After the perpetrators were charged but quickly released, Graden’s brother, Warren, drifted aimlessly for decades, estranged from the rest of his family and struggling with guilt over his brother’s death. But when the U.S. Justice Department begins re-opening cases like Graden’s more than forty years later, Warren dedicates himself to bringing Graden’s killers to justice.A phoned-in tip after a television appearance leads Warren to a remote town in northern Ontario, where he meets Earl Olsen, the only murderer still at large, who turns out to be very different than what Warren had expected.

    Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges--the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda. Setting in motion the novel's chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents--including a German U-boat's sinking of the Nova Scotia-Newfoundland ferry Caribou, on which Aunt Constance Hillyer might or might not be traveling--lend intense narrative power to Norman's uncannily layered story. Wyatt's account of the astonishing--not least to him-- events leading up to his fathering of a beloved daughter spills out twenty-one years later. It's a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one. An utterly stirring novel. This is Howard Norman at his celebrated best.

    Flora, an amateur American botanist, is contracted by an international ring of flower thieves to infiltrate the household and acquire the coveted bloom. Her search is at once brightened by new love and threatened by her discovery of a series of ghastly crimes.More than half a century later, garden designer Addison takes up residence at the manor, now owned by the family of her husband, Rex. The couple’s shared passion for mysteries is fueled by the enchanting camellia orchard and an old gardener’s notebook. Yet its pages hint at dark acts ingeniously concealed. If the danger that Flora once faced remains very much alive, will Addison share her fate?

    

    Buried secrets and twisted lies ripple the surface, but the truth is hidden deep beneath the body count. No one can be trusted and everyone’s a suspect. Time is running out until the next kill, and the next cryptic rhyme carved deep in their flesh. Will she find him in time to save the next victim, or is he coming for her?

    Realizing the Nazi threat is advancing towards the Balkans with giant strides, his parents are prepared to do anything to save their son’s life.The road to survival, however, is not easy.Just as Europe’s gates are about to shut down, Hanne and 1,100 other youths sail away on the Danube River. On board the ship, under appalling living conditions, Hanne falls in love with Inge, a young German Jewish girl.Soon their love intensifies, and with it, the desire to build a new life together in the Land of Israel. But their journey for survival is becoming increasingly difficult with each passing day.When promises of a boat that should take them to the Black Sea prove false and Nazi army forces are right around the corner, their plan for escape is in real danger. What fate awaits Hanne and Inge? Will they be able to make the dream they share a reality?

    But then an unexpected pregnancy puts everything at risk, and Dorothy is left alone – with Robbie nowhere to be seen.Heartbroken, Dorothy picks up the pieces of her life as a working girl in Battersea helping to support her mother and father. But before long, things start to become difficult. Her father’s health is worsening, money is tight and worst of all, Robbie hasn’t come back for her.Can Dorothy find a way back to happiness in the face of real adversity? Will she have the courage to make it on her own – or is someone else waiting in the wings to save her?Gritty and moving, this is the perfect read for fans of Dilly Court and Maggie Hope.

     Aging Mafia Don Salvatore Padronelli, a.k.a. the Padre, is furious when fanatical terrorists capture his beloved daughter and grandson on a trip to Egypt. Fed up with diplomatic caution that prolongs their captivity, the Padre and his loyal henchman cleverly insinuate themselves into the White House to hold the President and his wife hostage. Now the Padre calls the shots on getting the President to take steps to release his family. But will his plan go as expected? - HOW THE GODFATHER INFLUENCED WE ARE HOLDING THE PRESIDENT HOSTAGE - I have long been a fan of Mario Puzo's The Godfather ever since we attended Don Wolfe's creative writing course in the New School years ago. Mario was more than ten years my senior, a World War II veteran, while I was a twenty-year-old college graduate who took Dr. Wolfe's freshman English course at NYU, inspiring me to devote my life to writing. The class met once a week, but a few of us from the class were chosen by our classmate Harold Applebaum, who was a published poet that frequently appeared in The New York Times, to meet periodically in our homes to read our work and generally socialize. Mario and I were among some of the select few; we liked to think that Harold had chosen us because he deemed our work as reflecting superior talent. We were flattered of course, although in retrospect, many of the students in that class were extraordinarily talented. I think there were about six of us among Harold's chosen, all determined writers hoping to make our mark and who were all flattered by Harold's attention. Years later when The Godfather was published, I was quick to purchase the book and gobbled it up with relish. I thought the book was wonderful. When it hit the silver screen its impact was extraordinary and spawned a giant career for my fellow classmate. I can trace a direct line from The Godfather to my characters in We Are Holding the President Hostage. Another influence was the fact that I had grown up in Brownsville, Brooklyn, in the neighborhood that was the headquarters of Murder Inc. and had observed in person many of the gangsters who were part of that era. Another influence of mine was the fact that I had become familiar with the White House and its inner workings, having been a consultant to the Nixon White House with a blue pass that gave me access. Although there was tight security in those days it was far more lenient than it is today. It was also a time when hostage taking was just beginning to show its ugly face and the news was filled with incidents in which the taking of a hostage was becoming a political act of choice. For me, it was a question of connecting the dots. I was able to imagine a story where a group of mafia characters, one of whose daughters was taken hostage in Egypt, were able to infiltrate the White House with the express purpose of persuading the president to use mafia tactics to deal with the hostage taking. The Godfather will always have a special place in my heart, being one of the major influences that sparked We Are Holding the President Hostage, including my political experience and the events going on around me during the 1980s. But it really comes down to my relationship with Harold and Mario. If I had never known them, then perhaps the course of events wouldn't have played out the way they did and the idea for my book never would have materialized.

    It will take 165,000 troops and 700 ships in the bloody battle of Leyte Gulf to do it. Among them is the destroyer USS Matthew and her skipper, Commander Mike Donovan, a veteran haunted by earlier savage battles. What Donovan doesn’t know is that Vice Admiral Takao Kurita of Japan has laid an ingenious trap as the Matthew heads for the treacherous waters of Leyte Gulf. But Donovan faces something even deadlier than Kurita’s battleships: Explosives secretly slipped on board American ships by saboteurs are set to detonate at any time. Now the Matthew’s survival hinges on the ability of Donovan and his men to dismantle a bomb in the midst of the panic and the chaos of history’s greatest naval battle.“Gobbell’s sea tales . . . will have you looking up your nearest Navy recruiter.” —W.E.B. Griffin“[John Gobbell is] a first-rate storyteller.” — Stephen Coonts“Wonderful . . . a rousing dramatization of history’s greatest sea battle.” — James D. Hornfischer, author of The Last Stand of the Tin Can Sailors

    Her only hope of surviving is to travel to America, a land of freedom and opportunity, and reunite with her brother in Baltimore. There she'll find new challenges, and perhaps, if she can put her painful past behind her, a new chance for love and lasting happiness.

    The war may be waning, but the city known as La Serenissima is still occupied and the people of Italy fear the power of the Third Reich. One night, under a canopy of stars, a fisherman named Cenzo comes across a young woman’s body floating in the lagoon and soon discovers that she is still alive and in trouble.Born to a wealthy Jewish family, Giulia is on the run from the SS. Cenzo chooses to protect Giulia rather than hand her over to the Nazis. This act of kindness leads them into the world of Partisans, random executions, the arts of forgery and high explosives, Mussolini’s broken promises, the black market and gold, and, everywhere, the enigmatic maze of the Venice Lagoon.

    After all, his mother Anna has been dead for nearly three weeks. What follows is an orchestrated Twitter campaign to lead those Anna loved, and didn’t love so much, to the truth behind her “accidental” death.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    Although the charges are denounced as preposterous, his accuser is convinced he is right and engages attorney Catherine Lockhart to bring Rosenzweig to justice. Solomon persuades attorney Catherine Lockhart to take his case, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family only to betray them during the Nazi occupation. But has Solomon accused the right man?Once We Were Brothers is Ronald H. Balson's compelling tale of two boys and a family who struggle to survive in war-torn Poland, and a young love that struggles to endure the unspeakable cruelty of the Holocaust. Two lives, two worlds, and sixty years converge in an explosive race to redemption that makes for a moving and powerful tale of love, survival, and ultimately the triumph of the human spirit.

    They include my mother, my father, my little sister, my grandmother, my other grandmother, my grandfather, my boss, my sixth year Biology teacher and my boyfriend James.When Leah Oliphant-Brotheridge and her adopted sister Su go on holiday together to Magaluf to celebrate their A-levels, only Leah returns home. Her successful, swotty sister remains abroad, humiliated and afraid: there is an online video of her, drunkenly performing a sex act in a nightclub. And everyone has seen it.Ruth Oliphant-Brotheridge, mother of the girls, successful court judge, is furious. How could this have happened? How can she bring justice to these men who took advantage of her dutiful, virginal daughter? What role has Leah played in all this? And can Ruth find Su and bring her back home when Su doesn't want to be found?