Three years ago her husband split, leaving her to raise their infant son Ethan alone as she struggled to launch her writing career. Now for the first time in years, things are looking up. She's just sold her first novel, and she and Ethan are going on a much-needed vacation. Everything seems to be going their way, so why can't she stop looking over her shoulder or panicking every time Ethan wanders out of view? Is it because of what happened when Ethan was born? Except Libby's never told anyone the full story of what happened, and there's no way anyone could find her and Ethan at a faraway resort . . . right?But three days into their vacation, Libby's fears prove justified. In a moment of inattention, Ethan wanders into an elevator before Libby can reach him. When the elevator stops and the doors open, Ethan is gone. Hotel security scours the building and finds no trace of him, but when CCTV footage is found of an adult finding the child wandering alone and leading him away by the hand, the police are called in. The search intensifies, a lost child case turning into a possible abduction. Hours later, a child is seen with a woman stepping through an emergency exit. Libby and the police track the woman down and corner her, but she refuses to release Ethan. Asked who she is, the woman replies:"I'm his mother."What follows is one of the most shocking, twist-y, and provocative works of psychological suspense ever written. A story of stolen identity, of surrogacy gone horribly wrong, and of two women whose insistence that each is the "real" mother puts them at deadly cross-purposes, Lost You is sure to be one of 2019's most buzzed-about novels.

    Faye Martin never expected her husband to abandon her and her three children . . . or that she'd have to struggle every day to make ends meet. So when her four-year-old daughter is discovered through a YouTube video and offered a starring role on a television series, it seems like her prayers have been answered. But when the reality of their new life settles in, Faye realizes that fame and fortune don't come without a price. And in a world where everyone is an actor and every move is scrutinized by millions, it's impossible to know who to trust, and Faye finds herself utterly alone in her struggle to save her family. Emotionally riveting and insightful, No Ordinary Life is an unforgettable novel about the preciousness of childhood and the difficult choices a mother needs to make in order to protect this fragile time in her children's lives.

    But when she walks into Rachel’s familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can’t return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can’t trust them to find her sister’s killer. Haunted by the murder and the secrets that surround it, Nora is under the harrow: distressed and in danger. As Nora’s fear turns to obsession, she becomes as unrecognizable as the sister her investigation uncovers. A riveting psychological thriller and a haunting exploration of the fierce love between two sisters, the distortions of grief, and the terrifying power of the past, Under the Harrow marks the debut of an extraordinary new writer.

    While working undercover on a high-risk case, he made decisions that ultimately cost him not only his career, but also his family. Disgraced, Raney fled-but history is finally catching up with him. Now in his early forties, Raney has been living in exile, the sole homicide investigator covering a two-hundred-mile stretch of desert in New Mexico. His solitude is his salvation-but it ends when a brutal drug deal gone wrong results in a triple murder. Staged in a locked underground bunker, the crime reawakens Raney's haunted and violent past. From the vast, unforgiving landscape of the American west to the mean streets of New York, The Exiled is at once a riveting murder mystery and a brilliant portrait of a man on the run from himself, an unforgettable thriller that is "impossible to put down" (Frank Bill).

    Together they write and illustrate award-winning children’s books; their life together one of enviable privilege and ease—until, one evening after a delightful dinner, Oliver delivers a blow to Alice that renders her unconscious, and subsequently beats her into a coma.In the aftermath of such an unthinkable event, as Alice hovers between life and death, the couple’s friends, neighbours, and acquaintances try to understand what could have driven Oliver to commit such a horrific act. As his story unfolds, layers are peeled away to reveal a life of shame, envy, deception, and masterful manipulation.

     British agent Michael York is sent to Berlin to solve the mystery of his predecessor’s death. A member of the Berlin String Quartet, four talented musicians, had offered the British Intelligence officer valuable information. But another member had betrayed him, and turned him in to the Gestapo. Each of the musicians has access to vital information and can easily be the one who betrayed York’s predecessor. York finds the quartet difficult to assess. Amanda Hamilton is lead violinist and a former Brit. Her husband is a German citizen, Manfred Richter, a high ranking Nazi. She could be the Gestapo informant, loyal to her husband even with his indiscretions. An amateur photographer, she has chronicled ten years of life in Germany, and is a favorite of Hitler. Erika Jaeger, second violinist, works in the logistics department of the War Ministry. Viola player Gerhard works as a draftsmen for the Armaments Department, with access to secret weapons. The last of the quartet, Albert Kaiser, has access to valuable information through highly-placed relatives. With the aid of a British master spy, Max, York works painstakingly to solve the riddle and gather information for the Allies. He must tiptoe through the streets of Berlin, always cautious, always aware, knowing that a child could betray him as easily as a grandmother. He approaches each member of the quartet, watching and waiting, probing their weaknesses and avoiding their strengths. As the months pass, he observes and assesses, learns their secrets, and evaluates their loyalties. Michael York must decide who is on his side, who is dangerous, and who is in danger. As the Gestapo slowly begins to close in on York, his friendship with Amanda blooms to romance and they plan their escape from Germany. Nothing can prepare him for the revelations that follow. John Anthony Miller is a world traveller. He is the author of To Parts Unknown, published in the fall of 2014.  Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.

    Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of.Until the day she awakens and sees someone peering into her bedroom window--an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her.Later that day though, she spies the old woman again, in the parking lot of her daughters' private school . . . just minutes before Bree's infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly--Bree looked away only for a second. There is a note left in his place, warning her that she is being is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow.The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It's her child.To get her baby back, Bree must complete one small--but critical--task. It seems harmless enough, but her action comes with a devastating price.Bree will do whatever it takes to protect her family--but what if the cost tears their world apart?

