The furrows of Robin Hardy ('The Wicker Man'), Piers Haggard ('Blood on Satan's Claw'), and Michael Reeves ('Witchfinder General') have arisen again, most notably in the films of Ben Wheatley ('Kill List'), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes.Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.

    Explores the epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever.

    In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilising new technology, including film special effects, computer art, video art, multi-media environments and holography." - wikipedia

    Jake Turnet's overdose of the drug PBT had opened the psychic doorway into a world where nuclear disaster had happened in a much earlier century - a world where sorcery had replaced science.

    From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings. It discusses the influence of the theatre: the handling of crowds; the use of different levels, and of selective lighting on a predominately dark stage; the reliance on formalized gesture; the innovation of the intimate theatre. Against this background the principal films of the period are examined in detail. The author explains the key critical concepts of the time, and surveys not only the work of the great directors, such as Fritz Lang and F. W. Murnau, but also the contribution of their writers, cameramen, and designers. As The Times Literary Supplement wrote, 'Mme. Eisner is first and foremost a film critic, and one of the best in the world. She has all the necessary gifts.' And it described the original French edition of this book as 'one of the very few classics of writing on the film and arguably the best book on the cinema yet written.'

    An understanding of the visual components will serve as the guide in the selection of locations, set dressing, props, wardrobe, lenses, camera positions, lighting, actor staging, and editorial choices. The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    Marking Miller’s first collaboration with watercolor artist Lynn Varley (Ronin, The Dark Knight Returns) in over a decade, 300 was a gritty reimagining of a battle in which 300 Spartan soldiers fought to hold back the entire Persian army. The series won five Eisner Awards, including Best Limited Series, Best Writer/Artist (Miller) and Best Colorist (Varley).300: The Art of the Movie takes you behind the scenes as director Zack Snyder (Dawn of the Dead) adapts 300 to the silver screen. With 200 pages of production photos, concept art and much, much more, 300: The Art of the Movie is sure to delight Miller fans and movie buffs alike.

    Based on actual experiences and official records from World War II, Kicker is a thrilling war novel of a man’s journey into hell. From the pleasant hills of Pennsylvania to the torrid jungles of Burma, Sam endures relentless enemy attacks against his unarmed aircraft while his family struggles with shortages and rationing at home. This is the tale of "the forgotten front", the bloody, grueling campaign to push the Japanese out of Burma.Although Kicker is an epic work of historical fiction, this World War 2 thriller is based on official military aviation history records and the real experiences of United States veterans who fought in the China-Burma-India Theater (CBI) "the forgotten front". Through unforgettable scenes in Burmese skies filled with monsoon storms and enemy fighter planes, Kicker tells the story of the brave Army Air Corps soldiers who risked their lives in unarmed aircraft to drop supplies to Merrill's Marauders and over 750,000 allied soldiers fighting in the perilous jungles of Burma.In effort to keep Japanese forces occupied in China, the Allies flew unarmed supply missions over the treacherous Himalayan Mountains between India and China. Their route, known as The Hump, saw the loss of over 1500 airmen and 2000 planes due to endless attacks by Japanese Zeros and some of the world's worst flying conditions. The Hump became known as "the skyway to hell" and "the aluminum trail" from the large amount of aircraft wreckage strewn across the Himalayan slopes.Allied soldiers in the jungles of Burma fought everyday just to survive. They faced elite, fearless Japanese soldiers and man-eating beasts. The Allies were surrounded by poisonous snakes, insects, and plants. These brave men suffered through monsoon seasons, so wet and humid, their uniforms rotted off their bodies as they fought fanatical Kamikaze armies through jungle and swamplands.From the Forgotten Front to the Homefront, Kicker brings you the story of America's Greatest Generation through the eyes of the men and women who would be forever haunted by their experiences.Reviews from fans of Kicker:"I could not put this book down, as the story of Sam, the young volunteer and aspiring pilot, unfolds. The author delivers his story telling with a rich back drop of historical details reflecting a thoroughly researched knowledge of the subject matter." Elray"Would recommend this not only to history buffs and WWII aficionados (like myself) but to any reader interested in being transported to another time and place, one that shaped all of our lives and fortunes today, worldwide." W.M. Driscoll"What an interesting story! I learned so much about heroes not mentioned in history books." Jacquie Rhoades"History made real through the telling of one soldier's story. This book made me miss my father and all of the stories he never told me." Linda S. Browning"Hoover leaves nothing out. He shows the sacrifices made on the battle front, as well as sacrifices made on the home front." Candi Silk

    His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: "He gave one of the best performances in film history and certainly the best in his life." Today, the Hungarian-born actor is also recognized fo

    A must for fans of supernatural horror stories. The Cabin: “You’d never see the ghosts, not properly. You’d only catch a glimpse of their shapes out of the corner of your eye and you’d hear their stolen, vengeful scream; an ear-piercing shriek to steal the lives of anyone who heard it.”For Craig, the trip to the cabin was supposed to be a quiet retreat from his hectic city life where he could concentrate on writing his latest novel. For his wife, Susan, and his two kids, Jamie and Ava, it was supposed to be a weekend vacation.For all of them, it became a nightmare.The Asylum: "I sat up and rested my back against the soft padded wall. I wonder whether the padding on the wall is to stop me from hurting myself, as they had explained when I first got here, or to drown the sounds of my banging and screaming as I beg for them to let me out; not that they ever will."Deemed unfit to stand trial after murdering his family, Craig was sent to the very Asylum (centred around the ghost stories) which led to his downfall. Here he hoped for nothing more than peace and quiet, as he struggled to get to grips with what he'd done, but the vengeful spirits had other ideas as they set about revealing their secrets to him.

    The Haunted Mansion: From the Magic Kingdom to the Movies will illustrate how the Mansion's 999 "grim grinning ghosts" moved from sketches to reality, evolving from earliest story concepts through adaptations and changes as it moved into each of the parks, to the very latest ideas for show enhancements. This book will also confirm or dispel the various myths and rumors that surround the mysterious Mansion's story. In recent years, The Walt Disney Company has seen the demand for theme park attraction-specific merchandise explode, and the Haunted Mansion resides at the top of the list. Fans are waiting with super(natural) anticipation for the upcoming movie, and this book will also explore the latest technology developed to bring the Mansion's inhabitants to an afterlife like never before.

    Reporting on the latest innovations and showcasing in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to help tell the story. Using firsthand material from experts such as Oscar-winning cinematographers Dion Beebe, Russell Carpenter, Robert Elswit, Mauro Fiore, Janusz Kaminski, Wally Pfister, Haskell Wexler, and Vilmos Zsigmond, this revised and expanded edition provides an invaluable opportunity to learn from the industry’s leaders.

    Hollywood studios had large stables of contract and stock players from all walks of life and in all shapes, sizes and ages. This great population of personalities formed the league of character actors. They played the sidekicks and best friends of the stars who headlined the movies in which they appeared. They also portrayed parents, grandparents, oddball relatives, wise-cracking neighbors, smart-aleck store clerks and loveable barkeeps. Lest we forget the sinister side of this society, villains also claimed a stake in this assembly of saints, sinners and every type in between. These colorful personalities were usually one-dimensional, someone to whom the star could confide secrets or vent frustrations. In many cases they carried the same persona over from one film to the next, perfecting their stereotype so that audiences knew what to expect from them in a positive and affectionate way, collecting their beloved favorites over the years. The Name Below the Title features 20 of the best and most fun examples of the Hollywood character actor during Hollywood's most famous era from the 1930s through the 1950s.

    Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.