Her real ambition? Using her operatic mezzo as a ticket back to NYC, where her family lived before her dad ran off with an up and coming male movie star.Now meet Kathryn: An overachieving soprano with an underachieving savings account, she’s been a leper ever since Brooke punched her at a party junior year. For Kath, music is the key to a much-needed college scholarship.The stage is set for a high-stakes duet between the two seniors as they prepare for the prestigious Blackmore competition. Brooke and Kathryn work toward the Blackmore with eyes not just on first prize but on one another, each still stinging from a past that started with friendship and ended in betrayal. With competition day nearing, Brooke dreams of escaping the in-crowd for life as a professional singer, but her scheming BFF Chloe has other plans. And when Kathryn gets an unlikely invitation to Homecoming, she suspects Brooke of trying to sabotage her with one last public humiliation. As pressures mount, Brooke starts to sense that the person she hates most might just be the best friend she ever had. But Kathryn has a decision to make. Can she forgive? Or are some rivalries for life?

    Into this world comes seventeen-year-old Victoria Darling, who wants only to be an artist—a nearly impossible dream for a girl.            After Vicky poses nude for her illicit art class, she is expelled from her French finishing school. Shamed and scandalized, her parents try to marry her off to the wealthy Edmund Carrick-Humphrey. But Vicky has other things on her mind: her clandestine application to the Royal College of Art; her participation in the suffragette movement; and her growing attraction to a working-class boy who may be her muse—or may be the love of her life. As the world of debutante balls, corsets, and high society obligations closes in around her, Vicky is torn. Just how much is she willing to sacrifice to pursue her dreams?

    She knows that a cat has 32 muscles in each ear, a "jiffy" lasts 1/100th of a second, and the average person laughs 15 times per day. What she isn't quite so sure about is why nobody at school seems to like her very much. So when she's spotted by a top model agent, Harriet grabs the chance to reinvent herself. Even if it means stealing her Best Friend's dream, incurring the wrath of her arch enemy Alexa, and repeatedly humiliating herself in front of the impossibly handsome supermodel Nick. Even if it means lying to the people she loves. As Harriet veers from one couture disaster to the next with the help of her overly enthusiastic father and her uber-geeky stalker, Toby, she begins to realise that the world of fashion doesn't seem to like her any more than the real world did. And as her old life starts to fall apart, the question is: will Harriet be able to transform herself before she ruins everything?

    Her parents are second-generation hippies who uproot her every year or so to move to a new city. When Maggie was younger, she thought it was fun and adventurous. Now that she’s a teenager, she hates it. When she moved after her freshman year, she left behind good friends, a great school, and a real feeling of belonging. When she moved her sophomore year, she left behind a boyfriend, too. Now that they’ve moved to Austin, she knows better. She’s not going to make friends. She’s not going to fit in. Anything to prevent her from liking this new place and them from liking her. Only . . . things don’t go exactly as planned.

    She’s on her way to becoming valedictorian at Hundred Oaks High, she’s made the all-star softball team, and she has plenty of friends. Then her mother’s scandal rocks their small town and suddenly no one will talk to her.Now Parker wants a new life.So she quits softball. Drops twenty pounds. And she figures why kiss one guy when she can kiss three? Or four. Why limit herself to high school boys when the majorly cute new baseball coach seems especially flirty?But how far is too far before she loses herself completely?

    If he hadn’t gotten Meg pregnant, she would have never stopped her chemo treatments and would still be alive. Instead, he’s failing fatherhood one dirty diaper at a time. And it’s not like he’s had time to grieve while struggling to care for their infant daughter, start his senior year, and earn the soccer scholarship he needs to go to college.The one person who makes Ryden feel like his old self is Joni. She’s fun and energetic—and doesn’t know he has a baby. But the more time they spend together, the harder it becomes to keep his two worlds separate. Finding one of Meg’s journals only stirs up old emotions, and Ryden’s convinced Meg left other notebooks for him to find, some message to help his new life make sense. But how is he going to have a future if he can’t let go of the past?

    . . CHARLIE DUSKIN loves music, and she knows she's good at it. But she only sings when she's alone, on the moonlit porch or in the back room at Old Gus's Secondhand Record and CD Store. Charlie's mom and grandmother have both died, and this summer she's visiting her grandpa in the country, surrounded by ghosts and grieving family, and serving burgers to the local kids at the milk bar. She's got her iPod, her guitar, and all her recording equipment, but she wants more: A friend. A dad who notices her. The chance to show Dave Robbie that she's not entirely unspectacular.ROSE BUTLER lives next door to Charlie's grandfather and spends her days watching cars pass on the freeway and hanging out with her troublemaker boyfriend. She loves Luke but can't wait to leave their small country town. And she's figured out a way: she's won a scholarship to a science school in the city, and now she has to convince her parents to let her go. This is where Charlie comes in. Charlie, who lives in the city, and whom Rose has ignored for years. Charlie, who just might be Rose's ticket out.Told in alternating voices and filled with music, friendship, and romance, Charlie and Rose's "little wanting song" is about the kind of longing that begins as a heavy ache but ultimately makes us feel hopeful and wonderfully alive.

    Chris is one of the best parts of her new life, the only person who's ever made her feel safe. And now that she's found him, there's no way she can tell the truth:Her real name is Faith, not Leah. She's seventeen, not nineteen. And the baby isn't hers—Faith kidnapped her.Faith's history catches up with her when a cop starts asking questions and Chris's aunt spots her picture in the newspaper. She knows it's time to run again, but if Faith leaves, she'll lose Chris. If Chris is in love with a lie, though, did Faith ever really have him in the first place?

