Yet, on the spur of the moment, Lesley suddenly adopts a four-year-old child."If I'd known what I was taking on I shouldn't have done it. . . ." Little did she realize then that the child, Pat, was to govern the whole course of her life. Leaving her London flat, she takes refuge in a country cottage and here, after an acutely trying period of readjustment, life falls for the first time into its true perspective: Lesley discovers for herself the precious distinction between pleasure and happiness.

    In Napoleonic France, Edmond Dantes seeks revenge on those who wrongly imprisoned him.

    After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. If he ever comes back to her, she resolves to hang onto him and his love at all costs, even if it destroys her… Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it? Heralding the arrival of a stunning new literary talent, Acts of Desperation interrogates the nature of fantasy, desire, and power, challenging us to reckon honestly with our own insatiability.

    Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts.At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender,Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

     The story that inspired it was not. In 1990, a box of very old documents was found on a small farm in the west of Ireland. They had been stored for well over a hundred years and told an incredible story of suffering, of love and of courage. In 1846, a young couple met during the worst days of the Great Irish Famine. 'The Killing Snows' is a way to imagine what led to their meeting and what followed from it.

    In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.

    Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions.

    He never went to school but received most of his education in the streets of Dublin, and taught himself to read at the age of fourteen. He was successively a newspaper-seller, docker, stone-breaker, railway-worker and builders' labourer. In 1913 he helped to organise the Irish Citizen Army which fought in the streets of Dublin, and at the same time he was learning his dramatic technique by reading Shakespeare and watching the plays of Dion Boucicault. His early works were performed at the Abbey Theatre, Dublin, and Lady Gregory made him welcome at Coole, but disagreement followed and after visiting America in the late thirties O'Casey settled in Devonshire. He lived there until his death in 1964, though still drawing the themes of many of his plays from the life he knew so well on the banks of the Liffey. Out of the ceaseless dramatic experimenting in his plays O'Casey created a flamboyance and versatility that sustain the impression of bigness of mind that is inseparable from his tragi-comic vision of life.

    It is in this space, surrounded by countryside and wild creatures, that she can finally grapple with the chain of events that led her here-her shaky mental health, her difficult time in art school-and maybe, just maybe, regain her footing in art and life. As Frankie picks up photography once more, closely examining the natural world around her, she reconsiders seminal works of art and their relevance. With "prose that makes sure we look and listen," Sara Baume has written an elegant novel that is as much an exploration of wildness, the art world, mental illness, and community as it is a profoundly beautiful and powerful meditation on life.

    . . Even when, brutally overriding her refined sensibility, he imprisoned her in a mansion of overwhelming opulence, an accursed house that brought all who lived there grief. . . Even when, before her eyes, she saw him destroying their children with his misguided indulgence. . . For here was a man more powerful, more truly gigantic than any she had ever known, a man she knew she would love until death. . .

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    A wind-blasted rock of fishing boats and sheep’s wool, where the only book was the Bible and girls stayed in their homes until mothers themselves, the island was a gift for some, a prison for others. Oona was barely more than a girl, but promised herself she would leave the tall tales behind and never return.The Island Child tells two stories: of the child who grew up watching births and betrayals, storms and secrets, and of the adult Oona, desperate to find a second chance, only to discover she can never completely escape. As the strands of Oona’s life come together, in blood and marriage and motherhood, she must accept the price we pay when we love what is never truly ours . . . Rich, haunting and rooted in Irish folklore, The Island Child is spellbinding debut novel about identity and motherhood, freedom and fate and the healing power of stories.

    Full of wry humour, Kavanagh's unsentimental and evocative account of his Irish rural upbringing describes a patriarchal society surviving on the edge of poverty, sustained by the land and an insatiable love of gossip. There are tales of schoolboy skirmishes, blackberrying and night-time salmon-poaching; of country-weddings and fairs, of political banditry and religious pilgrimages; and of farm-work in the fields and kicking mares.

    Matty has had to care for her three younger sisters ever since their mother’s death ten years ago. She and the girls’ beloved father have worked hard to keep the family together and now it’s time to celebrate as Matty turns eighteen. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone…

    In Derry they both start to realise that sometimes you have to say goodbye to what you thought you always wanted, in order to find what you have needed all along. Editorial Reviews “One of the most scrumptious books i think I’ve ever read”All Things Books“Like a hug in a book! ... ideal book for those who doubts there's such a thing as having it all” – Woman’s Way“An amazing story of first love and how, even years later, the feelings can still exist. Based on a true story, this was my favourite tale of true love in recent years. Sweet, warm and endearing, it stayed with me for weeks after I had finished it. For all of us that believe there is a soulmate out there for everyone.” Bleach House LibraryQuite simply, this is one of the nicest, warmest and moving love stories I have read in years and I found myself very emotional while reading it. It had some personal meaning to me, as it was a similar tale to a relative of mine, and I had to stop reading a few times in order to pull myself together. I didn’t want it to end and the lump in my throat remains with me, even as I write this review. Writing.ieI LOVED this book. I was completely absorbed in it ...I really couldn't put it down - At Home with Mrs M“A feel-good, touching and amusing tale which readers will find hard to put down” – Irish Independent