For Kaycee Jean McCoy, life in Sunshine means dating guys she has no interest in, saying only “yes, ma’am” when the local bigots gossip at her mom’s cosmetics salon, and avoiding certain girls at all costs. Girls like Bren Dawson.Unlike Kaycee, Bren doesn’t really conceal who she is. But as the cool, worldly new girl, nobody at school seems to give her any trouble. Maybe there’s no harm if Kaycee gets closer to her too, as long as she can keep that part of her life a secret, especially from her family and her best friend. But the more serious things get with Bren, the harder it is to hide from everyone else. Kaycee knows Sunshine has a darker side for people like her, and she’s risking everything for the chance to truly be herself.

    Loner Sam flies under the radar at school and walks on eggshells at home to manage her mom’s obsessive-compulsive disorder, wondering how she can ever leave to pursue her dream of studying aerospace engineering. Popular, people-pleasing Zoe puts up walls so no one can see her true self: the girl who was abandoned as an infant, whose adoptive mother has cancer, and whose disabled brother is being sent away to live in a facility. When an unexpected encounter results in the girls’ exchanging phone numbers, they forge a connection through text messages that expands into a private universe they call Starworld. In Starworld, they find hilarious adventures, kindness and understanding, and the magic of being seen for who they really are. But when Sam’s feelings for Zoe turn into something more, will the universe they’ve built survive the inevitable explosion?

    For his daughter Rivkele, however, Jack aspires for something more—respectability through her marriage to a religious scholar. But Rivkele’s tender love affair with Manke, one of Jack’s prostitutes, threatens to destroy the upcoming marriage, and with it, Jack’s dream of redemption. Pulitzer Prize-winning author Donald Margulies transforms Sholom Asch’s classic mortality tale into a work of spellbinding power.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    She's failing pre-med and drifting apart from her best friend. One by one, Danny is losing all the underpinnings of her identity. When she finds herself attracted to an older, edgy girl who she met in rehab for an eating disorder, she finally feels like she might be finding a new sense of self. But when tragedy strikes, her self-destructive tendencies come back to haunt her as she struggles to discover who that self really is.

    Since she never did find the story she was looking for all those years ago, she decided to write it.In Book I of the trilogy, Tamras arrives in Merin's house to begin her apprenticeship as a warrior, but her small stature causes many, including Tamras herself, to doubt that she will ever become a competent swordswoman. To make matters worse, the Lady Merin assigns her the position of companion, little more than a personal servant, to a woman who came to Merin's house, seemingly out of nowhere, the previous winter, and this stranger wants nothing to do with Tamras.

    In 2001, the mesmerizing film adaptation was released to equally glowing reviews. Brilliantly innovative and oddly endearing, Hedwig and the Angry Inch—inspired by Plato’s Symposium—is the story of “internationally ignored song stylist” Hedwig Schmidt, the victim of a gruesomely botched sex-change operation, as dazzlingly recounted by Hedwig (née Hansel) herself in the form of a lounge act, backed by the rock band The Angry Inch.

    Just one of 2,567 students, not at the top of the head, not at the bottom. Just a brown-haired piece of the middle. Take me out and nothing would collapse. No one would notice.But in Kansas, I was marked out. The new kid. The stranger. The boy with the weird accent. The boy with the weird dad, and no mom. From the moment Madison Pagels tripped me as I walked down the aisle of the school bus at 7:07 a.m. to the moment Madison's best friend, Chelsea Monroe, tripped me as I walked up the aisle at 3:56 p.m., and at the spitballs, hall-pulling, snickers, catcalls, "Kick me" notes, and fistfights in between, the school day pretty much seemed to revolve around me. After one rock-solid week of this, I decided that if there had to be a target on my head, I'd paint it there myself.

    Her sometimes-costar Robyn Ward is magnetic, glamorous, and devastatingly beautiful, the quintessential A-List celebrity on the fast-track to super-stardom. When the two meet on the set of 9th Precinct, Caid is instantly infatuated but settles for friendship, positive that Robyn is both unavailable and uninterested. Soon Caid sees that all is not as it appears, but can she take a chance and risk her heart when the outcome is so uncertain?

    She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee.But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too.Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple.Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.

    Four years later, Toni’s judgment is overturned, but the damage is already done. She walks from the prison a free woman, but she’s hardly free. Actually, she’s hardly alive. A prison without rules can do that to a person. She was raised amidst garden parties, stables and tennis courts, but now a dingy flat in a decrepit building is what Toni calls home. It’s cold, dark and barren just like her heart, but it suits her. She doesn’t want to leave much behind when she’s gone, but the simplicity of her sheltered existence begins to unravel when a beautiful stranger comes into her life. How does anyone survive in a world that terrifies them? How do you learn to trust again when everyone is your enemy? How do you take your next breath and not wish it were your last? And if your past returned...what would you do? Author’s Note: Give Me A Reason contains elements of angst, and while it may be found under several genres, its primary listing is lesbian fiction.

    Meanwhile, his daughter has a lesbian affair with one of his prostitutes downstairs. This translation debuted at Show World in Times Square in 1999 and "set Show World aflame" according to the Village Voice.

    With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

    She accepted that she would spend her life alone when she chose to live her life disguised as a man. After working in a brothel for three years, Nora Macauley has lost all illusions about love. She no longer hopes for a man who will sweep her off her feet and take her away to begin a new, respectable life. But now they find themselves married and on the way to Oregon in a covered wagon, with two thousand miles ahead of them.

    From the publisher's synopsis: "Jeffrey, a gay actor/waiter, has sworn off sex after too many bouts with his partners about what is "safe" and what is not. In gay New York, though, sex is not something you can avoid. Whether catering a ditzy socialite's "how-down for AIDS" or cruising at a funeral; at the gym or in the back rooms of an anonymous sex club; at the annual Gay Pride Parade, or in the libidinous hands of a father-confessor, Jeffrey finds the pursuit of love and just plain old physical gratification to be the number one preoccupation of his times - and the source of plenty of hilarity."

    As she arrives at Oxford to begin her course of study, she is determined to make the most out of this latest opportunity. But when she meets Her Royal Highness Princess Sasha, second in line to the British throne, Kerry’s priorities are eclipsed by an attraction neither of them can ignore. "Sassy Sasha" is a tabloid favorite who appears to delight in scandalizing her people, but beneath her vexed public image, Sasha longs to be truly seen.Will the tenuous connection she forms with Kerry be broken by the weight of the crown? Or will they find true love despite the forces endeavoring to keep them apart?