    Everybody’s got a drawer somewhere with something hidden in it.On June 28, 1980—the hottest night of the year—Kelly Michelle Lund shoots and kills Oscar-nominated director John McFadden at a party in his home. . . . And instantly becomes a media sensation, her chilling smile fodder for national nightmares. For years, speculation swirls over the enigmatic seventeen-year-old’s motives, information she’s refused to share. Convicted of the murder, she loses her youth and her freedom—but keeps her secrets to herself.Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high profile murder. But this time, she’s got some unexpected allies who believe she’s innocent—of both killings—and want to help her clear her name. But is she?Written with masterful precision and control, What Remains of Me brilliantly moves forward and back in time, playing out the murders side by side—interweaving subtle connections and peeling away layers of events to reveal the shocking truth.

      As the Chief of Rheumatology at Columbia Presbyterian, Dr. Paul Allen's specialty is diagnosing patients with conflicting symptoms, patients other doctors have given up on. He lives a contented life in Westport with his second wife and their twin sons—hard won after a failed marriage earlier in his career that produced a son named Daniel. In the harrowing opening scene of this provocative and affecting novel, Dr. Allen is home with his family when a televised news report announces that the Democratic candidate for president has been shot at a rally, and Daniel is caught on video as the assassin.       Daniel Allen has always been a good kid—a decent student, popular—but, as a child of divorce, used to shuttling back and forth between parents, he is also something of a drifter. Which may be why, at the age of nineteen, he quietly drops out of Vassar and begins an aimless journey across the United States, during which he sheds his former skin and eventually even changes his name to Carter Allen Cash.      Told alternately from the point of view of the guilt-ridden, determined father and his meandering, ruminative son, The Good Father is a powerfully emotional page-turner that keeps one guessing until the very end. This is an absorbing and honest novel about the responsibilities—and limitations—of being a parent and our capacity to provide our children with unconditional love in the face of an unthinkable situation.

    Except it is your house. And you didn’t sell it. When Fiona Lawson comes home to find strangers moving into her house, she's sure there's been a mistake. She and her estranged husband, Bram, have a modern co-parenting arrangement: bird's nest custody, where each parent spends a few nights a week with their two sons at the prized family home to maintain stability for their children. But the system built to protect their family ends up putting them in terrible jeopardy. In a domino effect of crimes and misdemeanors, the nest comes tumbling down.Now Bram has disappeared and so have Fiona's children. As events spiral well beyond her control, Fiona will discover just how many lies her husband was weaving and how little they truly knew each other. But Bram's not the only one with things to hide, and some secrets are best kept to oneself, safe as houses.

    He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. He hoped it wouldn’t end like this, not for him.Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the homicide detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake. Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men.

    Untimely deaths are all too common in rural Blackwater, Kansas, where crime and overdoses are on the rise, and the small-town police force is consumed with the recent discovery of a child's skull in the woods. Sadie is on her own, delving into the dark corners of a life her brother kept hidden and unearthing more questions than answers.Eighteen-year-old Henley Pettit knows more than she'd like to about the seedy side of Blackwater, and she's desperate to escape before she's irreparably entangled in her family's crimes. She dreams of disappearing and leaving her old life behind, but shedding the past is never easy, and getting out of town will be far more dangerous than she ever imagined.As more bones are found in the woods, time is running out for Sadie to uncover the truth and for Henley to make her escape. Both women are torn between family loyalties and the weight of the secrets they carry, knowing full well that while some secrets are hard to live with, others will get you killed.Like Laura McHugh's previous award-winning thrillers, The Weight of Blood and Arrowood, The Wolf Wants In is an atmospheric, beautifully told novel that barrels toward a twisting, chilling end and keeps us turning the page to find out how these small-town secrets will unravel--and who will survive.

    Finally, they’ll be accepted into a tribe. Marley will make friends and Ruth will be welcomed by the mothers. Instead, the parents are turned off by Ruth’s ostentatious wealth and before kindergarten even begins, Ruth and Marley are outcasts. The last guest to arrive at the meet-and-greet is Gemma, a widow and a single mother to her daughter, Bee. Ruth sets her sights on the mother-daughter duo, and soon the two families are inseparable. Ruth takes Gemma and Bee on Aspen vacations, offers VIP passes to Cirque du Soleil, and pays for dinners at Michelin-starred restaurants. For Gemma, who lives paycheck to paycheck, Ruth’s largesse is seductive, but as the years go by, she can’t shake the feeling that she’s accruing an increasingly unpayable debt. When Ruth’s affair with a married Hillside dad is exposed, and she’s publicly shunned, Gemma uses it to sever ties with Ruth. Six years later, when Gemma finds herself embroiled in a scandal of her own—Ruth comes to her defense. Their renewed friendship rehabilitates their reputations, but once again, Gemma starts to feel trapped as Ruth grows more and more obsessed with their relationship. A relentless page-turner, Did I Say You Could Go is the story of friendships steeped in lies and duplicity. It’s about two families who, when pushed to extremes, cross the line with devastating results.

    When Dawn brings her new boyfriend home from college for a visit, her parents and sister try to hide their doubts because they're glad that Dawn - always an awkward child - appears to have grown into a confident, mature young woman in her relationship with Rud. But when Hanna and her husband, Joe, are beaten savagely in their bed, Rud becomes the chief suspect and stands trial for Joe's murder. Claiming her boyfriend's innocence, Dawn estranges herself from her mother, who survived the attack with serious injuries and impaired memory. When Rud wins an appeal and Dawn returns to the family home saying she wants to support her mother, Hanna decides to try to remember details of that traumatic night so she can testify to keep her husband's murderer in jail, never guessing that the process might cause her to question everything she thought she knew about her daughter.