a whole new way of looking at the world from one of the best storytellers at work today. The Relive Box is an exuberant, linguistically dazzling book from someone the Boston Globe has said is “such a good storyteller it will probably take, as in Alice Munro’s case, the Nobel Prize or retirement for us to realize what tremendous talent has lain right in front of our noses.”

    A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity, even as she keeps a disturbing secret of her own. An artist mourns the end of a romance while painting a dying man’s portrait. An accident on a trip to Italy and an unexpected connection with a stranger cause a woman to question her lifelong assumptions about herself.Brilliant, hopeful, and fearlessly honest, If I Loved You, I Would Tell You. This illuminates the truths of human relationships, truths we come to recognize in these characters and in ourselves.

    The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.

    “I am looking for the artful way any given story is conveyed,” writes Roxane Gay in her introduction to The Best American Short Stories 2018, “but I also love when a story has a powerful message, when a story teaches me something about the world.” The artful, profound, and sometimes funny stories Gay chose for the collection transport readers from a fraught family reunion to an immigration detention center, from a psychiatric hospital to a coed class sleepover in a natural history museum. We meet a rebellious summer camper, a Twitter addict, and an Appalachian preacher—all characters and circumstances that show us what we “need to know about the lives of others.”

    The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she had lived in Paris for more than half a century.Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    Henry-prize winner Swamy's debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In "Earthly Pleasures," Radika, a young painter living alone in San Francisco, begins a secret romance with one of India's biggest celebrities. In "A Simple Composition," a husband's moment of crisis leads to his wife's discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade's edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.

    Flying carpets; subterranean amusement parks; a band of teenage girls who meet secretly in the night in order to do "nothing at all"; a store with departments of Moorish courtyards, volcanoes, and Aztec temples: these are Millhauser's stock-in-trade as a storyteller, and he employs them to characteristically magical effect. As in Millhauser's other books, including Edwin Mullhouse and the Pulitzer Prize-winning Martin Dressler, his subject is nothing less than the faculty of imagination itself. Here, however, the flights of fancy are unencumbered by Martin Dressler's wealth of period detail, and the result is fun-house prose whose pleasures and terrors are equally gossamer. Millhauser possesses the unique ability to render the quotidian strange, so that, emerging from his stories, the reader often feels the world itself an unfamiliar place--as do the shoppers at his department store, that marketplace of skillful illusion: "As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections--that our destinations lie in a far corner of the same department--that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out."

    Combining hard-edged prose and savage Southern charm, Mary Miller showcases transcendent contemporary talent at its best. With its collection of lusty, lazy, hard-drinking characters forever in their own way, Always Happy Hour confirms Miller as an heir apparent to Mary Gaitskill.Claustrophobic and lonesome, acerbic and magnetic, the women in Always Happy Hour seek understanding in the most unlikely places—a dilapidated foster home where love is a liability, a trailer park laden with a history of bad decisions, and the empty corners of a dream home bought after a bitter divorce. Miller evokes the particular gritty comfort found in bad habits as hope turns to dust, and proves yet again her essential role in American fiction.