But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis—neighbors call her the Witch of Oldhouse—and the haphazard manifestations of her powers make her the subject of malicious gossip.When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him.But great romances are for fairytales, and Hector is hiding a truth from Nina—and himself—that threatens to end their courtship before it truly begins. The Beautiful Ones is a charming tale of love and betrayal, and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.

    Now, she’s at risk to lose her sanctuary to Lord Nicolas Thornton, a twenty-seven-year-old mysterious and eccentric architect with designs on her humble estate. When she secretly witnesses him raging beside a grave, Juliet investigates, finding the name “Hawk” on the headstone and an unusual flower at the base. The moment Juliet touches the petals, a young English nobleman appears in ghostly form, singing a song only her deaf ears can hear. The ghost remembers nothing of his identity or death, other than the one name that haunts his afterlife: Thornton. To avenge her ghostly companion and save her estate, Juliet pushes aside her fear of society and travels to Lord Thornton’s secluded holiday resort, posing as a hat maker in one of his boutiques. There, she finds herself questioning who to trust: the architect of flesh and bones who can relate to her through romantic gestures, heartfelt notes, and sensual touches … or the specter who serenades her with beautiful songs and ardent words, touching her mind and soul like no other man ever can. As sinister truths behind Lord Thornton’s interest in her estate and his tie to Hawk come to light, Juliet is lured into a web of secrets. But it’s too late for escape, and the tragic love taking seed in her heart will alter her silent world forever.

    But what dazzles can also destroy, as Gray Marshall is about to discover… Gray’s deep talent for magick has won him a place at Merlin College. But when he accompanies four fellow students on a mysterious midnight errand that ends in disaster and death, he is sent away in disgrace—and without a trace of his power. He must spend the summer under the watchful eye of his domineering professor, Appius Callender, working in the gardens of Callender’s country estate and hoping to recover his abilities. And it is there, toiling away on a summer afternoon, that he meets the professor’s daughter. Even though she has no talent of her own, Sophie Callender longs to be educated in the lore of magick. Her father has kept her isolated at the estate and forbidden her interest; everyone knows that teaching arcane magickal theory to women is the height of impropriety. But against her father’s wishes, Sophie has studied his ancient volumes on the subject. And in the tall, stammering, yet oddly charming Gray, she finally finds someone who encourages her interest and awakens new ideas and feelings. Sophie and Gray’s meeting touches off a series of events that begins to unravel secrets about each of them. And after the king’s closest advisor pays the professor a closed-door visit, they begin to wonder if what Gray witnessed in Oxford might be even more sinister than it seemed. They are determined to find out, no matter the cost…

    Facing a harrowing winter campaign, Elliott must rally disheartened men through sickness, battle and starvation.But when he is assigned the additional task of spying on a fellow officer, the inscrutable Cornet Ilyas Kovakin, he finds himself disconcerted and fascinated by both the work and the man.The half-Russian officer reports to none in his division. Rumors of demonic power and black magic surround him, but the truth turns out to be worse than the suspicions.For Ilyas, his return to the Crimea is marred by the terrible mistake that cursed him with a horrifying power nearly beyond his control. His grip on his humanity is slipping away daily. Torn between a master he cannot trust and the family he must not return to, his only hope for salvation lies hidden in the long-forgotten symbols of centuries-old relics. But their meanings remain a mystery until the cheerful Captain Parrish offers assistance.Although Ilyas fears trusting the young captain, Elliott’s company is almost irresistible.Surrounded by deprivation, cruelty and war, both men know the closer they are drawn together, the greater the stakes. But with the balance of European power on the line, retreat is not an option.

    But with home resembling a war zone, a parish-wide curfew, and mysterious new faces lurking in the abandoned French Quarter, normal needs a new definition. As the city murder rate soars, Adele finds herself tangled in a web of magic that weaves back to her own ancestors. Caught in a hurricane of myths and monsters, who can she trust when everyone has a secret and keeping them can mean life or death? Unless... you’re immortal.

    Morrow's task: get close enough to map the extent of Rook's power, then bring that knowledge back to help Professor Joachim Asbury unlock the secrets of magic itself.Magicians, cursed by their gift to a solitary and painful existence, have never been more than a footnote in history. But Rook, driven by desperation, has a plan to shatter the natural law that prevents hexes from cooperation, and change the face of the world-a plan sealed by an unholy marriage-oath with the goddess Ixchel, mother of all hanged men. To accomplish this, he must raise her bloodthirsty pantheon from its collective grave through sacrifice, destruction, and apotheosis.Caught between a passel of dead gods and monsters, hexes galore, Rook's witchery, and the ruthless calculations of his own masters, Morrow's only real hope of survival lies with the man without whom Rook cannot succeed: Chess Pargeter himself. But Morrow and Chess will have to literally ride through Hell before the truth of Chess's fate comes clear-the doom written for him, and the entire world.

    He lives in the Heaps, a vast sea of lost and discarded items collected from all over London. At the centre is Heap House, a puzzle of houses, castles, homes and mysteries reclaimed from the city and built into a living maze of staircases and scurrying rats.The Iremongers are a mean and cruel family, robust and hardworking, but Clod has an illness. He can hear the objects whispering. His birth object, a universal bath plug, says ‘James Henry’, Cousin Tummis’s tap is squeaking ‘Hilary Evelyn Ward-Jackson’ and something in the attic is shouting ‘Robert Burrington‘ and it sounds angry.A storm is brewing over Heap House. The Iremongers are growing restless and the whispers are getting louder. When Clod meets Lucy Pennant, a girl newly arrived from the city, everything changes. The secrets that bind Heap House together begin to unravel to reveal a dark truth that threatens to destroy Clod’s world.

    . . and so do the dreamed. Those who dream cannot stop dreaming – they can only try to control it. Those who are dreamed cannot have their own lives – they will sleep forever if their dreamers die.And then there are those who are drawn to the dreamers. To use them. To trap them. To kill them before their dreams destroy us all.Ronan Lynch is a dreamer. He can pull both curiosities and catastrophes out of his dreams and into his compromised reality.Jordan Hennessy is a thief. The closer she comes to the dream object she is after, the more inextricably she becomes tied to it. Carmen Farooq-Lane is a hunter. Her brother was a dreamer . . . and a killer. She has seen what dreaming can do to a person. And she has seen the damage that dreamers can do. But that is nothing compared to the destruction that is about to be unleashed. . . .

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .