I’ve always been too much and yet not enough. Sugar Legowski-Gracia wasn’t always fat, but fat is what she is now at age seventeen. Not as fat as her mama, who is so big she hasn’t gotten out of bed in months. Not as heavy as her brother, Skunk, who has more meanness in him than fat, which is saying something. But she’s large enough to be the object of ridicule wherever she is: at the grocery store, walking down the street, at school. Sugar’s life is dictated by taking care of Mama in their run-down home—cooking, shopping, and, well, eating. A lot of eating, which Sugar hates as much as she loves.When Sugar meets Even (not Evan—his nearly illiterate father misspelled his name on the birth certificate), she has the new experience of someone seeing her and not her body. As their unlikely friendship builds, Sugar allows herself to think about the future for the first time, a future not weighed down by her body or her mother.Soon Sugar will have to decide whether to become the girl that Even helps her see within herself or to sink into the darkness of the skin-deep role her family and her life have created for her.

    Jefferson, a young black man, is an unwitting party to a liquor store shoot out in which three men are killed; the only survivor, he is convicted of murder and sentenced to death. Grant Wiggins, who left his hometown for the university, has returned to the plantation school to teach. As he struggles with his decision whether to stay or escape to another state, his aunt and Jefferson's godmother persuade him to visit Jefferson in his cell and impart his learning and his pride to Jefferson before his death. In the end, the two men forge a bond as they both come to understand the simple heroism of resisting and defying the expected. Ernest J. Gaines brings to this novel the same rich sense of place, the same deep understanding of the human psyche, and the same compassion for a people and their struggle that have informed his previous, highly praised works of fiction.

    She is also an Iranian asylum seeker who is only allowed out of detention to attend school. On weekdays, during school hours, she can be a ‘regular Australian girl’.Jono needs the distraction of an infatuation. In the past year his mum has walked out, he’s been dumped and his sister has moved away. Lost and depressed, Jono feels as if he’s been left behind with his Vietnamese single father, Kenny.Kenny is struggling to work out the rules in his new job; he recently started work as a guard at the Wickham Point Detention Centre. He tells Anahita to look out for Jono at school, but quickly comes to regret this, spiraling into suspicion and mistrust. Who is this girl, really? What is her story? Is she a genuine refugee or a queue jumper? As Jono and Anahita grow closer, Kenny starts snooping behind the scenes…

    H recalls when he himself was sixteen—his godson’s age—as they search for the site of H’s life-altering friendship with a boy named Finn. Finn lives alone on an isolated slip of land and follows no rules: he spends his days swimming, fishing, and collecting driftwood for his tiny beach hut. H, on the other hand, is an upper-class boarding school boy stifled by monotony and endless rules. They meet by chance on the beach, and H is immediately awed by (and jealous of) Finn’s way of life. They strike up an unlikely friendship but the gap between their lives becomes difficult to bridge, and before long the idyll that nurtured their relationship is shattered by heart-wrenching scandal. Meg Rosoff was formerly a YA author, but her work transcends categorization and we are delighted to bring it to adult readers for the first time. What I Was is a timeless, enthralling story destined to become a classic.

    I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

    It's a wrong number. But the caller seems to want to talk, so she stays on the line.He asks for a single thing—one reason not to kill himself.The request plunges her into confusion. Because if this random caller actually does what he plans, he'll be the second person connected to Tori to take his own life. And the first just might land her in jail. After her Facebook page became Exhibit A in a tragic national news story about cyberbullying, Tori can't help but suspect the caller is a fraud. But what if he’s not? Her words alone may hold the power of life or death.With the clock ticking, Tori has little time to save a stranger—and maybe redeem herself—leading to a startling conclusion that changes everything…

    There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams, which are nothing compared to what life actually has in store for him. He embarks on an epic journey through a land of tribal superstition and modern prejudice where he will learn the power of words, the power to transform lives and the power of one.

    As Williams's first popular success, it launched the brilliant, if somewhat controversial, career, of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, Menagaerie has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by the editor of The Tennessee Williams Annual Review, Robert Bray, reappraises the play more than half a century after it won the New York Drama Critics Circle Award. This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." (back cover)

    Billy, struggling with the deteriorating relationship with his depressed father, is the only one who understands. Through her pain, he sees hope. Through her tears, he feels her heart. And through her despair, he finds love. But is that enough?     Acclaimed author Janet Ruth Young has written a stunning and powerful story with no easy answers; it is about pain and heartbreak, reality and illusion, and finding redemption and the strength to forgive in the darkest of times.

    She knows she just has to stick it out at school for one more year and then she’ll be free. Instead, she runs away from her fancy boarding school back to her sleepy hometown to read and dream.But there are no free rides. When Addie’s grandad gets her a job at the local historical society, she soon finds out that it’s dusty and dull, just like her new life. Things change when she starts hanging out with Jarrod, a boy who seems full of possibilities. But it turns out he’s as stuck as she is. And Addie realises that when you want something in life, you’ve actually got to do something about it.A heartfelt tale about love, friendship and finding your own way.

    Miles “Pudge” Halter is done with his safe life at home. His whole life has been one big non-event, and his obsession with famous last words has only made him crave “the Great Perhaps” even more (Francois Rabelais, poet). He heads off to the sometimes crazy and anything-but-boring world of Culver Creek Boarding School, and his life becomes the opposite of safe. Because down the hall is Alaska Young. The gorgeous, clever, funny, sexy, self-destructive, screwed up, and utterly fascinating Alaska Young. She is an event unto herself. She pulls Pudge into her world, launches him into the Great Perhaps, and steals his heart. Then. . . . After. Nothing is ever the same.

    It is a powerful and compelling novel about a young man navigating the depths of his emotional life, finding his moral center, trying to forgive himself, and accepting the gift of love.

    How can a guy and a girl really be best friends?Then the summer before senior year, Mo’s father loses his job, and by extension his work visa. Instantly, life for Annie and Mo crumbles. Although Mo has lived in America for most of his life, he’ll be forced to move to Jordan. The prospect of leaving his home is devastating, and returning to a world where he no longer belongs terrifies him.Desperate to save him, Annie proposes they tell a colossal lie—that they are in love. Mo agrees because marrying Annie is the only way he can stay. Annie just wants to keep her best friend, but what happens when it becomes a choice between saving Mo and her own chance at real love?

    Literally. His nickname at Happy Valley High School is Neanderthal because he's so enormous — 6'6" and 250 pounds to be exact. He has no one at school and life in his trailer park home has gone from bad to worse ever since his older brother's suicide.There's no one Cliff hates more than the nauseatingly cool quarterback, Aaron Zimmerman. Then Aaron returns to school after a near-death experience with a bizarre claim: while he was unconscious he saw God, who gave him a list of things to do to make Happy Valley High suck less. And God said there's only one person who can help: Neanderthal.To his own surprise, Cliff says he's in. As he and Aaron make their way through the List, which involves a vindictive English teacher, a mysterious computer hacker, a decidedly unchristian cult of Jesus Teens, the local drug dealers, and the meanest bully at HVHS — Cliff feels like he's part of something for the first time since losing his brother. But fixing a broken school isn't as simple as it seems, and just when Cliff thinks they've completed the List, he realizes their mission hits closer to home than he ever imagined.

    (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence.Fences like this exist all over the world. We hope you never have to encounter one.