    The school’s newest band geek is totally in Harper’s league, yet completely out of this late-bloomer’s reach. Between fitting in with a new family, scoring the first chair in band, and rescuing dogs for the local animal shelter, Harper’s never had the opportunity to hone her dating skills. But even though Harper’s love life is far from perfect, she’s got the perfect plan.Harper knows she’s insane to agree to tutor Ridley Estes, a notorious heartbreaker and the star of her high school’s football team—but in exchange, he’s offered to school her in the game of love. Just when she sees promise with her crush, a football scandal rocks her family, her town, and Ridley’s entire future. Harper suddenly has everything to lose—her family, friends, and even her heart. When the dust of the scandal settles, nothing will be the same. Including the girl who asked the most popular jock to teach her about love.

    In the past year she was kicked off the swim team, earned a reputation as Carson High’s easiest hook-up, and officially became the black sheep of her family. But her worst mistake was destroying her relationship with her best friend, Declan.Now, after two semesters of silence, Declan is home from boarding school for the summer. Everything about him is different—he’s taller, stronger…more handsome. Harper has changed, too, especially in the wake of her mom’s cancer diagnosis.While Declan wants nothing to do with Harper, he’s still Declan, her Declan, and the only person she wants to talk to about what’s really going on. But he’s also the one person she’s lost the right to seek comfort from.As their mutual friends and shared histories draw them together again, Harper and Declan must decide which parts of their past are still salvageable, and which parts they’ll have to let go of once and for all.

    Worse, Priya’s social media has turned into a stream of ungrammatical posts chronicling a sunny, vapid new life that doesn’t sound like her at all.Everyone tells Zan not to be an idiot: Let Priya do her reinvention thing and move on. But until Zan hears Priya say it, she won’t be able to admit that their friendship is finished.It’s only when she meets Logan, the compelling new guy in Spanish class, that Zan begins to open up about her sadness, her insecurity, her sense of total betrayal. And he’s just as willing as she is to throw himself into the investigation when everyone else thinks her suspicions are crazy.Then a clue hidden in Priya’s latest selfie introduces a new, deeply disturbing possibility:Maybe Priya isn’t just not answering Zan’s emails.Maybe she can’t.

    They'll even build an invisible helicopter, to fly far away to a place where everyone will understand them... until they learn the only way to escape reality is to face it head-on.

    Everything else disappears. She can forget that her best friend, Ford Watson, has a crush on her that she can’t reciprocate. She can forget how badly she wants to get a surf scholarship to UC San Diego. She can forget the pressure of her parents’ impossibly high expectations.When Ford enters Grace into a surf competition—the only way she can impress the UCSD surfing scouts—she has one summer to train and prepare. Will she gain everything she’s ever wanted or lose the only things that ever mattered?

    The problem with that: she’s not. She’s smart and creative and a little bit funky. She’s also an unwilling player in her parents’ modern-hippy, let’s-live-on-a-goat-farm experiment (regretfully, instigated by a younger, much more enthusiastic Janie). This, to put it simply, is not helping Janie reach that “normal target.” She has to milk goats every day…and endure her mother’s pseudo celebrity in the homemade-life, crunchy mom blogosphere. Goodbye the days of frozen lasagna and suburban living, hello crazy long bus ride to high school and total isolation--and hovering embarrassments of all kinds. The fresh baked bread is good…the threat of homemade jeans, not so much. It would be nice to go back to that old suburban life…or some grown up, high school version of it, complete with nice, normal boyfriends who wear crew neck sweaters and like social studies. So, what’s wrong with normal? Well, kind of everything. She knows that, of course, why else would she learn bass and join Jam Band, how else would she know to idolize infamous wild-child and high school senior Emma (her best friend Sarah’s older sister), why else would she get arrested while doing a school project on a local freedom school (jail was not part of the assignment). And, why else would she kind of be falling in "like" with a boy named Monster—yes, that is his real name. Janie was going for normal, but she missed her mark by about ten miles…and we mean that as a compliment. Frances O’Roark Dowell’s fierce humor and keen eye make her YA debut literary and wise. In the spirit of John Green and E. Lockhart, Dowell’s relatable, quirky characters and clever, fluid writing prove that growing up gets complicated…and normal is WAY overrated.

    She should be finding new maps for her collection, hanging out with Kris, and steering clear of almost everyone else, especially Jolene. After all, Mattie and Kris dropped off the social scene the summer after sophomore year for a reason. But now Mattie is a senior, and she’s sick of missing things. So here she is. And there’s Jolene: Beautiful. Captivating. Just like the stories she wove. Mattie would know; she used to star in them. She and Jolene were best friends. Mattie has the scar on her palm to prove it, and Jolene has everything else, including Hudson. But when Mattie runs into Hudson and gets a glimpse of what could have been, she decides to take it all back: the boyfriend, the friends, the life she was supposed to live. Problem is, Mattie can’t figure out where Jolene ends and she begins. Because there’s something Mattie hasn’t told anyone—she walked away from Jolene over a year ago, but she never really left. Poignant and provocative, Marcy Beller Paul’s debut novel tells the story of an intoxicating—and toxic—relationship that blurs the boundary between reality and fantasy, love and loyalty, friendship and obsession.