Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado–a place that is as fierce as it is exquisite–these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.

    . . A woman in an arranged marriage struggles to connect with the son she hid from her husband for years . . . A well-meaning sister unwittingly reunites an abuser with his victims . . . Through the lives of an indelible array of individuals--musicians, housewives and pastors, children and grandparents, the men and women who own the dry cleaners and the mini-marts--Yoon Choi explores the Korean American experience at its interstices: where first and second generations either clash or find common ground; where meaning falls in the cracks between languages; where relationships bend under the weight of tenderness and disappointment; where displacement turns to heartbreak. Suffused with a profound understanding of humanity, Skinship is, ultimately, a searing look at the failure of intimacy to show us who the people we love truly are.

    Readers cannot resist journeying with her into realms-dangerously dark or illuminatingly revelatory-they could never imagine without her as their guide. From ghost stories in the tradition of M. R. James to darkly poetic tales to moving fictional examinations of the most basic of human emotion-fear, love, hate, loneliness-Monette's pen produces stories that are invariably unforgettable . . .

    Homes exposes the heart of an uneasy America in her new collection - exploring our attachments to each other through characters who aren't quite who they hoped to become, though there is no one else they can be.In A Prize for Every Player, a man is nominated to run for president by the customers of a big box store, while he and his family do their weekly shopping. At a conference on genocide(s) in the title story, old friends rediscover themselves and one another - finding spiritual and physical comfort in ancient traditions. And in Hello Everybody and She Got Away, Homes revisits a Los Angeles family obsessed with the surfaces and frightened of what lives below.In the nearly three decades since her seminal debut collection The Safety of Objects, Homes has been celebrated by readers and critics alike as one of our boldest and most original writers, acclaimed for her psychological accuracy and "satire so close to the truth it's terrifying" (Ali Smith). Her first book since the Women's Prize-winning May We Be Forgiven, Days of Awe is a major new addition to her body of visionary, fearless, outrageously funny work.Brother on Sunday --Whose story is it, and why is it always on her mind? --Hello everybody --All is good except for the rain --National cage bird show --Your mother was a fish --Last good time --Be mine --A prize for every player --Omega point --She got away

    It follows the groundbreaking, highly acclaimed Jesus’ Son. Written in the same luminous prose, this collection finds Johnson in new territory, contemplating old age, mortality, the ghosts of the past, and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death in May 2017, this collection is the last word from a writer whose work will live on for many years to come.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.

    In this debut collection of enormously perceptive and brutally unsentimental short stories, Parsons illuminates the ache of first love, the banality of self-loathing, the scourge of addiction, the myth of marriage, and the magic and inevitable disillusionment of childhood.Taking us from hot Texas highways to cold family kitchens, from the freedom of pay-by-the-hour motels to the claustrophobia of private school dorms, these stories erupt off the page with a primal howl—sharp-voiced, bitter, and wise. Black Light contains the type of storytelling that resonates somewhere deep, in the well of memory that repudiates nostalgia.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    In these stories, the reader moves among young men and women: pianists, historians, book illustrators, architects; women who are composed and inimitably sassy; and men who are magnetic, adventurous in love, or fiendishly elusive. They are people who are experiencing, often for the first time, the starting, enriching, and maddening complications of adult life.

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal. In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him. In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.

    A bookseller's unspoken love for his employee rises to the surface, a neglected teenage boy finds much-needed nurturing from an unlikely pair of college students hired to housesit, a girl's loss of innocence at the hands of her employer's son becomes a catalyst for strength and confidence, and a proud nonagenarian rages helplessly in his granddaughter's hospital room. Romantic, hopeful, brutally raw, and unsparingly honest, some even slipping into the surreal, these stories are, above all, about King's enduring subject of love.

    An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite.In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.