The journey is triggered by a mysterious package left to Leo by his father, to be opened on his 25th birthday; the package contains an ancient shard of pottery and several documents, suggesting an ancient mystery about the Vincey family. Holly and Leo eventually arrive in eastern Africa where they encounter a primitive race of natives and a mysterious white queen, Ayesha, who reigns as the all-powerful "She" or "She-who-must-be-obeyed" and who has a mysterious connection to young Leo. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood. (From Wikipedia)

    It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships.New to this edition is an introduction by Robert L. Mack that examines the reasons for the novels enduring popularity, as well as the critical debates over whether it is a straightforward novel of sentiment or a satire on the social and economic inequalities of the period and the very literary conventions and morality it seems to embody. This edition also includes a new, up-to-date bibliography and expanded notes, and contains reprints of Arthur Friedman's authoritative Oxford English Novels text of the corrected first edition of 1766.

    Jekyll and Mr. Hyde" Stevenson's famous exploration of humanity's basest capacity for evil, has become synonymous with the idea of a split personality. More than a moral tale, this dark psychological fantasy is also a product of its time, drawing on contemporary theories of class, evolution, criminality, and secret lives. Also in this volume are "The Body Snatcher," which charts the murky underside of Victorian medical practice, and "Olalla," a tale of vampirism and "The Beast Within" which features a beautiful woman at its center.This new edition features a critical introduction, chronology, suggestions for further reading, explanatory notes, and appendixes, including an abridged extract from "A Chapter on Dreams" and an essay on the scientific context of Jekyll and Hyde.

    The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of 'Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb.

    The first of the great South African novels chronicles the adventures of three childhood friends who defy societal repression. The novel's unorthodox views on religion and marriage aroused widespread controversy upon its 1883 publication, and the work retains in power more than a century later. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.   • Includes a chronology, suggestions for further reading, notes, glossary, and an appendix of Fielding's revisions   • Introduction discusses narrative tecniques and themes, the context of eighteenth-century fiction and satire, and the historical and political background of the Jacobite revolutionFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    "Elizabeth and Her German Garden" is a year's diary written by Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. The story is full of sweet, endearing moments. Elizabeth was an avid reader and has interesting comments on where certain authors are best read; she tells charming stories of her children and has a sometimes sharp sense of humor in regards to the people who will come and disrupt her solitary lifestyle.

    She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

    When Tom Brangwen marries a Polish widow,Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. All are seeking individual fulfilment, but it is Ursula, Anna's spirited daughter, who, in search for self-knowledge, rejects the conventional role of womanhood.

    Both Joseph Fielding and Samuel Johnson greatly admired Lennox, and this novel established her as one of the most successful practitioners of the Novel of Sentiment.

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    He immediately receives four white feathers—symbols of cowardice—one each from his three best friends and his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives.Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power.

    It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    But as he digs deeper into Falkland's past and finally unearths the guilty truth, the results of his curiosity prove calamitous when - even though Caleb has loyally sworn never to disclose what he has discovered - the Squire enacts a cruel revenge. A tale of gripping suspense and psychological power, William Godwin's novel creates a searing depiction of the intolerable persecution meted out to a good man in pursuit of justice and equality. Written to expose the political oppression and corrupt hierarchies its author saw in the world around him, Caleb Williams (1794) makes a radical call to end the tyrannical misuses of power.